Analysis Of The Mazurkas

First, the style and syntax of the first two paragraphs shifts in the third. The first paragraph has a few short sentences, but shows overall sentence length, and the second paragraph has quite short sentences. The third paragraph however, is characterized by one long compound-complex sentence, much like how one would write out their thoughts. This shift from varying sentence length

She started to talk to assemblies, than to journalists, giving interviews on TV, then a journalist followed her in her everyday life and made a documentary of it. She gave as many interviews that she could and even wrote under the name of Gul Makai in the journal about the life of a young girl under Taliban regime. More and more people started to notice her, her diary and listen to what she had to say, which draw attention on her. Talibans shot her in the head and she was remove to England. Where she met many powerful people to listen to her, like the president of the United States, she spoke at the United Nations and got the Nobel prize for peace. she wrote a book and started a foundation to help people around the world, have better access

In the second movement, the percussion section is more noticeable, especially at the beginning. This movement is also in D minor. The range of the melodic tune is dramatic. At times, I recognized the downbeat in three measures (da da da). This

Section A’’ (mm. 51-65) repeats the MT with variation mostly in rhythmic changes leading up to the PAC in A♭ major at m. 66 where the coda (m. 66-73) begins. The coda essentially acts as a tonic expansion with some added 9ths to the dominant as seen in m. 67 and m.69. The piece works the V-I in a decrescendo to the final PAC in A♭ major in m. 73.

The piece makes use of an allegro tempo (‘moderately fast’), setting the foundations for the relentlessly aggressive nature of the piece. This is supported by the irregular aforementioned 5/4 time signature, which when combined with the allegro tempo, creates an intense, uneasy, and unnatural mood. A 5/4 time signature will almost always ‘place the listener on edge’, as it is an irregular time signature, due to the odd number of beats (5) in each bar. This manipulation of tempo and time signature was an ingenious decision by Holst, as it establishes the foundation of the piece through his portrayal of the unnatural, uneasy atmosphere of war. However, the addition of a time signature change to 4/4 in bars 68-92 (C1 – see figure 2.1) would be extremely effective in assisting the sections’ ‘military’ atmosphere (as the act of military marching is typically rigid, regular, and constant), further supporting Holsts’ theme of unpredictability. The strings ostinato at the opening of the piece is coloured by a mechanical timbre, achieved through the use of ‘col legno battuto’ (Italian for ‘hit with the wood’). ‘Col legno’ is a technique which involves striking the strings with the wood of a bow, as opposed to drawing the hair of the bow across. The obvious manipulation of this technique results in an extremely effective mechanically percussive

The attack on Pearl Harbor by the Japanese led to the entry of the United States in the World War II. While the war was going on, the United States decided to put Japanese into camps an effort to get rid of Japanese spies and make sure that nobody had contact with Japan. In Farewell to Manzanar, an autobiography written by Jeanne Wakatsuki Houston and James D. Houston, the author shares her experience at camp Manzanar in Ohio Valley, California during the 1940s. The book was published in 1973, about 31 years after Wakatsuki left camp Manzanar.

The Makah tribe is a native American tribe who lived in Olympic Peninsula in Washington State for centuries. Makah people tended to descend their culture to one another and ran on their traditions through generations. Makah tribe practiced whale hunting in the past as one of their historical traditions when they were given permission after Treaty of Neah. The Makah harvested whale for provisions and countries-exporting values. But most people think it 's demoralizing to kill a pure, innocent mammal like whale. As an outsider, we can’t go to conclusion and say their tradition is inhumane and needs to be stopped. If we put ourselves in their shoes, we could probably learn the truth behind the whaling process and decipher all the

