Analysis Of ' The Leopard '

In Michael Ondaatje’s In the Skin of a Lion, the play of light and shadow are reoccurring motifs that identify and relate to the general themes of remembering and forgetting. H. Porter Abbott has defined motif as “a discrete thing, image, or phrase that is repeated in a narrative”, where in contrast, a theme “is a more generalized…concept that is suggested by… motifs” (237). Abbott emphasizes that “Themes are implicit in motifs, but not the other way around” (95). In In the Skin of a Lion, Ondaatje emphasizes the class struggles endured by the immigrant workers and the internal struggles faced by the central characters. The motif of chiaroscuro, the play of light and shadow, reflects how the characters try to forget their past and personal burdens, and strive to recall joyful memories, which aides them in embracing new beginnings and creating new memories. I will argue that the motif of light relates to the theme of remembering and the motif of shadow identifies with the theme of forgetting. I will show these relationships by analyzing the imagery and context of four central scenes in which light and shadow play a significant role. Firstly, I will discuss the event of the nun falling off the unfinished bridge. Secondly, I will consider the candle-light vigil held for the deceased bridge works. Thirdly, I will discuss the working conditions of the tunnel workers in the section “Palace of Purification”, and lastly, I will analyze the concluding scene in which Patrick and Hana

Intertwined within the novel is the presence of many different genres including letters, articles and magazine clippings, and pictures. At first sight there is the

Throughout the novel, the author, Barbara Kingsolver, uses various stylistic devices to create complex, symbolic, and significant literature that is also rich in meaning. In the assigned passage, Kingsolver incorporates several literary devices to capture the audience’s attention and leave them with something to think about post reading.

Edgar Allen Poe’s short story The Black Cat immerses the reader into the mind of a murdering alcoholic. Poe himself suffered from alcoholism and often showed erratic behavior with violent outburst. Poe is famous for his American Gothic horror tales such as the Tell-Tale Heart and the Fall of the House of Usher. “The Black Cat is Poe’s second psychological study of domestic violence and guilt. He added a new element to aid in evoking the dark side of the narrator, and that is the supernatural world.” (Womack). Poe uses many of the American Gothic characteristics such as emotional intensity, superstition, extremes in violence, the focus on a certain object and foreshadowing lead the reader through a series of events that are horrifying

Everyday we observe people’s contrasting opinions. Whether it be in politics, school, or in one’s personal life, emotions are often a major factor when it comes to expressing one’s ideas. In writing, an audience must be aware this, and decide for themselves if an author is being bias or equally representing all sides to a situation. In both Into the Wild and In Cold Blood, the authors form distinct opinions about their main characters and believe family structure heavily influenced their future.

The 2016 film Lion, which was first a book called “A Long Way Home”, is a film where a boy named Saroo was separated from his brother in the train station, which leads to Saroo getting on a train taking him thousands of miles away from his family and his home. Saroo, who was only five-years-old when he got lost, had to learn to survive alone in Kolkata, West Bengal. Days after arriving to Kolkata, the city the train left him at, he got admitted into an orphanage, which later turned out to him getting adopted by an Australian couple. But twenty-five years later, he starts to wonder where his first home and family are at the moment. With only his memories, determination, and Google Earth he starts looking and searching where his small

A novel is only as great as its author’s efforts. The ability to tie everything together in the end of a novel without leaving any unsolved questions, or relying on the ex machina technique, is the goal in which all inspiring authors reach for. Novelist Edith Wharton once said, “At every stage in the progress of his tale the novelist must rely on what may be called the “illuminating incident” to reveal and emphasize the inner meaning of each situation. Illuminating incidents are the magic casements of fiction, its vistas on infinity.” This idea came from Wharton’s own work, The Writing of Fiction. In a different work of hers, a novel by the name of Ethan Frome, Wharton explores the concept of the illuminating incident very thoroughly. I have

In the process of writing, regardless of the form it takes, thesis or narrative for example, the purpose of the piece has several lenses that shape how the reader perceives the material. Of the less important lenses that shape the piece, mood, word choice, and rhetoric are only a few. These elements of the work, while minimal in a relative sense, accomplish the same as other, more important components, they influence how the reader perceives the material, how it is understood. If one is to effectively convey the message of the piece, one must first look at how the any reader perceives any text. This idea of how the reader perceives is a culmination of all the devices employed by the author. The idea is for the author to craft an aggregate

The narrator’s diction on the page can be described as vain due to the fact he doesn’t need an introduction when the narrator says it is “not really necessary” (4). The narrator’s diction reveals that he has a methodical, stone cold personality that puts the narrator in a more superior position then the human race. Achieving

