Tanzina Begum Bard High School Early College
The Iliad – Homer
Trans. By Robert Fagles
Pride and Rage
Warfare is, and always has been, the most appalling and yet most integral part of all human life. This is a truth that is displayed most ingeniously in Homer’s epic poem, The Iliad. In this epic, both mortals and gods alike are engulfed with the desire to best their enemy, even though pride and rage are what cloud their vision and fuel their actions. These seemingly harmless flaws carry great weight and prove to be irremediable vices. Achilles and Agamemnon, two of the central characters in the Iliad, exhibit these flaws most dramatically as they take part in the gruesome and savage close of the Trojan War. Here, pride and anger are portrayed as prevailing forces, as when they lead to the conflict between Achilles and Agamemnon and later, the ruin of the Achaean army. Achilles, the greatest of all Achaean warriors, fails to respond with honor or nobility when his pride is injured. Instead, he surges up with great rage and ultimately causes the death many of his fellow comrades. Similarly, Agamemnon, the commander in chief of the Achaean army, has a hot temper and a prideful streak. His childish and insulting demands are what initially triggers the infamous rage of Achilles. In both cases, arrogance and fury are what drive these characters to carry out actions that have catastrophic consequences. Nine years after the start of the Trojan War, the Achaean army
In almost all instances of war the cause has been related to greed, or the gaining of land and possessions. Greed is presented in the very first book of Homer’s “The Iliad.” It isn’t displayed by the cowards, but the “heroes” of the war such as Agamemnon, Achilles, and Pandarus. The entire cause of the Trojan War is the result of the greedy and cowardly behavior of Paris. There are many factors that had sparked the war, including the interference of the gods; however, the main factor to be blamed for the war is greed.
“As is the generation of leaves, so is that of humanity. The wind scatters the leaves on the ground, but the live timber burgeons with leaves again in the season of spring returning. So one generation of men will grow while another dies” (6.146-50)
The epic The Iliad by Homer argues that Achilles reaction in many situations is rage. Achilles choice to respond in such a way is very significant. It shows that this emotion is very influential in his day-to-day life. However, there has been much discussion as to whether Achilles’s rage is a virtue or a vice. Other characters throughout The Iliad have commented on his rage, such as Athena, who says, “I came to see if I could check this temper of yours,” (Homer, 235) in a discussion she has with Achilles about his quarrel with Agamemnon. Athena’s comment suggests that it takes a lot of effort to put Achilles’s rage into check. Achilles seemingly uncontrollable rages creates a man throughout The Iliad who “like[s] fighting and war” (234). Most men in this epic longed to end the war; Achilles on the other hand yearned for more battle. Achilles drive for battle makes it evident that his rage and the manifestation of it in other characters as seen throughout The Iliad is not a virtue, but a vice.
The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.
The idea of kleos otherwise known as glory in Greek, and honor is one of the most essential motifs of the Iliad. For many warriors depicted in the Iliad, honor was vital and personal. For many, Glory earned in battle was more important than one’s life. Glory or the lack of, was remembered long after one’s life. Possibly the greatest fundamental part of honor to the fighters of the Iliad was courage in battle as shown throughout multiple books. Throughout the course of this book we can see how different characters display these traits and how they influence the course of the war. Even though the Achaeans and Trojans are enemies they display a similar view, the acquisition of glory is more significant than life
Achilles’ pride is the usual trigger and fuel for his rage. In Book 1 of the Iliad, during the strategy meeting on how to deal with Apollo’s curse on the Greek camp, Achilles’ honor is threatened by Agamemnon. This insult to the prideful warrior almost leads to Achilles physically lashing out against his commander. It takes a god coming down from Mt. Olympus to quell his fury and to put his mind right. Not long after, Agamemnon follows through with his boast to take Achilles’ prize and delivers on the dishonor he had threaten Achilles with. This assault on Achilles’ pride causes him to withdraw from the war effort, to spite Agamemnon and his arrogance. His rage against Agamemnon is fueled by his wounded pride, keeping Achilles out of combat until after Book 18, where a new event ignites a terrifying fury within Achilles’ heart.
The Iliad, by Homer, is an epic poem set in the era of the Trojan War, accounting the battle logs during the time of conflict between Agamemnon and Achilles, the text’s tragic protagonist. The heroic outlook on life, in Iliadic terms, is exemplified through the construction of one’s honor through hard work. Being an aspect of the heroic outlook of life, this value is demonstrated through his contribution and dedication to the Trojan War, his experience with neglect from the deities, Achilles’ overall disdain towards Agamemnon, and, lastly, his longingness towards Briseis, his dear lover.
The term “foil” is a “character who contrasts with the protagonist in ways that bring out certain of his or her moral, emotional or intellectual qualities,” as defined by Sharon Hamilton (143). Achilles is the main hero of the “The Iliad”, a warrior who is angry and excluded. The contrasting and secondary hero is Hector. He is also a warrior and upcoming King of Troy who fights courageously for Troy. In his epic poem, “The Iliad,” Homer uses Hector as a foil to Achilles to emphasis their different qualities by comparing their emotions and actions.
In The Iliad, Homer uses characterization, diction, and foreshadowing to portray destruction for many people in the theme of pride. First, Agamemnon prides himself in the encounter between Achilles and him. Agamemnon takes
2. In Turn episode 7, Abraham attempts to defend his honor and portray himself as a gentleman by agreeing to a dual with captain Simcoe to settle their differences. After talking to Judge Woodhull and Major Hewlett, even though they were unaware of the dual. Abe went first and missed. Then it was Simcoe turn, just before Simcoe was about to shot, Anna and Judge Wooodhull interrupted, stopping Sicome from killing Abe. Abe still wanted to continue despite what Anna and he’s father was saying. He reloads his gun and points it at Simcoe. Abe wanted to prove that he was a gentleman and a man of his word. He wanted to follow through with his agreement being that they shook hands on it. He thinks about his son, friends and family, and lowers his gun.
Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the
When you think of the ancient times what is one thing that comes to mind? Most would say the Trojan war. This is one of the most talked wars in all of the ancient world. The film Troy, is a representation of the ancient account of the Trojan war, The Iliad, written by Homer. This film tries to depict the Iliad and the Trojan war in a very short time, two hours and 43 minutes to be exact.
be looked at as "the wife of Hektor, who was ever the bravest fighter of
Central to any study of the humanities is the human condition – our nature, which has historically shown that it is equally capable of both good and evil deeds – and the problem that arises from it; specifically, why do humans suffer? Many philosophies and religions have their own account for this aspect of humanity, and we find that what the accounts have in common is each explains the human condition in terms that are similar to how that institution of thought explains the true nature of reality.