Analysis Of The Moths By Helena Maria Viramontes

In the short story, “The Moths”, the narrator, a fourteen year old girl, assumes the responsibility of taking care of her cancerous and dying Abuelita. Her Abuelita is the only person who understands the narrator and the only person she feels she can turn to. After having followed man’s rules for so many years, Abuelita passes away. All the moths that lived inside her are freed and the narrator learns some life lessons. Helena Maria Viramontes uses symbolism and setting to illustrate the oppression of women in “The Moths.”

Living in Mexico throughout her teen years was very rough. Unlike other teenagers where their parents constantly provide for their children, Marisela’s life was a lot different than the usual parent- child relationship. She lived with her Abuela ( Grandma) Lupe, along with her 3 brothers and sister. She constantly had to take care of her brothers and sister at such a young age, that she became the mother-like figure of the

In several cultures, women are seen as archetypes more than men. The proposition of women are instantly idealized and glorified and instantaneously ignore the true complexity of a woman. Countless of these superficial images can be seen across various cultures where the societies within these cultures define what it means to be a female and what type of behavior is and isn’t acceptable within those parameters. The persistent restatement of these stories throughout these generations reinforces the gender system. Women who step out of the norm in these societies are then held punishable for their actions. Alicia Gaspar de Alba pinpoints the three archetypal roles that are given to the women in the Mexican and Chicana cultures. These are,

A trickiest aspect regarding growing up is considering death. It's something individuals truly don't like to think about, but thinking about mortality is pretty much an inevitable part of coming of age. Everybody does it at some point—you know because we're all going to die someday, as are our loved ones. You know the drill: Our grandma show us, cherish, then they get super old and die, and after that we slither into the bathtub with their corpses. It's just the circle of life. What's that? You've never taken a bath with a dead person? Well then you might be a little surprised by how things unfurl in Helena Maria Viramontes' 1985 short story "The Moths," a story about a youthful Latina girl who feels at odds with pretty much everybody in her family except her cherished Abuelita.

In the short story “The Moths” by Helena Maria Viramontes, the author uses symbolism and characterization to paint the scene of a girl in a literary fiction that has lost her way and ends up finding herself within her Grandmother through the cycles of life. Through the eyes of an unnamed girl we relive a past that has both a traumatic ending and a new leash on life; however, we do not get there without first being shown the way, enter “The Moths”.

Watching the hopeless death of the vulnerable moth leaves Woolf contemplating her own life, as she compares the moth to herself, and the human race. The moth, caught in a windowsill, is compared to the outside world by Woolf; while the moth flutters and exhibits life,

Annie Dillard’s piece “The Death of the Moth”, is about Dillard being reminded of the death of a moth she observes and how it relates to herself, this piece is a great depiction of the impact of life and death. Dillard describes her surroundings living in a rural area and within her bathroom is a spider which Dillard reminds of a moth that she killed in her past when she sees the web that the spider has spun and how it has caught many bugs including two moths. She is intrigued by the dead moth’s bodies and givings a vivid description of the bodies While describing the moth’s dead torn body she relates it to a personal experience from her past where she watched a moth die with candle two years ago. Dillard described the burning moth in vivid

In the excerpt, Death of a Moth, by Annie Dillard, she attempts to overcome her writer's block by getting away from it all and taking a trip into the Mountains of Virginia. While taking time off, she intends to spiritually find her true self again and get back on a successful track. Only by using concrete imagery, drawing a strong parallel, and meticulously selecting a certain word choice to create points of clarity, is she able to effectively convey her inner struggle.

A Summer of Silk Moths the Author Manganet Willey there are 243 pages in this book. This book was Fiction and mystery. Nora she got sexually abused by her father and has had a really bad childhood growing up and it was rough for her. Pete was adopted and had a very rough childhood growing up as well. Paul was a small, town star but soon later he died in a car accident.

Life is a constant struggle against the ever present chill of death. Fear, betrayal, and cowardice all stems from life’s distaste of death. Human beings naturally rebuke the unknown, so it is only logical that people fight the inevitability of death. However, most people are ignorant of the reality of one day dying, prompting writer Virginia Woolf to write the essay, “The Death of the Moth”, in order to convey the frailty of life whilst also showing the awesome might of death. In the essay, her main purpose is to show that the moth embodies the human race, and that death is an inevitable fact of life no matter how much the human race struggles to stay alive. Woolf is able to get her purpose across by

Ana Castillo’s novel, So Far From God, propels the reader on a vibrant and surreal journey through the tragic ordeals of Sofi and her four daughters. The first chapter, which offers certain similarities to the Bible’s story of Jesus Christ, in that Sofi’s three year old daughter, La Loca, seems to succumb to a violent and horrifying death, and at the wake, she returns to life with a tale of her journey beyond the veil. This scene creates a notable comparison between the patriarchal religiosity of the story of Jesus Christ and the Chicana-centered resurrection, complete with the hypocrisy of a male-centered system of beliefs, the acts of acquiring selfhood as a female centered savior, and the phenomena of the “death” of the saviors.

Christianity is widely known to be the most popular religion in the world, so it’s not unreasonable to believe that it plays a major role in Latino societies. Latinos, immigrants to the United States and their descendants in particular, practice various denominations of Christianity and modify them to suit their own needs and personal morals. One practice that most Latino communities have in common is the role that women play in the religious upbringing of their children. Latina women are generally relegated to the role of child rearing, but, as they raise their children they continue to practice their faith and in turn their children imitate them and develop a mental association between their families and their faiths. Two separate Spanish

In the short story, The Moths Helena Maria Viramontes uses characterization and symbols to shine light on gender roles and maturity especially for women in the Hispanic culture. This short story was published in 1985 and during this time gender roles were changing. The number of women obtaining a higher education increased, it became more common for women to resist the stay at home and watch the children lifestyle. Hispanics in the US during this time felt like they were losing self-identity due to harsh laws passed by the United States. Knowing this information while I read this story was meaningful because it gave me a better understanding on what the narrator and her family were going through.

The story illustrates the overlapping influences of women’s status and roles in Mexican culture, and the social institutions of family, religion, economics, education, and politics. In addition, issues of physical and mental/emotional health, social deviance and crime, and social and personal identity are

In Mexico, men and women are equal in the eyes of the law. However, the man is head of the family. Mexicans use two types of cultural representations to separate the male and female gender roles. The male role is defined by machismo, which is described as violence, power, aggressiveness, and assertive behaviors in sexual situations. For the female role, Mexicans use the Virgin of Guadalupe as an icon. This virgin represents the suffering and sacrifice that women have to make daily for their families. She also represents the submissive, but virtuous woman that Mexican women strive to be. While some still follows these gender roles, the cultural is transforming with urbanization and the roles are shifting (“Mexico”, n.d.)