Analysis Of The Handmaid's Tale By Margaret Atwood

In a society where women are completely oppressed they have two choices: To conform and survive, or to rebel and risk execution. Conformity would entail suppressing their morals and their personal rights to adapt to Gilead’s social standards. Would one choose self-inflicted isolation by disassociating oneself as a human being to survive, or gain more rights and disregard all morals by working for the government? This society is represented in Margaret Atwood’s The Handmaids Tale. The novel is set in the Republic of Gilead, a dictatorship, formerly known as the United States of America. The government controls all aspects of the lives’ of its citizens, with its harshest regulations directly affecting women.

Offred is the protagonist and narrator of the “The Handmaid’s Tale”. As one of the rare fertile women in this dystopian world, she is put at the bottom of the social hierarchy as a Handmaid, where her sole purpose is to provide children for the Commander and his Wife. Despite being the protagonist, Offred is a passive character who generally conforms to the social stereotypes in Gilead due to her cowardice. Despite this, there are some moments where the reader is able to acknowledge the degree of power she holds within this society.

As the narrator walks around the church, they happened to approach the wall. They stopped at the wall and notice dead bodies. The narrator mentions, “ beside the main gateway there are six bodies hanging, by the necks, their hands tied in front of them…” (Atwood 32). These bodies were hanged on the wall for committing a crime. Their hands were tied in front of them and people were able to witness their body being hang on the wall. Sometimes their body would be there for days until there is a new batch. The men bodies were covered in blood and the people who saw them were suppose to feel some kind of hatred and scorn over the dead bodies. However, Offered did not feel that. She stated “what I feel towards them is blankness” (Atwood 33).

A genuine identity and individuality is not possible in an oppressive environment especially when one’s daily life, actions, and thoughts are dictated by domineering societal expectations. Oppressive environments such as regimes controlled by a dictatorship and that run off a totalitarian government system strip an individual of their civil rights as a human being in order to gain ultimate control over its citizens. A government such as the Republic of Gilead in Margaret Atwood’s work, The Handmaid’s Tale, controls their citizen’s lives to the extent to where they must learn to suppress their emotions and feelings. In the Republic of

It is necessary for the government to impose a certain amount of power and control of its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopian futuristic novel, The Handmaids Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government established power and control through the use of the wall, military control, the salvaging, the particicution, and gender.

A woman’s power and privileges depend on which societal class she is in. In Margaret Atwood’s novel The Handmaid’s Tale each group of women are each represented in a different way. The three classes of women from the novel are the Handmaids, the Marthas and the Wives. The ways in which the women are portrayed reflect their societal power and their privileges that they bestow.

Though Talese does not set forth an obvious theme to his text, one theme can be noticed throughout and that theme is mortality. The underlying theme of mortality can first be seen in the very beginning of the article when Talese describes the scene: Frank Sinatra, holding a glass of bourbon in one hand and a cigarette in the other, stood in a dark corner of the bar between two attractive but fading blondes who sat waiting for him to say something. But he said nothing; he had been silent during much of the evening… The two blondes knew, as did Sinatra's four male friends who stood nearby, that it was a bad idea to force conversation upon him when he was in this mood of sullen silence, a mood that had hardly been uncommon during this first week

The Handmaid’s Tale: A Feminist Post-Apocalyptic Novel In Margaret Atwood’s novel, The Handmaid’s Tale, birthrates have fallen vastly below the replacement rate causing a threat to the human race’s existence. The reproductive apocalypse has prompted a theocracy in which women have lost all of their basic rights and civil liberties. In Gilead, the new tyrannical theocratic regime that has taken over the United States, Offred’s fertility has deemed her useful.

