Analysis Of The Green Mile

The film The Green Mile was originally written by Stephen King and later directed by Frank Darabont. It is based on the guards and inmates of a penitentiary’s Death Row during the great depression. There is a certain monotony that comes with working on Death Row and Paul Edgecomb, played by Tom Hanks, has become numb to the fact that he is paid to take lives; that is until John Coffey gets sentenced to death and is sent to Paul’s “green mile”. John Coffey is a very large black man that was accused of rape and murder of two little girls, and in the 1930’s having charges like that brought upon you was grounds for the death penalty, especially for a black man in the south.

Throughout the term I have begun experiencing movies in a different way. The class has taken ideas of cinematography, theory, and film history and practically applied it to physically watching movies. By breaking down scenes and movies as a whole, the way I look at films in general has developed. A reflection on two of the films from this term, Casablanca (Curtiz, 1942) and North by Northwest (Hitchcock, 1959) will carry the bulk of the essay. Though, I will also be discussing how this class changed the way I saw a movie just a few weeks ago. Casablanca’s script and acting are of particular caliber, and North by Northwest unfortunately does not deliver with the dialogue and casting of lead actor Cary Grant. Though, overall, they both

In the film Green Mile, different sociological theories and concepts can be useful in considering how societies rule our behaviors in life within different cultural places and times. A theory developed by sociologist Emile Durkheim known as the functionalist perspective profoundly applies through out the film. Concepts that are also seen in the film includes: human agency, norms, folkways, mores, and master status with a few theories and concepts of deviance.

One of the main themes in “The Green Mile” is death. It encapsulates the whole novel, leaving the reader to think deeply about their fate. It’s an obvious theme, considering the story takes place on death row. However, further analysis reveals a deeper meaning than men dying in the electric chair for their crimes. “And I think about all of us. Walking our own green mile; each in our own time.”(Pg 434) Paul said. The reader will discover that the Green Mile itself is a metaphor for death. Paul compared life at the Green Mile to life for a free citizen, because both lifestyles will end in the same way. Death is inevitable. For the prisoners, they have a set number of days until their execution, so their “Green Mile” is relatively short. A

The film, Good will hunting (Bender et al., 1997), is an American classic flick which is lauded for its fresh and ordinary approach towards depicting situations that is realistic and relatable. In the film, Good Will Hunting (Bender et al., 1997), this is clearly show up that, savagery Will Hunting experienced as a youngster and after that shows as a grown-up; along with flashes of a sweet attitude towards his companions and mental virtuoso. It is about a young man struggle to find himself. He is unwillingly treated to a psychologist just to keep him out of trouble. In this journey, he finds out what he is and what matters to him the most. This movie uses strong and effective technique on evoking emotions and empathy to the audience through exposing them to various technicities of filmmaking such as color, camera technique and many more. After reading the book (OpenStax 2016), we can have adopted different kinds of psychological theory to explain this movie. Good will hunting is related with Erikson’s psychosocial theory of personal development (Neu-Freudian theory),Freud’s psychoanalytical theory and the five-factor model of personality (Big-five: OCEAN).

Food and Drug Association agents on one side, desperately sick people on the other. Anyone would normally think these two groups would be on the same page but this was the scene for many buyers’ clubs around the nation in the late 80’s and early 90’s as the HIV/AIDS crisis took ahold of America and what inspired the movie Dallas Buyers Club. The movie is based on the story of AIDS patient Ron Woodroof, who was described as “handsome, in a Texas dumb hick white trash kinda way” by his transgender sidekick, Rayon, and his pursuit to live despite the fact that the only drug approved by the FDA to fight AIDS is actually killing patients. The growth of buyers’ clubs proves that in a time where AIDS victims

Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.

