Dear White People is a show about black students’ attempt to address and solve racial issues at their predominately white, ivy league institution. Each episode is told from the perspective of the main characters. The point of the film is to communicate a narrative that is not seen enough. The writers rely on stereotypes to certain extents for the purposes of dramatization, but they clearly show how no matter the shade and/or background of the black characters, they are all still directly affected by racism and prejudice around them.
One of my first thoughts when I started Dear White People was: ‘I wonder how this show comes off to white viewers.’ The jokes and references the characters were using in the show were very particular to black
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Literally switches over depending on her surroundings. She alters her speech depending on whether or not she is around her black friends or white friends. She uses more slang terms and speaks at a lower pitch around her black peers, while reserving the slang and raising the pitch of her voice around her white peers and other important white people like the donors for their school. She also gets a sew-in as a freshman, so she has a better chance of getting into the sorority she wants. The writers recall a memory from CoCo’s years as a toddler. In the scene, her teacher calls the schedule for the day and declares to the students that it is playtime. The students cheer and run up to the toy chest. A black child in the class grabs the first doll and tells Coco, “You can have the ugly one.” Of course Coco’s doll was black, and the other black child’s doll was white. That was the first instance of the writers establishing a dark-skinned black women as the other.
In another scene Coco is having sex with her not-quite boyfriend, Troy, who is also the dean’s son. Her wigs falls off and she hides under the covers so that he does not see her braids and cap. She insists that he leave and refuses to acknowledge the wig as what it is, even though it was not on her head anymore. Troy then tries to get to her to come up from under the covers and calls her by her real name: Colandrea. Her
Besides the inherent self-confident issue, the outside voice from community is also affecting Pecola’s view. For example, in the “accident” when Pecola went into Junior’s house, Junior killed the cat and impute to Pecola. His mother, Geraldine, saw Pecola was holding the dead cat. Without any thought and didn’t even ask for the truth, Geraldine simply called Pecola a “nastylittle black bitch.” This event, again, reinforces Pecola’s view of what beauty means.
The film 8 Mile, directed by Curtis Hanson, is the typical American story of struggle and the eventual overcoming of obstacles and evil. Upon closer look, the film is arguably a socioeconomic and racial discourse. It focuses on the ascension of Marshall Mathers into the rap industry, previously dominated by African-American males. Rabbit’s race, gender, and class, all contribute to his identity and the meaning of the film, as well as contributing to Eminem’s image. Several themes are defined through the movie’s underlying discourse of race and class: the commodification of black culture, racial opposition, “passing”, cross-cultural bonding, white heroism and white masculinity, the reversal of white privilege into a disadvantage, and
Tim Wise’s film “White Like Me” is an educational documentary about racism and white privilege. The film begins with Wise’s personal story on how he learned the importance of race at a young age after attending preschool at Tennessee State University, a historically African American college. Being one of the only Caucasian students and being taught by predominantly African American administrators, allowed Wise to gain respect for African American authority figures which ultimately made a huge difference in how he came to see the world. Throughout the film, Wise expands on his personal encounters with race while incorporating interviews with scholars and candid comments from white students discussing their opinions on some heavy questions
Disney has faced a large amount of criticism from critics over the tropes and stereotypes that it portrays in its animated films. This is not a recent event however. One of Disney’s most notorious and controversial films, Song of The South, was released in 1946. Song of the South, set during the Reconstruction Era, focuses on a young boy named Johnny who learns that his parents will being living apart for an unknown amount of time, moves to a plantation in Georgia, while his father continues to live in Atlanta. Depressed and confused over the recent events Johnny decides to run away to Atlanta, but is drawn to the voices of Uncle Remus, an ex-slave living on the plantation, telling stories of Br’er Rabbit. Although it is implied that the African American workers are no longer Johnny’s family property, the black characters are still wholly subservient and are happy to be so. James Baskett plays Uncle Remus as a blissfully, happy companion ready to please. Due to this “magical negro” trope, the characters’ ridiculously stereotypical voices, and the unrealistic happy and joyful relationship between the white landowners and their black help, Song of The South, is one of Disney’s most offensive, racist, and fictitious film. Disney’s portrayal of Uncle Remus is his veiled justification of the mistreatment that minorities received before and after the Reconstruction Era.
The stereotypes White people have we don’t acknowledge them like we do with other races. White people feel other races get to have scholarships and they don’t because we think all white people have money, Which is an stereotype. Everyone struggles no matter what the race is no race is set to never struggle in life. After watching a part in the documentary some people thought the same as white people felt about themselves and goes the same for most black people.
The Film I Am Not Your Negro is a 2016 Documentary that depicts the key events of the 20th Century African American History. This documentary was inspired by James Baldwin’s thirty-page unfinished manuscript. The manuscript was going to be his next project in which he called Remember This House. The manuscript was to be a personal explanation of the lives and successive assassinations of three of his close friends, Medgar Evers, Malcolm X and Martin Luther King, Jr. Unfortunately, in 1987 James Baldwin passed away leaving the unfinished manuscript to be forgotten, well that is what some thought. Now master filmmaker Raoul Peck envisions the manuscript James Baldwin never finished. The outcome is a fundamental examination of race in America, using Baldwin's original thoughts and materials to make the project possible. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of Black Lives Matter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for. Though this is the main thought of the documentary there are many key features that make this film much so about whiteness in American History and now.