I also enjoyed listening to this piece Fantasiestucke, Opus 88. This piece was played in Romanze and duet, and was performed by the pianist Luiza Borac, violinist Vladimir Dyo, and cellist Yves Dharamraj. After a deep sesearch about this piece I find out that the work was came at a happy time in the composer's life: Schumann had married his beloved Clara Wieck in 1840 after her father had made many attempts to thwart their matrimonial plans. The four pieces, or movements, comprising the trio are "Romanze," "Humoreske," "Duett," and Finale. During this program I feel that the "Romanze" opens in a tentative, mysterious mood, but then turns warmly Romantic, the piano dominating throughout. The "Duett" that follows, marked Slowly and with feeling, is for cello and violin, the piano providing a soft, running accompaniment to their passionate singing. The Finale, designated in March tempo, exhibits a heroic character at the outset, but turns lighter and more playful in succeeding variations. The main theme returns and the subdued, lively ending are sheer magic in its feathery nonchalance, its graceful instrumental exchanges,

Christine de Pizan wrote The Book of the Body Politic for the heir of the throne in France as a way to educate and entertain future royalty (Losco, 281). The message Pizan implants in the book is that virtue alone brings happiness and the interest in the common good should regulate each estate, which is the prince, the nobles, and the common people (Losco, 281). Throughout the book, Pizan compares the estates as combined body that needs to work together in order to obtain enough nourishment to survive. Pizan assigns each estate a body part and provides them a blue print of how to act, what to expect from the other estates, and what virtues each group should live by.

When Maverik was young child said things are great, but then his sister popped in. She's been a great sister from time to time, but otherwise a good sister, he has a brother they are the best two He could ever ask for. Maverik used to have a dog name is Sammy a nice golden lab, they used to play all the time but as time goes on so does life. Him and Sammy had a lot of great times at the end they were together . Sammy and him were friends that would've been together forever Sammy and him were friends that were together till the end.

The two novels: Maus and The Commandant of Lubizec, are two remarkable portraits and classic work of the Holocaust literature. Though these books are vastly different, they have some similar characteristics of the way the camps and jews were organized and treated throughout the war. Maus is a comic strip of the author’s fathers time during the war and the aftermath it had on his life. The Commandant of Lubizec is actually a fiction novel based on historical fact and the testimoney of survivors that actually lived and survived the camps and the war.

The piece opens with a major ascending sequence by the orchestra with an imperfect cadence. Bass instruments play the waltz rhythm for 2 bars then the strings come in with the sequential legato melody.

The second movement, Andante con moto, however has two main different interpretations that it could be analyzed as song form or sonata form. The third movement, Con moto moderato, was composed in form of minuet and trio. Finally, for the finale, which consists of the Roman saltarello and the Neapolitan tarantella dance rhythm, contains characteristics of both sonata and rondo form.

Chopin’s third sonata is a masterwork filled with pianistic elements, daring harmonies, experimental form, and a wealth of expressivity. In this four-movement work, references to other Chopin compositions and influences from fellow composers are found. At the same time, there is a progressive element; it looks forward to the heights which would be achieved by Chopin and later composers.

Already rising up to becoming a great icon, Chopin played a major role in the art of composing piano pieces. Chopin created his own original technique that made his music so ingenious. He composed the “Trois Nouvelles Etudes”, the three new studies. These studies showed his various new techniques that later influenced the keyboard, and music itself (Hueneker 140). Chopin also constructed his own original pieces by including different genres of music into one composition. For example, he would combine a polonaise and a mazurka, two different Polish dances, one being slow while the other is lively. Frederic Chopin also influenced composition with his genius use of the piano. He used the instrument to its fullest effect to create a beautiful and expressive piece (Politoske, Daniel T.). His creativity was prominently brought out this way as he was able to produce melody and harmony (Samson 4). As a matter of fact, Chopin reached fame for his various piano compositions rather than his orchestral pieces (Politoske, Daniel T.). His arrangements utilized the piano in the most unique way which is why other musicians and his audiences admired his music. Arthur Rubinstein stated that, “…all possible expressions are found in his compositions and are all sung by him upon his instrument,” (Hueneker 91). Even