Language is a communication system. It is one of the most unavoidable, as well as underestimated, elements of everyday life and it is questionably the most powerful medium by which humans interconnect with one another. Margaret Atwood’s The Handmaid’s Tale demonstrates how language is able to facilitate power and in turn, dominate a society. In this novel Atwood creates Gilead, an imaginary futuristic society where women are completely stripped of their freedom. Although this type of society utilizes guards and spies to reinforce the regulations, the primary power relies in the government’s control of language. In the Republic of Gilead, Atwood uses an official vocabulary that is much different than the one we use today. This language is specifically designed to serve the needs of the society’s elite and it manages to overlook and distort reality. Not only does Atwood use a warped language, but she also color codes different groups because color is just as much of a language than anything that is said out loud. With the use of this coded language, Gilead creates a system of titles. Throughout this novel, Atwood assigns each group of characters with terms such as Handmaids, Commander, Aunts, Unwomen, as well as color-coding certain groups, and by doing so, she manages to exemplify the power of language and how it shapes and controls a society.

A once normal society is taken over by high ranking, religious men, who create a society that ideally fits their beliefs on how a society should be. The book, The Handmaid’s Tale by Margaret Atwood is a science-fiction novel told in a first person narrative by the main character, Offred. Offred lived in a dystopian society called Gilead, where she was a Handmaid and her sole purpose was to have children for wives that could not have kids. As the story progresses you can see that everyone is the story is portrayed to have broken some rules one way or another. Through characterization, the setting of Gilead, and irony Atwood shows the readers how living under an oppressive government leads to acts of rebellion.

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

“I feel thankful to her. She has died that I may live. I will mourn later” (Atwood 286). Many sacrifices and hard decisions are made by unorthodox people to keep what they believe in alive. There would be no rebellions and no change without these nonconforming people. Offred, the main character and a Handmaiden, would have faced eminent death in her strictly orthodox world had it not been for the rebelliousness of those who died before her wanting change. The Republic of Gilead, previously known as the United States, is a theocracy. Environmental events and population decline prompt changes. A caste system is created, and each caste performs specific duties. They are punished if the laws are not followed. The Eyes are at the top of the caste system; they make sure the laws are obeyed. Next are the Commanders and their Wives. The Handmaiden’s main task is to produce a child with their Commander. In Margaret Atwood’s The Handmaid’s Tale, some unorthodox characters challenge the theocracy such as Offred, Ofglen, and Nick.

Atwood used Offred to express her ideas on pornography. Atwood obviously does not like it. But, in another sense, she emphasizes the fact that Aunt Lydia lies to Offred and the others when saying that it is how life used to be. Atwood never disregards the fact that women have been misrepresented both by themselves and by men. She is careful to go through the whole novel placing no blame, and leaving the questions to the reader. How did this society get to this point? Could this really happen? Are we doing anything to prevent it? In the novel there is no real one strong force. Especially no male or female dominant role, which makes it hard to decide who is to blame. Feminism is clear throughout the book, and Atwood represents women very well. Many readers have questioned the novel's character as a feminist critique. The Handmaid's Tale delivers a conservative interpretation of women's ideal social actions, advocating what looks more like traditional femininity, rather than revolutionary feminism.

Freewill and determinism have been a controversial philosophical problem for thousands of years, it is taken into question on whether human beings have an ability to control over their decisions in life or being constrained by the pre-deterministic future, beyond their understanding. The problem began in Ancient Greek and still rumble among modern philosophers and psychologists, but surprisingly, a writer - Margaret Atwood has successfully described if not answer the issue of independence and passivity in The Handmaid’s Tale. A dystopian novel set in the post-apocalyptic America now so-called Republic of Gilead, a totalitarian government. With the critically low reproduction rates due to biological warfare, the Handmaids are allocated to

“There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from,” (Atwood 24). The Handmaid’s Tale, written by Margaret Atwood, is a novel set in the near future where societal roles have severely changed. The most notable change is that concerning women. Whereas, in the past, women have been gaining rights and earning more “freedom to’s”, the women in the society of The Handmaid’s Tale have “freedom froms”. They have the freedom from being abused and having sexist phrases yelled at them by strangers. While this may seem like a safer society, all of the “safeness” comes at a drastic cost. Atwood depicts a dystopia in The Handmaid’s Tale