Analysis Of The Love Song Of J Alfred Prufrock

The ladies are surely not giving Prufrock any compliments, so why not make them take the blame for his impotence? However, while Prufrock allows the women to have such an effect on his situation, the women are not even thinking about him. They are only worried with their own affairs as they “come and go talking of Michelangelo” (35), not once mentioning J. Alfred Prufrock. Thus, Prufrock’s resentment for the women is brought on solely by his own ineptitude and

Not only does Prufrock seem to be afraid of confronting woman talking of Michelangelo, he seems intimidated by the social settings he must engage in.

He also says such things as the of his thinning hair and his resulting bald spot in order to indicate the passage of age and the importance he feels now that he is past his prime: "Time to turn back and descend the stair,/ With a bald spot in the middle of my hair--/ (They will say: 'How his hair is growing thin')"(39) This shows Prufrock's fear of being laughed at.

Throughout the entirety of the poem, Prufrock struggles with paralyzing inaction stemming from his self-doubt. This holds a large portion of Prufrock’s inability to gain clarity. An example of this self doubt is expressed when he stated, “[They will say; ‘how his hair is growing thin!’]... [They will say: ‘But

Prufrock is very insecure about himself. This is especially seen in the first ten lines. He is insecure when he talks of his

The author begins the poem of a man suffering from Obsessive Compulsive Disorder. According to Medscape, obsessive compulsive disorder is defined as “ characterized by distressing, intrusive obsessive thoughts and/or

He feels if he can gain the courage to ask the question, he may at last find value in his life: "would it have been worth while/ To have bitten off the matter with a smile,? To have squeezed the universe into a ball."(89) Ultimately, he fails at both tasks. Throughout the poem, the themes of time's passage and age continue to illustrate the unhappiness of Prufrock's life. Prufrock reveals the measured out portions of life he has lived: "I have measured out my life in coffee spoons."(51) This phrase shows Prufrock's inability to seize the day. He also says such things as the of his thinning hair and his resulting bald spot in order to indicate the passage of age and the importance he feels now that he is past his prime: "Time to turn back and descend the stair,/ With a bald spot in the middle of my hair--/ (They will say: 'How his hair is growing thin')"(39) This shows Prufrock's fear of being laughed at.

J. Alfred Prufrock has internalized all comments others have made about him – regarding his appearance and age – which in turn influence his thoughts throughout the poem. J. Alfred Prufrock describes his dislike in himself, in his appearance, such that he feels he looks too old. J. Alfred Prufrock repeatedly returns to his appearance such as, while lamenting over his decision, when he describes “a bald spot in the middle of [his] hair” (Eliot 7. 40), demonstrative of his feelings that he looks too old. He then goes on to say “(They will say: ‘How his hair is growing thin’)” (Eliot 7. 41), in reference to others who have made comments about him. J. Alfred

A fear of rejection by society remains a prevalent idea conveyed in “The Love Song of J. Alfred Prufrock.” Throughout the poem, the disillusioned speaker, J. Alfred Prufrock, expresses his fixation upon appearances. He expresses concern over other people sneering at “how his hair is growing thin” (“The Love Song” 41) or “how his arms and legs are thin” (44). Prufrock shows apprehension of receiving poor judgement from “eyes that fix [one] in a formulated phrase” (56). This fear of rejection, however, is also seen in the allusions.

I don’t think Prufrock is paying the gossip any attention. The gossip just “rubs its back upon the window panes.” (15). The gossip doesn’t seem to affect him, he walks through it and it tries to tempt him, but is unsuccessful, and as the evening wares on the people at the party shake off the gossip. “Let fall upon it’s back the soot that falls from chimneys.” (19). Just when you think that the coast is clear, the gossip is gone, it shows up again and decides to stay for the night. This only adds to Prufrock’s feeling of isolation and hopelessness. His unwillingness to take part in the gossip surrounding him has made him an oddity.

'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).

The poem “The Love Song of J.Alfred Prufrock” by T.S Eliot is one extended metaphor depicting the trials the character must go through in his attempt to achieve his quest for the ideal. In this case, the ideal is the world inhabited by the ladies he wants to talk to. The perils the character, Prufrock, has to contend with are low self-esteem and his fear of rejection. The poet illustrates his character’s low self-esteem with the image that Prufrock paints of himself as a man “With a bald spot in the middle of my hair” (39). Prufrock’s poor self-image is also evident in his

The human psyche has perpetually been characterized by a nagging sense of doubt. When one makes the decision to follow through (or, rather, not follow through) with an action, it is unlikely that he does so without questioning whether he made the right choice; this is recurring theme in literature, evident in works such as Crime and Punishment and A Separate Peace. T.S. Eliot’s The Love Song of J. Alfred Prufrock explores the universal nature of hesitation and self-doubt as part of the human condition primarily through apt use of metaphor, syntax, and allusion.

This lowers Prufrocks self esteem even more, just because of the meir thoughts of a women. Another literary device is used when eating a peach is symbolized as being the “change” or the “good” that prufrock never took hold of. He says “Do I dare to eat a peach?,” because if he eats the peach it could get messy, just like if he tried to change, it could be difficult.

If one applies the Freudian concepts of id, ego, and super ego to Prufrock’s troubled mind, a clear delineation of three sections is made in the poem. A short explanation of id ego and super ego is necessary in connecting them to the spaces in the text. Freud’s theory stemmed from a need to classify the parts of the ‘mind’. From this stems the organization of personality into three parts all of which are demonstrated in the “Love Song of J. Alfred Prufrock”. The id is the impulsively and instinctually driven section of Freud’s personality complex and is based on seeking pleasure. An especially important factor for “Prufrock” is that the id encompasses is sexual desire. It is largely accountable for the unconscious mind. The ego is the most rationalized and outward facing of the personalities that creates a practical approach in