Picasso, Van Gogh, Michelangelo, Da Vinci, Titian, Monet, Rembrandt, Raphael, Warhol and Pollock, these names have three things in common. They are all great artists, they are all white, and they are all men. The general public could name several of these men before they could name a single female or minority artist of equal stature. The truth is that all historically great artists are white men. To a modern western society that champions racial and gender equality this statement screams injustice, as it should. To combat this injustice society is faced with two options; either scour history to find female and minority artists whose talent was suppressed from the global stage because of their race or sex, or invest all effort into ensuring …show more content…
Western society is filled with undertones and attitudes that are racist, sexist and completely unacceptable, yet society has failed to eliminate them. The first example is found in film and is a persistent form of racism that goes largely unnoticed by the masses. In his article The Last King of Scotland – The Ethics of Race in Film, Paul Taylor discusses the idea of the moral gentrification narrative where white heroes swoop in to save the “poor” “helpless” black population. Taylor explains that in the film The Last King of Scotland white FBI agents arrive in the south to save black Americans from hateful white supremacists. According to Taylor this is an abuse of art and it promotes an attitude of racism through historical inaccuracy. The moral gentrification narrative; however, is not the only racist attitude that must be eliminated. In his article Can White People Sing the Blues, Joel Rudinow quotes jazz critic Ralph J. Gleason’s opinion on white people singing the blues. Ralph J. Gleason says, “The blues is black man’s music, and whites diminish it at best or steal it at worst. In any case they have no moral right to use it.” Rudinow summarizes two positions that are often applied to the issue of one culture “stealing” the art of another. The propriety argument states that the blues genre and style belongs to the black community and that when white people undertake to …show more content…
Presently some aspiring artists are denied the training and platform necessary to develop their talent while other artists are forced to not only be artists but also activists and public figures. In her article Why Are There No Great Woman Artists, Linda Nocklin poses an eye opening question. She say, “Would Senor Ruiz have paid as much attention or stimulated as much ambition for achievement if Picasso had been a girl?” In the history of art talent has been stunted because the talented artist was either a woman or a racial minority. To move forward as a society artists must be accepted with open arms regardless of their race or gender. To create an environment that encourages artistic endeavors regardless of race and gender, racial and gender issues must not be taboo in the classroom. Students must learn how to overcome their differences and celebrate their diversity. Studying art and the shortcomings of diversity that art has experienced can open the minds of students. Leo Marx addresses this concept in his article Huck at 100. He advises that racial issues should be discussed in the classroom, but that they must be handled with care and sensitivity. It is incredibly important to the future success of art that art’s “White men’s club” be a thing of the past. Encouraging the talent of the future is imperative. It is also crucial though
In the twenty first century there are a few men in this world that admits when you think of artist, you don’t typically think of women. Women rights and racism play a strong role when it comes to African American female artist. For decades’ African American woman have always had a permanent double bull’s eye on their back. Their skin and gender was their worst enemy. In the 1700 century women rights movements started to rise. But if you look up women right movements starting in the 1700 century, the face of women rights is predominantly white women. Between books and the internet, they show that it was mostly white women who helped woman rights. If we still struggle to shine light on African American Women now in the 21st century, you cannot
On the Social and Cultural Themes Found in Run-DMC’s “It’s Like That” Music is one of the most influential and relevant forms of “cultural time travel” humans have created; not only does it allow individuals to experience times beyond their own, but it also provides a medium through which groups of people can voice their experiences and struggles to an audience that would not necessarily be able to witness the situation first-hand. A popular example of this can be found in blues music, a genre of music that appeared after the American Civil War and into the Reconstruction period. The black community in America during the latter parts of the 1800s used blues as a way to communicate their fear of death at the hands of the lynch mobs and white
The foundations of today’s popular music were built by an unlikely source: a poor white
“Why Have There Been No Great Women Artists?” was written with a passion both intense and familiar. Reading Nochlin’s words, I found myself thinking, several times, “I’d always wondered the same thing,” or “I feel the same way.” I even formulated some of my own thoughts on the subject, responding to the title question with another, asking, “What makes an artist an artist?” Upsettingly, it would seem it is not by her own choice or talent. It is decided by the world around her, including the men and “social institutions.” However, it would also appear that hope is always in reach for those who will wake up and grab it. Nochlin left us with this stirring advice:
Why might black blues artists in the 1950s not have seen white artists' borrowing as a compliment? • Do cultural differences come into play when assessing appropriate and inappropriate
American prison food was already subpar to begin with, but with budget cuts and efforts to save money, many prisons and companies chose to make cuts with the quality and amounts of food given to the prisoners. The Schuylkill County Prison in Pennsylvania was sued for not feeding their inmates enough to feed a child (Santo & Iaboni, 2015). Some prisons, and private companies, generally go by a calorie minimum that must be provided, which sometimes allow for prisoners to only get two meals a day, these meals can cost as low as 56 cents per meal, and supposedly these menus are being reviewed by a nutritionist (Santo & Iaboni, 2015). One of these meal programs provided by a prison in Maricopa County, Arizona has even chosen to cut out meat
To what extent can music provide a means of resistance for challenging the power relations of racism, class and gender?