In contemporary film making, “Hollywood-ization” generally refers to the re-creation of a classic work in a form more vulgar and sexually explicit than the original in an effort to boost movie attendance. After all, sex and violence sell. However, from the mid-1930’s to the 1950’s, “Hollywood-ization” referred to the opposite case where controversial books had to be purified to abide by the Production Code of 1934.[1] This occurred to many of James Cain’s novels as they moved from text to the genre of “film noir.” As has been said about Cain’s The Postman Always Rings Twice, “The property, bought several years ago, was kept in the studio’s archives until now

In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.

Martin Charles Scorsese was born November 17, 1942. Suffering from asthma, he spent most of his time watching movies and by the time he was eight, he was already drawing his own storyboards that were directed/produced by himself. Although he considered going into priesthood, making movies was Scorsese’s true calling and he went on to make some of Hollywood’s most memorable films. Incorporating themes from his Italian American roots into his visceral, cinematic storytelling that has influenced generations of filmmakers. He is an American director, producer, screenwriter, actor, and film historian, whose career spans more than 53 years. Scorsese 's body of work addresses such themes as Sicilian-American identity, Roman Catholic concepts of guilt and redemption, machismo, modern crime, and gang conflict. Many of his films are also notable for their depiction of violence and liberal use of profanity. Part of the New Hollywood wave of filmmaking, he is widely regarded as one of the most significant and influential filmmakers in cinema history. For three decades Scorsese has been at the forefront of American cinema. Its most avid champion and often its most electrifying practioner. The most cinematic of directors, he has also been among the most formally restless and exploratory, evolving an obsessive-compulsive mise-en-scene based on dynamic, agile camerawork and radical editing rhythms.

[1] Before I start this essay, I feel the need to remind the reader that I find slavery in all its forms to be an oppressive and terrible institution, and I firmly believe that for centuries (including this one) bigotry is one of the most terrible stains on our civilization. The views I intend to express in the following essay are in no way meant to condone the practices of slavery or racism; they are meant only to evaluate and interpret the construction of slavery in film.

In the film, Good Will Hunting, the main character, Will Hunting, is a gifted mathematician who struggles to find a productive and fruitful life. Throughout the film, Will displays outstanding and one-of-a-kind abilities in the field of mathematics. However, his emotional and social intelligence falls far behind his intellectual intelligence. With a rap sheet stocked full with assault and aggression, Will must navigate himself through life by learning to trust, love, and learn.

Differing opinions exist regarding the purpose and usefulness of a college education. While attending college appears to be a legitimate course of action to advance one’s educational and professional aspirations for some, it may seem senseless when considering the rise of college tuitions coupled with the fact that a college degree does not necessarily guarantee a job. Either way, defining the value and worth of a college education remains subjective. However, in the film, Good Will Hunting, the importance or perceived importance of a college education seems to be rejected at large, namely by the main character, Will Hunting, and his psychologist. Specifically, two main perspectives are shown regarding the frame of mind one should possess regarding education, one that values academic achievement and jobs, and the other that rejects those ideals and focuses primarily on self-discovery to figure out what is wanted in life. Consequently, both perspectives result in different behaviors among the characters in the film. Although Good Wil Hunting accurately highlights some of the major downfalls of a college education, it unfairly criticizes the emphasis college cultures places on achievement and future success. Because of this, the film takes devalues a college education and subtly frames it as a waste of resources through overtly ridiculing it.

The film focuses on African American historical events, with special concentration on the civil rights era. With the White House segments of the film starting in the oppressive Eisenhower years, it offers a presidential level insight into the historic freedom movements of the 1960’s, all the way through until the day that Barack Obama is elected president in 2008. I am going to argue that Daniels’ representation of history and race are much more than a ‘parody of historical drama’, as he defies the ‘conventional’ stereotypes of Hollywood (Martin 2013) through the focus on individual character depictions and rejection of generalisations seen previously in African American films.

Defining the American: A Critical Analysis and Comparison of Solomon Northup’s Autobiography 12 Years a Slave and Steve McQueen’s 2013 Film Adaptation