Analysis Of The Impressionist Movement Share A Universal Popularity

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

Art has formed into many types of styles and have had huge impacts in different eras. The art back then is very much different than how our art is today. We have art museums and art shows to whereas back then they didn’t have as much as we do in this generation. There are a few misconceptions about impressionism. Impressionism influenced the multitude of movements that impressionism spawned. Modern art was firmly modern from the impressionists. The impressionists studied light to the -nth degree. They studied light by looking long and hard at how light is reflected, absorbed, and how how it registers colors into our brains. They then tried to recreate light by using brushes and paints and combining them to create a visual representation. There was a key item to help with impressionism. That was the color theory. The color theory is a body of practical guidance to color mixing and the visual effects of a specific color combination. The color theory was formed by the French chemist Michel- Eugene Chevreul. The color theory was published in in 1839. Not everybody understood Chevreul’s color theory but the impressionists were some of the first few people that were able to make an understanding and use this

This essay analyses the aesthetic and ideological underpinnings of the Modernist artwork, Impression, Sunrise of Claude Monet. The artwork and Impressionism is considered to be a visual articulation of the avant-garde and the latter statement is explained. References to the writings of Charles Harrison, Clement Greenberg and Wilhelm Worringer is used to theorise the aesthetics of modernity.

The shift from Realism to Impressionism in the 19th century represented not only a change in form, but it also represented a shift in ideology. As one of our module videos notes, rather than focusing on accuracy and clarity, Impressionism emphasized “what the mind and the eye sees” and the “impression of light and color.” We will briefly discuss how the differences in the approaches of the Realists and the Impressionists had interesting implications for arts and how these ideologies can be applied to the ways in which believers and unbelievers interpret art.

Artists create an experience not just a painting. The painting of Jenne-Marguerite Lecadre in a garden shows bold impressionistic movement. Brash brushstrokes create movement within the still landscape. Fawning trees reach to the Heavens. A woman swaddled in a drapery of soft cream and white, stands eclipsed by the tranquility of flora. Calming overtones of floral color transcend beyond the lush backdrop. The powder blue sky creates a warm and serene softness. Spherical garden beds create an enthralling depth to the picture. And the draping shadows conjure a realization that this divine image will may only last a minute second.

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Van Gogh stares at guests with such solemn eyes that seem to be all colors at once. Claude Monet takes you to the French country side that are covered in swaying pastures of yellow wildflowers and haystacks. The relaxed posed of Renoir’s nude female models shows the realistic ideas the impressionism artists had for the future of art. They painted the true colors of the world around them and present them to us as we pass through the hallways. There is a muffled quietness in the exhibit as everyone observes the sound the paintings reflect as though trying to here the gentle breeze in Monet’s painting of water lilies. Everyone gathers to gaze at George Seurat’s meticulous work that covers an expansive wall which barely contains the impressive effort. Cameras flash trying to capture the unique and awe-inspiring talent and dedication that made Seurat famous but none are able. No one can truly capture the detail and dedication that all artists put into their work through photos, you have to stand right in front of it to come

Impressionism was initially forged out of a love for nature. The artists were interested in depicting reality as they saw beauty in even the mundane facets of life. The brush strokes and color changes are obvious and the choppy effect sometimes has to be viewed at a distance to determine the picture’s message. When viewed closely, the artist’s emotion is easily discernable with

The Impressionist period was a time of innovation. This created pressure on the artists to respond to the invention of the light bulb and the camera. Photography became popular with the middle class as it was cheaper and more accessible than portraiture. This forced painters to think outside the box and the impressionist art period was born. Painters, with this change, needed to experiment with different brush and colour techniques. They could reduce their attention to the subject matter and focus more on how they applied the paint. Realism was no longer the ideal in the artists eye (Impressionism, 2015, para 1). Landscapes became popular to paint with the innovation of tubed oil paints. Artists found it easier to transport their materials

In the 1920’s, Music and Art weren't the only factors playing a role in the lives of many, visual artwork began to change the way one may have looked at life as a whole. The Surrealist Art Movement, which is characterized by visual artworks and writings, was started by Andre Breton, and affected the 1920’s by “resolving the previously contradictory conditions of dream vs. reality.” (The Art Story).

During the 19th century, the act of painting was revolutionized by the development of the paint-tube. This innovation allowed artists to make their craft portable, which allowed them to work outside studios in natural settings. The trend towards on-the-go painting subsequently sparked rapidity in painting. Impressionist art is characterized by quick brushstrokes, applied hurriedly and without previous study. Impressionists were concerned with capturing “the moment,” or capturing fleeting natural phenomena like light glistening on water or peaking out from behind a cliff. Thus, in order to capture such moments, Impressionist painters needed to paint quickly to stay true to whatever vision they were capturing, before it disappeared with a shift

The first exhibit that the Impressionists held didn’t give them good money and brought in many judgemental people that mocked their art. The critics believed that most of their art was unfinished and lacked a lot of artistic style. Infact, people said that their completed work resembled sketches or quick unthoughtful paintings. These skeptic people weren’t used to the style of the Impressionists. The quick pieces of art were called “Impressions”, which helped preserve an artist's ideas before they painted their masterpiece. Another thing that brought conflict between these artists and everyday citizens was that the Impressionists believed that landscapes were a very important part of art, whereas most people thought that only paintings of

The Rococo style was popular in France during the 1700’s after the days of Versailles and into the days of the aristocratic women hosting salons. Rococo artists sold their works to the wealthy people of society to decorate their lavish salons to awe their guests. The artwork gave the salons their sense of luxury and sensuality with scenes of classic love stories and lacey dresses. After the impressionist movement came the post-impressionist movement in France. This movement was less unified then movements before it. These artists were experimental in finding a new way to represent their world and imagination. Also starting in France during the 1930’s after the Great War came the Surrealist movement. Following the teachings of Freud, Surreal artist dove into their minds to find the inspiration for their irrational creations. The Rococo movement focused on creating an atmosphere of sensuality and luxury in the social salons. The use of bright color in the love stories, extreme detail portraying “naughty” scenes and nature is how the artist chose to create their work. They told classical, fanciful love stories to the wealth French society. In contrast to this fanciful style the geared towards the wealthy, the post-impressionists chose to use art as a way of expression and showing their imagination while experimenting with different styles. Post-impressionist used imagination and science to show their scenes with color and stiff figures. The Surrealists chose to further this

There are many different painters that painted while they began as impressionist. I guess you could say that some of the characteristics that are considered with some of the paintings of Post-Impressionism would be that they all have some unique brushstrokes and a bright palette of colors. If you look at some of the art work under post impressionism you can see each of them has a different type of brushstrokes. Some might have a line looking type, more of a dotted type or even like a clean