Edgar Allan Poe, the acclaimed poet, has created a multitude of short stories, one being “The Black Cat”.The short story depicts an alcoholic on his slow descent into insanity; this relates heavily to the author’s own life, being an extreme alcoholic himself. The narrator of “The Black Cat” is not only driven mad by alcohol, but also by a black cat, as you might guess from the title of the story. At the beginning of “The Black Cat”, you can tell the narrator’s alcohol addiction is taking its toll when he starts abusing his wife and pets. His actions slowly led up to him killing his cat, Pluto, and then killing his own wife because tried to defend their second cat from him. His meticulous writing style, diction, syntax, and imagery in his short stories are used to portray his emotions.

"I grew day by day, more moody, more irritable, more regardless of the feelings of others" (Poe 671). Poe had a very complicated relationship with transcendentalism, and you can clearly see this rocky relationship in two of his works. One of these works is "The Black Cat". A brief summary of this short story; the narrator of this story is an insane man who knows he's about to die. The story talks about a cat that he used to have, named Pluto. He was very close to the cat until he starts to abuse his wife and other animals. The cat no longer likes the narrator, then the cat gets hung. While this happens the narrator's house burns down. Later a new cat comes alone, much like Pluto, and at first, he has a close relationship with this cat. Once it's noticed the cat only has one eye, he hates the cat. Later the narrator strikes his wife on the head with an axe, and hides her body. What he didn't know is while burying the body of his wife, the cat ends up with her. The police then show up just to look around, and the cat starts making noise. The police hear this and break down the wall, and here they find the cat and the man's dead wife. The other literary work that refutes transcendentalism is the poem "Annabel Lee". A condensed summary of that poem; the narrator of the poem, and Annabel Lee fell in love while they are young. Even after Annabel Lee passes, the narrator does not give up on the love they shared. After reading "Annabel Lee" and "The Black Cat", it is clear that Poe denies many concepts of transcendentalism. In looking for the answers to life's questions, Poe relies on the idea that human intuition is harmful. The narrator in "Annabel Lee" alludes to this selfish intuition when his obsession with himself and the idea of love causes him to lose his Annabel Lee. Then again in "The Black Cat", he focusses purely on finding answers within the dark. Transcendentalist does not believe in a dark intuition, they like to look at nature and its light side for the answers to life's questions.

When comparing and contrasting, these two pieces of literary work, Monkey and Tartuffe, it is important to assert that while the authors of both these work decided to use surprise ending styles, their techniques could not be more different. The novel Monkey ends using the plot twist mechanism of Anagnorisis, while Tartuffe employs the plot twist mechanism Deux Ex Machina. Not only is it consequential to highlight the two novel’s unique differences, but also to highlight the two novel’s similarities. Although, these two works differ in genre and setting, the function of the endings are similar in prompting readers to reevaluate the preceding events.

Within us, we have the dark and the bright side. We do the good, but have evil thoughts and some people act on it, thinking it may drag them to feel good in doing so. This informative short-story provides a perfect example on how we take control of our mind. Edgar Allan Poe, the author of “The Black Cat”, develops the central idea that violence solves problems. On the eve of an unnamed narrator’s death, he writes a story of how his life collapsed, turning around his love for everybody and falling into a big pile of a hopeless mess and madness by committing brutal actions.

the whole novel: “the linguistic pattern of choices realizes a primitive pattern of cognition, which in turn is the key to the tragic vision of the novel.”(Leech & Short, 2001: 32) Halliday being the widely acknowledged precursor of functional stylistics, the eminent German linguist-critic Leo Spitzer (1887-1960), is likewise father of literary stylistics. In his insistence that the smallest detail of language can unlock the “soul” of a literary work, he maintains the task of stylistics is to provide a hard-and-fast technology of analysis: I would maintain that to formulate observation by means of words is not to cause the artistic beauty to evaporate in vain intellectualities; rather, it makes for a widening and deepening of the aesthetic taste. It is only a frivolous love that cannot survive intellectual definition; great love prospers with understanding. (Leech & Short, 2001: 2) A question which is often asked in this connection is “At which end do we start, the aesthetic or the linguistic?” The image used by Spitzer of the “philological circle”, the circle of understanding, however, seems to suggest there is no logical staring point. Spitzer argues that the task of Linguistic-literary explanation proceeded by the movement to and fro from linguistic details to the

The Trial has an immediate ability to engage the emotions of the reader because the protagonist, Josef K., is an everyman.  Not especially ambitious, Josef K. is an ordinary man, a successful bank clerk whose everyday