The idea of racism and equality in society has been a salient one dating back to early days of civilization. One of the most important pushes for this idea of equality was the Black Power Movement. Dating back to the mid-1900’s this movement is defined as one that provided a political and social movement whose advocates believed in racial pride, self-sufficiency, and equality for all people of Black and African descent. In “Everyday Use” by Alice Walker and “Sonny Blues” by James Baldwin multiple characters are presented within this Black Power Movement having various reactions to it. More specifically Sonny from “Sonny Blues”, definitely embraces the idea of social and racial pride through the idea of music, although it may not bein the healthiest of ways. Dee from “Everyday Use”, embraces her racial pride also, but more important is her self-sufficient views of herself in relation to her culture and equality. Sonny uses this movement as the scapegoat for his life struggles. He struggles with his past and now current drug problems and uses the music as a safe haven in times where a black man from Harlem, New York is already viewed as unacceptable. Dee is very similar in the sense that she uses the Black Power Movement as an excuse for her actions. At a time when it’s viewed socially acceptable by your peers to embrace your race to the fullest Dee does so very arrogantly. The settings of these two stories along with the Black Power Movement create a tension between families
In the today’s society, it may appear that women’s rights have been propelled forward by equal opportunity sanctions. However, taking a more concise look at different spectrums, such as the art world, it appears that many women are still being snubbed despite their artistic abilities. In
The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black
Artworks have played an indelible work to the lives of humanity. The creative nature in Artists is a complex matter to define. The uncertainties in the intrinsic nature in art lay difficult aspects that can only be answered by values, themes and skills depicted in an artist artwork. Apart from playing the intricate psychological effect on humans, the artworks have been used as a tool of expression that has been revered and uniquely preserved for future generation. Among some of the most revered modern forms of artwork has included Chicano Art that had a core relationship to Las Carpas, Indigenismo, rascuachismo and other forms of performance art.
The question “Why have there been no great women artists?” has been debated since the 1970’s, when historian Linda Nochlin released her book of a similar name. In the decades that have followed, the number of women pursuing education and
In those years, racism was a strong and violent issue that not only referred to women but also to minorities such as black people, gays and single mothers. Today people are still struggle with these very issues. Racism in America is proving that this essay is sadly very relevant today and this minorities group reacts in different ways but always similar to Lorde’s description of poetry as a form of creativity as a class issue, thinking that in the 80’s poetry was the most economical way of communication. In recent years there has been an explosion of creativity by minority groups in form of: street-art, rap music, and
Instead, if we look at art as the total of toleration and production and purpose, we see that there was a whole system in place that excluded women from creating the type of work that made artists like Michelangelo and Raphael famous. So, why haven't there been any great women artists? Nochlin's answer is two-fold: first, the myth of artistic genius, which has been a part of art writing since Pliny, makes it seem that anyone with true artistic gifts would naturally make
Throughout history many artistic works have been deemed "great" and many individuals have been labeled "masters" of the discipline. The question of who creates art and how is it to be classified as great or greater than another has commonly been addressed by scholars and historians. The last quarter of the 20th century has reexamined these questions based on the assertions that no women artists have ever created or been appreciated to the level of "greatness" that perpetually befalls their male counterparts. The position that society has institutionalized on women as unable to be anything but subordinate and unexpressive is a major contributor to this claim. Giving a brief history of gender discrimination in the art