Analysis Of ' The Magdalene 's Legacy '

The theory of Bildungsroman defines a genre that has been employed in several literature pieces albeit most novels have employed the framework partially. The Bildungsroman literary genre convention dwells on the growth of the protagonist from youth to adulthood morally and psychologically. Works that have employed the literary genre can also be referred to as coming of age genres. The novel by Viramontes entitled Under the Feet of Jesus gives an account of the plight of a family that lives as migrants. It has aspects that indicate similarities with the theories of the Bildungsroman. The essay evaluates how and to what extent the events of the novel fit the genre conventions in the Bildungsroman. Furthermore, the essay will delve into the justification behind the choice to use or not to use the genre conventions to enhance the theme of struggle as Estrella and her family experience hardships, focusing on migration and adolescence which characterize the life of the protagonist, Estrella, and her family.

When the Sabbath was over, Mary the mother of James, Mary Magdalene went to the tomb where Jesus had been buried. A large stone closed off the entrance and when they arrived the stone had been moved. An angel appeared to them and told them not to be alarmed for Jesus had risen. But, they were alarmed and when the angel told them to go tell the disciples and Peter that Jesus had risen they were afraid, ran away, and didn’t tell anyone.

Words are strong; they can build, tear down, or repair; they have a purpose, much like tools in a tool chest. Using a distressed and then confident tone, the author of “Under the Feet of Jesus,” Viramontes, details the progression of Estrella’s character from a confused and hostile girl to an empowered and knowledgeable young lady through the use of repetition, an epiphany in the form of a potent simile and diction. The epiphany that words hold immense power and the key to success in life completely transforms Estrella’s character as she learns to grow stronger from her troubled childhood experience. Viramontes emphasizes how much power we give words when we use them to support or tear down each other and how we should carefully direct that power of words to give a voice to an underprivileged individual whose experience and potential in life would otherwise remain hidden and unknown.

“Finding One’s Self in Times of Trouble”: An explication of the Helena Maria Viramontes’ novel

The development of characters transpire as a result of significant events in their lives. Events such as learning a new skill have the ability to transform a character’s life. Estrella in Helena Maria Viramontes’ novel Under the Feet of Jesus flourishes into an individual who once got upset over skills she did not have and was upset at the process of learning, but now understands how vital education is. Estrella was infuriated by her lack of understanding about the Perfecto’s tools and the letters on the chalkboard. She was especially agitated when the educators would not give her the answer right away The selection of detail shows the connection between two things she overcame. The tone and figurative language shows more detail about Estrella’s transformation.

The way in which both Matthew and Luke treat Mary in their birth narratives affects our understanding of the historicity of these accounts. It could be argued that both of the birth narratives present the male ideology of that time. This is clear when in Luke, Mary is first introduced as “a virgin betrothed to a man whose name was Joseph, of the house of David” This description reveals the two most important features of a woman of her time: her virginity and, the man who she belonged to. This male ideology is also presented through Matthew’s writing as he also associates the female population with the aspect of birth and nurture. However, despite both of

Mary Magdalene and Mary the Mother of God are both biblical women who were faced with similar societal standards even thought these time periods are hundreds of years apart. Mary Magdalene was always seen as the “rebellious” women in the bible when it turns out she really wasn 't doing anything wrong. Similarly David Van Biema wrote about this topic in Time Magazine saying that Mary was first seen in the Gospel of Luke as

When discussing the Bible’s New Testament, there are several individuals aside from Jesus that gander a lot of attention. It is not uncommon to hear pastors and priest preaching about the disciples that walked with the messiah during his time of great works during a Sunday service. There are many lessons to be learned from the experiences of and trails faced by the men that knew best. However, even though the Bible is considerable a masculine text, there are many notable women sprinkled throughout it. Most notable, of course, would be the mother of Jesus, Mary. She made several appearances throughout the Gospel from the moment the angel came to her and said “Greetings, favored one! The Lord is with you” (Luke 1:28) to let her know that she was going to be the mother of the “Son of the Most High” (Luke 1:32) to the moment she stood witness to the crucifixion of that Son. Today, after Jesus, Mary – sometimes also called The Virgin Mary – is among those most revered in the Bible. However, she is not the only Mary to have close ties to the Biblical savior. There are actually at least three other Marys to walk along side with Jesus at some point, but none more conversational than Mary Magdalene.

