Analysis Of The Godfather Part 2

The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American

Francis Ford Coppola directed the gangster crime drama film, The Godfather (1972), inspired by the novel of the same name, written by Author Mario Puzo. The film plays out in the beginning how Don Corleone declined to join the narcotics business with notorious drug lord Sollozzo. With this in mind, one of the greatest gangster films created by a man who decided to lead, and not follows. Moreover, explaining the formalist approach for this film which covers an array of elements that include plot structure, camera techniques, editing, mise en scene, and sound. The following film critique will analyze “The Godfather,” beginning by utilizing the formalist approach theory, camera technique and sound gradually introducing additional theories

One of the greatest films and novels of all time, The Godfather by Mario Puzo is the book that I chose to write my report about. This book falls under the drama and crime fiction genres, due to its dramatic story of people being shot and murdered. The Godfather takes place in New York during the years 1945-1955, right after World War II. Most of the story is written from a narrator 's perspective, save for two points in the book in which the story becomes a first person point of view. One of the themes portrayed in the novel is that family always comes first, even if it isn’t a blood-related family, but a crime family. The novel’s theme is primarily that of loyalty, which is a crucial plot device because some of the Corleone family

“ They rely on a viewer's preconceived idea of how a particular person or ethnic group should act and merely fulfill these expectations. External signs and cues are used to indicate and suggest the veneer of culture. Dress, eating habits, and language accents are exaggerated…” Even though the directors of the movie did not directly refer to Italian Americans, the way they portrayed the characters based on their language, clothes, food and etc. indirectly told the audience that the characters were of Italian background. By seeing this occur in every movie and show, the public got accustomed to seeing Italian Americans as the mafia and failed to recognize that the mafia was only a small percentage of Italian Americans and the rest were just like ordinary people trying to make a better life.

Let’s start with the story of The Godfather Part II. The movie’s story is a continuation of where the first movie left off, which is with Michael Corleone as the new don, or head of the family. However, this film is quite different from the first, or any other movie as it shows two different stories at once. One story is of Michael Corleone’s fall and the numerous legal battles he goes through as he tries to legitimize his family business, and the other is the story of Michael’s father, Vito, and his rise to power from young adult to mafia leader (Ebert). The story of Vito Corleone is shown through flashbacks that happen too often for my liking, and are not as

The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s.

The Godfather and Goodfellas are both considered “mafia movies.” Both of these films portray some form of organized crime committed by Italians. They mutually romanticize the mob lifestyle and depict it with pure clarity. Although both of these movies portray the lives of the same kind of people, they are more than just a simple characterization. Violence plays a major role in each of these films. The Godfather and Goodfellas are obviously very similar. However, they also have several aspects that differ from one another.

The “Goodfellas” movie is a movie about the life of a gangster growing up in the New York Mafia. A young man name Henry, ever since he was a young boy always wanted to be in the Mafia. Henry grew up on the streets with the Mafia wanting to be like them because no would ever mess with them and they could park wherever they wanted and not get a ticket. The movie itselfs had showed the mafias subculture and shows all their norms, values, and also their deviant lifestyle throughout the movie. The people around and in the Mafia are part of a subculture where there are certain people who are considered criminals and can protect anyone that can’t or is not allowed to go to the cops to snitch.

The Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becomes a part of the Mafia lifestyle. When his older brother is murdered, Michael ascends to become the boss of the family, and proves to be more ruthless than his father and brother combined. The scene that I am analyzing is one where Michael is becoming his nephew’s godfather at his baptism.

The Godfather is a mob film focuses on the Corleone Family, with its head Vito Corleone (Marlon Brando) trying to find a suitable heir to his empire, while war is breathing down the neck of other crime families. Michael Corleone (Al Pacino) then steps in to organize the family back to shape. Directed by Francis Ford Coppola and based from the novel of the same name written by Mario Puzo. It received critical acclaim by critics and was cited as an influence by real life mobsters due to its rather realistic portrayal of gangster life and Cosa Nostra.

8 When you refer to the narrative of the story, use the present tense, as in the following: “Sammy decides that he can no longer continue to work at the store.” Don’t write: “Sammy decided that he could no longer

THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family

'The Godfather' is the most revolutionary gangster film of all time, it rewrote the gangster genre in such a stylized way that all latter gangster films have conformed to this genre but also evolved it as films have progressed. Directed by Francis Ford Coppola 'The Godfather' re-invented the gangster genre elevating it to a Hollywood status and making it commercially profitable. It looks into the life of the 'Corleone' family and represents America at that point in time. It portrays the violence and power, corruption and justice, honour and obligation apparent at that time. Previous to 'The Godfather's' release the 'American Dream' was born, to idealists America was the country of

Let’s start with the story of “The Godfather Part II”. The movie’s story is a continuation of where the first movie left off, which is with Michael Corleone as the new don, or head of the family. However, this film is quite different from the first, or any other movie as it shows two different stories at once. One story is of Michael Corleone’s fall and the numerous legal battles he goes through as he tries to legitimize his family business, and the other is the story of Michael’s father, Vito, and his rise to power from young adult to mafia leader. The story of Vito Corleone is shown through flashbacks that happen too often for my liking, and are not as entertaining as the

“A man who doesn’t spend time with his family, can never be a real man” - Mario Puzo, The Godfather. As described in the novel Godfather, Don Corleone is a man who is passionate for obtaining respect, as well as repaying the favor. Don, a man of power, and much wisdom is very persuasive in using force to get what he wants. Throughout the Godfather, it will take many twists and turns into the lives of the mafia. It will reveal a world of crime, men on the run. Drugs, what such things