Analysis Of The Movie Brooklyn

Eilis starts making her own decisions without her families influence. Eilis has just recently gotten married to Tony, her

Fruitvale Station depicts the real-life case of Oscar Grant III, a young unarmed black man shot in the back by a white police officer on January 1, 2009 in Oakland. The movie begins with cell phone footage of Oscar Grant’s death recorded by bystanders. Grant’s life was tragically cut short due to a white man’s racism and stereotypical perception of a young black man. The BART police officer Johannes Mehserle abused his authority and shot Grant for no other reason but hatred and racism. At the time of the shooting, Grant was unarmed and pinned on the ground in handcuffs. The movie then walks you through the last twenty-four hours of Grant’s life. As you watch the movie and research the aftermath of Grant’s death you a forced to ask yourself a few questions; why does the media have the right to take away Oscar Grant’s humanity? Where do we draw the line between racism and holding others responsible and will the public’s perception of black men and women ever change? Lastly, we must focus on how this case and others impacts African American society and culture. We also must focus on the necessary changes African Americans must make in order to survive in a world that does not value black lives.

Imagine the world is invaded by aliens. Some of them eat humans, some live among humans, and others live outside of our world. You don’t know it, but many of the people who have shaped our lives and our culture aren’t even human themselves. This is the world of the 1997 film Men in Black, directed by Barry Sonnenfeld. Men in Black is a sci-fi comedy about a group of enforcement agents defending and regulating aliens from invading Earth. But if you take their costume off, Men In Black can be seen as far more than a comedy about space aliens. Under the lens of postcolonial criticism, the film reveals itself to be a veiled, political commentary on immigration. A lens is a way for us to look at a piece of literature in a whole new depiction that we may not have thought of the first time we had read or watched a piece of literature. Through the postcolonial lens, I can see the movie as a biased contrast between the immigrants and the immigration police. Interpreting the movie through this lens allows me to see that the Men in Black are the immigration police, and are considered to be the protagonists of the film. On the other hand, the aliens, or immigrants when looking through the lens, are the antagonists of the movie; The Men in Black protect the US from bad aliens, giving immigration police the positive reinforcement of the brutal evictions immigrants received in the 90s.

She didn't understand the minds of her employer as they told her that she needed to “wait till she was worth any money” because she had only been in America for a month. She thought she had finally earned her wages. She put her heart on her sleeve and she was let down, she really believed that she was finally going to be worth something in this new land. Her trust in working with “Americans” was completely vanished. “Now rejecting false friendships from higher-ups in America, I turned back to the Ghetto.

Coming to AmericaThe year was 1948, and my grandmothers aunt and uncle came for a visit from Chicago to Germany to see their family. They had no children and had come to ask my grandmother if she would be interested in coming to Chicago to possibly live there w ith them. The idea of going appealed to her very much since her home city, Saarbrcken, was still partially destroyed from the WWII bombings. She always had the wanderlust in her blood coming from both sides of her family, so thinking about the towering skyscrapers, the bustling city streets, and the glamorous movies from America was quite enticing to my grandmother. With all off these wondrous thoughts swimming through her head, she enthusiastically agreed to go.Now, it was time to prepare

New Year’s Day, 2009, a man is brutally shot by the BART Police of Oakland, California. Fruitvale Station, written and directed by Ryan Coogler, took audiences by surprise as it resonated with twenty-two year old Oscar Grant, a man who was shot down by the BART Police. This movie takes viewers on an emotional expedition as it takes a peek into the life and death of Oscar Grant and his family. The struggles of originating from an African-American background become apparent as Oscar Grant struggles with steering away from racial stereotypes and the misunderstandings of racial profiling.

Fruitvale station, is a story about the real life Oscar Grant, a black man who was shot and killed by a Bay Area Rapid Transit police officer in Oakland. This film follows Grant and his last days before the shooting on New Year’s Day. Written and directed by Ryan Coogler, Fruitvale station was his first feature film. Coogler expressed that he was interested in making this film because he wanted people to get to know Grant, get attached, so that when a situation like this occurs again, people will care more about that human life (Wikipedia). In addition, the cast includes Michael B. Jordan (Grant), Octavia Spencer (Wanda Johnson), and Melonie Diaz (Sophina Mesa), amongst a few others. However, there is an underlying concept in this film. This film relates back to Double Consciousness and the internal conflict and struggles within African American men.

In Brooklyn, Eilis is a passive character who often requires a push from other characters; without them, she rarely pursues an idea or goal on her own. As such, Miss Kelly is essential in Eilis’s story because she originally forces Eilis into a job at her store, which creates the sequence of events that leads her to move to Brooklyn. It is fitting then that she is the character who finally forces Eilis to go back to America when she continues to procrastinate her departure.

Eveline's internal struggle illustrates clearly how one struggles between the past and the future, leading to the failure to escape. While weighing her options as to whether or not leave Dublin, Eveline remembers her mother's wishes: "Her promise to her mother, her promise to keep the home together as long as she could" (Joyce 40). Even though Eveline's home contains an abusive father, absence of family members, and the struggles of domestic work, she is unable to let go. Awaiting her a promised adventurous and free spirited life with her respectful and kind lover, Frank. He has the ability to rescue Eveline from a troubling past and allow her to enter a new phase in her life, liberated from the ugliness of Dublin. However,

Evelines situation becomes an inner battle between the ideas of leaving and staying, all of the thoughts she have sadly become a reality, so many ideas of better places, better times and an overall better life. Eveline is tired: “She sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains and in her nostrils was the odor

Films and movies hold much than we can guess, they reveal a lot of vices and rots that are happening in society. Others give a history of a particular society, its beliefs, culture and their standard of living in the society. Films are used to disclose the social responsibilities in a given season and customs, moral values, societal worries and other cultural practices.

In the novel Brooklyn the definition of home is challenged, Toibin compares a home where there is familial simplicity and ease (Ireland), one with daring heights and chances (Brooklyn, New York) and Irishness. Eve Walsh Stoddard defines Irishness as “Irish by ancestry, a member of the diaspora”(167). Toibin exemplifies how those two representations of home conflict with Eilis’ “Irishness” of that time period. Personally, I would define home as a place where you are wanted. Eilis was put into diaspora initially because of the lack of career opportunities in Ireland. She had to immigrate to Brooklyn, New York, in search of greener pastures. Eilis was moved to this with the

"Cold, shiny, hard, PLASTIC," said by Janice referring to a group of girls in the movie Mean Girls. Mean Girls is about an innocent, home-schooled girl, Cady who moves from Africa to the United States. Cady thinks she knows all about survival of the fittest. But the law of the jungle takes on a whole new meaning when she enters public high school and encounters psychological warfare and unwritten social rules that teen girls deal with today. Cady goes from a great friend of two "outcasts", Janice and Damien to a superficial friend of the "plastics", a group of girls that talks about everyone behind their back and thinks everyone loves them. Adolescent egocentrism and relationships with peers are obviously present throughout the film. I

Taxi Driver (1976) follows Travis Bickle’s life in New York after being honorably discharged. The film is a psychological thriller that deals with Travis Bickle’s mental instability and desire to do something meaningful with his life. The narrative centers around Travis’ loneliness and disconnect from society.

Eveline was a female that was brought up in a poor area of Dublin, Ireland. As with all underprivileged areas around the world things were harsh. There was a higher importance placed on morals and values. Eveline’s job was to care for her father and the house after her mother passed. A promise she made to her mother on her deathbed, and promises are to be kept. She also had two children that she oversaw caring for. Her responsibilities were routine, comfortable, and safe. There is nothing that the human race likes more than routine. There is a comfort that comes with knowing how