The excerpt from “Under the Feet of Jesus” by Helena María Viramontes illustrates a young girl named Estrella who, in learning to read, transitions from ignorant and flustered to competent and analytical. Viramontes displays this character development by using selection of detail, figurative language such as imagery, and tone that correspond with Estrella’s experiences and situation.

It also follows the story of Nicodemus who came to Jesus in the night and was taught about being born again. Nicodemus was a Pharisee and was referred to as “a ruler of the Jews”(he was a member of the Sanhedrin). Whereas, the woman was just that, a woman, without a husband and a Samaritan––who were even more despised by the Jews. She went to get water at the well in the middle of the day when it was the hottest because that’s when no one else would be there. She met Jesus when it was light, whereas, Nicodemus came in the night. Both were alone with Jesus, but Nicodemus went in the night to hide because he was ashamed of being seen with Jesus. The woman had no intention of hiding, in fact she didn’t even know who Jesus was.

Throughout history, people have used paintings and art as a tool to express their religious beliefs and values. Illustrations depicting the Virgin Mary and child, often referred to as Madonna and Child, are one of the most recurring images in Christian and European Art through the ages. Though these paintings and sculptures may have similarities in their iconography and style each work of art varies based on the different artists’ and time periods. Two paintings that portray these features currently reside in the Museum of Fine Arts Houston. The first, Virgin and Child by Rogier van der Wyden, was originally painted after 1454. In the painting, the Virgin Mary is holding Christ against her shoulder as he twists around to face toward the viewers. The second painting is Virgin and Child with a Donor, painted by Antoniazzo Romano and originally painted c. 1480. In this painting, Virgin Mary is supporting Christ who seems to be standing and includes a figure of a man with his hands crossed in prayer. While both paintings depict the mother and child, there are both similarities and differences in style and portrayal. In this paper, I will thoroughly examine these traits, as well as address the similarities and differences associated with the two paintings. This analysis will be done by using information gained from reading Gardner’s Art Through the Ages, in class lectures from ARTH 1381 Art and Society Renaissance to Modern and ARTH 1300 Ways of Seeing Art, and close visual

Prompt: How does Hawthorne develop his themes of sin, hypocrisy, and corruption in the Puritan society through the occurrences of the scarlet letter, the scaffold, the Puritans, the prison, and the forest in the story?

“She was a king’s daughter, she was a king’s sister, she was a king’s wife, she was a queen, and by the same title a king also” # Mary Tudor was an influential women of her time period. Many in modern society know her for her particularly bad reputation as Bloody Mary, however they do not realize the contributions she made, or her influence on history . The story behind Mary’s reputation gives insight as to her true accomplishments as England’s first queen.

The Scarlet Letter is a modern classic of American literature written about controversy and published with controversy. The main topic of the book, adultery, is written in a dark and sad way, as Hawthorne describes injustice, fate or predetermination and conscience ( Van Doren, 1998) . No other American novel of the time has such a controversial theme as Hawthorne's, The Scarlet Letter. The setting of Nathanial Hawthorne's The Scarlet Letter is the seventeenth century Puritan New England. But Hawthorne's writing for this book is heavily influenced by his own nineteenth century culture. Hawthorne strongly believed in Providence. Hawthorne was descended from the Puritan

Directed by Peter Mullan in 2002, The Magdalene Sisters, focuses on four young women’s experiences in a Dublin Magdalen Laundry from 1964 to 1968. Through telling the story of Margaret, Patricia, Bernadette and Harriet, all considered to be sexually deviant and subsequently imprisoned in a convent, Mullan's movie graphically depicts the systematic punishment and demoralization of young women at the hands of their unforgiving parents, the state, the Catholic Church as well as the community in denial. Though each woman has a different story both before and during their stay in the laundry, the film reveals that they were victims to deep, unflinching religious beliefs and a deep-seated contempt for and fear of female sexuality, a dark and oppressive aspect of Irish society in the 19th and 20th centuries. Although the entire movie authentically depicts how church, state, family and community colluded in, and therefore share culpability for, the abuse of women in Magdalen laundries, specific scenes, such as the rape in the opening wedding scene, the Corpus Christi festival and the emotional abuse in the shower scene highlight the shame and embarrassment as well as oppression that women faced in Ireland in the mid 20th century. The Magdalene Sisters promotes a more sophisticated understanding of the relationship between state, society, and taboo surrounding sexuality in the Ireland that allowed the perpetuation of Magdalen laundries and mistreatment of women who were believed to