Analysis Of ' The Io And The Danaids Myth '

The Homeric Hymn to Demeter details the kidnapping of Persephone and the consequent fallout of this event. The myth itself represents a change in the structure of Greek myth, shifting from a centrally matriarchal system to that of a patriarchal. By casting feminine traits in a negative light and masculine traits in a positive light, the myth spreads a new ideology to the formerly matricidal Greeks. When taken individually, each of the scenes could be construed to be symbolic of this new system crushing the old one. However, on their own, no one scene can encapsulate this shift. Instead, viewing the myth as a whole is the only true way to expose the shift in cultural opinion.

|Within the myth of origin, how does |As the obstacle remover and the son of other two deities which he was |

In the Iliad is a very interesting epic with features two main central characters that are similar in some ways but totally different in other ways. In this epic you will be introduced to Hector and Achilles. Two men from each side in the great Trojan-Greek war. They were both heroes to their people despite their clearly different contrast in their personalities. In this paper I will highlight the life of both of these two leaders of the Greek and Trojans in this epic the Iliad. Also a little will be shed of how Homer portrays the characters deeper then an average thought. I will attempt to show the complexity of his thought process in forming the climax of these two characters coming to battle.

In ancient Greek Myths, the description of Zeus’ character can range from a heroic leader to that of a vile dictator, depending on the author’s intention. This contrast is especially noteworthy when comparing Hesiod’s Theogony with Aeschylus’ Prometheus Bound, as Zeus is presented as the world’s protector in the former, while he is portrayed as selfish and ruthless in Aeschylus’ tale.

The Underworld—an ultimate challenge, facing the darkest parts of human nature or dealing with death

In The Iliad, Homer plays with the ideas that Zeus, the god and leader of all, ultimately may not be in charge. Countless times during the text, Zeus bends to the wills of prophecies, mortals, and even other gods. As the story develops, Zeus becomes less in charge and more of a puppet for mortals and gods who have contrivances for and against him. Through prophecy, Achilles, and Hera, this essay will glimpse at the idea of Zeus simply being a puppet on strings in the hands of war.

In Ovid Metamorphoses, the Roman literature described the ruthless act of Pluto of rape, to seize and carry away Proserpine without the consent of Ceres and in parallel in the Homeric Hymns of Demeter; Persephone was seized and carried away by Hades without the consent of Demeter. The invariant theme that was identified in both the Greek and Roman literature was the loss of innocence of Persephone/Proserpine. Despite the various differences the story was presented, it reinforced the innocence that was stolen from the god of the underworld, Hades or also known as Pluto. Throughout this paper, it will discuss the similar characteristics of the two myths such as the motive that led and encouraged the god of the underworld to kidnap

In Greek mythology, there is always a perpetual notion of power. The desire for power is associated with the father figure of a family. Furthermore, a father sets the tone for his family by setting rules and establishing their reputation. From the beginning of time, there has been angst in losing power, starting with the Earth and sky. Arising fear occurs when a father finds that one of his children is a threat to his throne. It also develops when a father realizes that since he sabotaged his own father, potentially his child could the same. Taking into consideration both of these cases, it is understood that a male parent in ancient Greek consciousness seeks a role having power. This thirst for power has resulted in the betrayal of wives and the attempt to destroy an upbringing of children. Through the fatherhood of Ouranos, Cronos, and Zeus, it is clear that their role is to exercise dominance, moreover keep away potential threats.

Regardless of the time frame, Virgil’s Aeneid and Homer’s epic the Iliad share both a copious amount of similarities and differences. For example, many common themes such as heroism, fate, and destiny are apparent in both works. Within the Aeneid and the Iliad, it is seen that the wars going on during that time were glorious that is why the role of gods were significant in leading both Aeneas and Achilles and influencing fate. In both texts, it is clear from the beginning that the role of the gods is to make Aeneas and Achilles fulfill their journey The Iliad focuses on the end of the Trojan War and the damaging power, while the Aeneid is focused during the aftermath of the war and underlies the foundation for the new civilization. This paper will address and argue the comparison of the role of gods and how each of the authors representation of the gods have influence on the lives of mortals.

In the world of Ancient Greece, a large array of deities were worshipped. Each god had their own forms of identification in which they used to express themselves. This includes things such as personality, style, sexuality, and many other things. One of these forms of expression was gender. The Greeks seemed to focus more on the two typical genders, which are male and female. Some Greek gods seemed to play into certain gender roles, but others portrayed traits of the opposite sex. In this paper, I will be analysing the possibility that the Greeks believed the female and male genders were closely connected and that is why many of the gods are described with blended aspects of gender.

In mythology, a myth is typically passed down from previous writers, and redone with a new twist added by the new writer. Throughout this paper I am going to write about the variances in different versions of Cadmus, one version by Apollodorus, with footnotes by Sir James George Frazier, and another by Ovid. It is predicted that Ovid completed the Metamorphoses by around A.D. 8, while Apollodorus’ was completed around the first or second century A.D. There are many similarities, along with variances in the stories, as they are written by two different people. For example, both accounts of the myth involve Cadmus finding the city of Thebes after following a female cow to the location, due to Zeus kidnapping Europa in the form of a bull.

“The story that the dreamer remembers combines the two classical versions even though they are, or seem to be, irreconcilable. This reconciliation is, we must remember, an act of memory protected by the fiction of the dream; it can be most easily seen in the composite character of Aeneas. He is Virgil’s epic hero and Ovid’s false lover, admirable and treacherous. As such, he and his story are an appropriate visual summary of the value of fame which is inherently ambiguous. From his memory of two old things, the dreamer has created a “new thing” an eccentric retelling that recognizes the validity of conflicting truths in history – “fals and soth compouned” (Buchmaster 284).

Sigmund Freud developed psychoanalytical theories on the unconscious mind, which is where he believed myth to be derived from. His ideas can be used to incorporate a common theme in every myth. This universal idea was in male-female relationships. He believed there to be a power struggle among every relationship: male-female, male-male, and female-female. Freud's explanation for this was that everyone had a mother and father, therefore the subconscious possessed these psychological ideas about sexuality. In applying these ideas to the myth of Io, there is the obvious sexual relationship between Io and Zeus. Zeus, as the king of the gods, is in a place of immense power and Io is inferior to him. According to Freud, Io's submission to Zeus is unconsciously an act to replicate a father-daughter relationship. The daughter is subconsciously sexually attracted to her father and acts out on this desire. Looking at the relationship between Io and Hera, the sexual tension turns to competition. The older wife is jealous of the younger, attractive

Focusing on two of history’s most notorious mythologies, Greek and Roman, one may believe that they are exceedingly comparable; however, beyond a first glance, it is clear that each system is extremely distinguished. The Roman Empire, developed nearly a millennia following the great, Greek Trojan war, was highly influenced by the elaborate Greek myths of gods, goddesses, monsters, and mythical creatures. Their captivation of Greek culture bore a permanent effect on the Roman Empire, as Rome adopted much that defined Greece, including its art, philosophy, literature, drama, and most importantly, mythology. However, despite their indistinguishable origins, Roman and Greek mythologies prove to be very individualized.

In ancient poetry, gods were people too; early epic was history but a history adorned by myth. This fantastical, mythical element came via the gods, envisaged as anthropomorphic deities. In Virgil’s Aeneid these gods function in epic as literary vehicles and as characters no less detailed and individual than the people in the poem. In this world where the mortal and the supernatural not only coexist but interweave with one another, the Aeneid follows the mortal Trojans as their world moves from war to peace and as they attempt, often unsuccessfully, to overcome the supernatural obstacles put in their path.