David R. Roediger displays the history of how the theory of “whiteness” has evolved throughout the years in America in his book, The Wages of Whiteness. According to Roediger, “whiteness” is much a constructed identity as “blackness” or any other. He argues that this idea of “whiteness” has absolutely nothing to do with the advantage of the economy, but that it is a psychological racial stereotype that was created by white men themselves. He claims that it is definitely true that racism should be set in class and economic contexts, also stating that “this book will argue that working class formation and the systematic development of a sense of whiteness, went hand in hand for the U.S white working class.” Roediger basically lays out the fact that “working class ‘whiteness’ and “white supremacy” are ideological and psychological creations of the white working class itself.
The movie the 13th provides a lot of information about institutionalized racism. It was as if they were trying to find away to create a legal form of slavery, and that is basicly what they have done.
So as a writer there is a sense of excitement, thinking “This is something I could possibly change. I tell stories. I could make a change.” Unfortunately, this is where the question comes into play that I have yet to find an answer for, how does a white girl from America tell the unrepresented stories of a multitude of other people while the world tells me that because I am privileged to be born white that I cannot write the stories of another race without being racist or racially appropriating or racially insensitive. So, while this woman is talking about how by learning all the stories of a person can help circumvent the dangers of the single story, I, as a white woman, am told that to relate to people outside of my ethnic group is politically incorrect. For someone who just wants to do good with their writing and tell stories that will mean something to people it is easy to see why things continue to be whitewashed; because it is just so damn scary to try for something good and be told that it makes you a bad person
In the short film, “The Negro Soldier,” the whole focus was to get African Americans to join the military. With the use of propaganda, the U.S. government hoped to promote getting African Americans to want to fight for their country. It hoped to instill patriotism in them. It showed that Germany and the Nazis had no respect for them and considered them the scum of the earth. It also portrayed them being accepted as equals into the American society. It was used to make them think they were wanted and play a major role in the success of the war against germany. And to ultimately make Germany and the Nazis look like the bad guys (destroying their monuments) instead of the racist America they lived in. It also portrayed African American soldiers prior contributions in previously fought wars as pivotal moments in American history. It made it seem like they were the reason for those victories. It also explained how the African American soldiers were honored with tributes, memorials, medals and parades for their service in the military. In the ongoing WWII, it was said that there were three times the number of African Americans soldiers in WWII than in WWI. Also, many more were getting commissioned and attending West Point and OCS (Officer Candidate School). African American men that were once printers, tailors, entertainers are now soldiers in the Army as gunners, tankers, radio operators, mechanics, quartermasters, and infantrymen. They were now the backbone of
“Selma”, I have a love hate relationship with this movie every time I see it. Mostly because it depict the horrible terror, that most of us American don’t want to take into consideration. The movie “Selma” give a vivid depiction of our dark past. While also explaining and bringing to light the things we are currently battling as a nation. In the movie we see the iconic Dr. Martin Luther King Jr. and other iconic civil right leaders come together in the small southern time call Selma.
The Scientific Revolution made and advancement in what was called the empirical method. In the Humanistic Tradition Gloria Fiero, the author states “This method of inquiry depends on direct observation and scientific experimentation as the bases from which one arrives at general conclusions”(Fiero pg.114) as she defines was the empirical method. Francis Bacon was an English scientist and politician who advocated this method. Bacon was a believer in new ideas and he argued against traditional and religious belief. Bacon published one of his work called Novum Organum which according to Fiero it “impassioned plea for objectivity and clear thinking and the strongest defense of the empirical method ever written”(Fiero pg.115). Bacon believed that the four “false notions” prevented clear thinking. Dear White People directed by Justin Simien is a film that in comparison to Bacon’s Novum Organum tells a story about African American students attending a college in which they deal with racial discrimination from a white college.
In Season 1, Episode 5 of the The Netflix Original Series: Dear White People released on April 28, 2017, Reggie, a black college student and the leader of Winchester University’s Black Student Union is seen at a fraternity party surrounded by mostly white students. All is well until Reggie’s white friend, Addison, repeatedly utters the N-word while singing along to a hip-hop song. Reggie asks him not to say it anymore however, Addison questions him and attempts to justify his use of the word which leads to a debate. The creator of Dear White People uses characterization and setting to convey how non-Black people-especially white people- who use the N-word regardless of whether or not they understand its historical context, reinforce the notion that Black people are inferior which helps to maintain white supremacy.
A Netflix TV show, Dear White People produced by Justin Simien, is about the students of Winchester University. This show tends to target not only the Netflix customers, but the black and white audience as well; the entire first season generally focuses on the media, racial, and gender roles within the community as well as the mainstream problem of the unrecognized white privilege by white skinned people. Looking up who the producer is, it turns out that Simien is a black-skinned man. Therefore, he fully understands the politics and the human behavior towards the black race from the white race (considering racism towards people with his skin color has been around for so long). Being black-skinned is already clear for many people to assume that he probably has dealt with the racism majority of his life, considering the repeating themes throughout the show. Even with the title, the producer is purposefully calling out to the specific audiences in a straightforward way. According to some reviews, many have concluded that Dear White People is extremely offensive to them. While watching the show, there were a few significant and periodic themes that showed throughout the first season and the major themes I chose were important how the roles of media played throughout the show. As a result, the roles of the media within the show reveals that people tend to communicate to the public of who they they really are as a person by showing what they want the public to see them as: in a
with you? For me it was a resonance that almost any phrase can be perceived as offensive. Each of us has some negative experience associated with skin color or nation, but it's very difficult to prove that you did not have anything bad in your words or actions, if the majority thinks that this is so.