Analysis Of The Movie ' Perfumed Nightmare '

Dr. Strangelove is one of the many masterpieces made by the great Stanley Kubrick. The movie was made in 1964 at the Shepperton Studios in London, UK. The time the movie was made is of great importance, in fact, it was made only two years after the Cuban Missile Crisis. Kubrick pictures, in an extremely comical yet somewhat serious way, what the world would look like after one of the two forces (U.S vs. USSR) was triggered in initializing nuclear warfare.

Shocking audiences of the 1960’s, Alfred Hitchcock’s ‘Psycho’ is one of the most influential films in motion picture history, often being referenced to as the the origin of thriller films. Hitchcock successfully incorporates cinematography, music, and multiple techniques, rendering the perfect amount of tension and suspense right until the climax of the film. Thus, evoking the thrill after which the genre is named.

The movie, Requiem for a Dream (Selby & Mansell, 2000) exposes the multiple faces of addiction. Addiction can change a person’s identity and therefore, impacts each person differently. This movie explores the life of four addicts who push the boundaries of their own lives leaving the viewer to wonder, how far will they go to use drugs? The focus of this paper is on what addiction looks like for the character, Harry Goldfarb.

Most pieces of art have a deeper meaning than what is simply expressed on the surface. Through emotions, symbols, and motifs, an artist can portray a unique story; however, despite the use of creative symbols, distinct stories can show a similar theme. Two such examples are the short film Destino by Salvador Dali and Walt Disney and The Great Gatsby by F. Scott Fitzgerald, which share the common theme of “the struggle of obtaining dreams”. Based on what is shown in these works of art, it is a challenge to attain dreams.

When we look at this piece, we tend to see the differences in ways a subject can be organized and displayed. This assemblage by Betye Saar shows us how using different pieces of medium can bring about the wholeness of the point of view in which the artist is trying to portray. So in part, this piece speaks about stereotyping and how it is seen through the eyes of an artist.

Italian Neorealism was a movement of art, which strived to illustrate the normal lives of the ordinary, working class people in post war Rome, usually with the use of non-professional actors. As one of the best Italian Neorealist film, Bicycle Thieves showed an absolute depiction of the war’s impact on daily life and exposed a world in which sufferings, unkindness and corruption jeopardized the rationality of human beings and action of men (Schoonover). By utilizing a depressing and gloomy cinematography, De Sica implies the somber lives of the poor and their crisis in losing their self-identity and moral conscience as a result of parochial society that make a fetish of personal belongings as a mode of social acceptance. By examining the cinematography, ‘mise-en-scene’ and events in the film, the daily struggles of the working class in post war Rome can be seen through the crisis of masculinity, class struggle, ethical dilemma and a profoundly patriarchal society.

“I've got to follow my own plan. Stay here. Get my own thing going.” Vianne was always on the move, creating chocolate and happiness. To continue pursuing her passion of creating chocolate and following the practices of her mother’s people, she had to move from location to location – calling neither home. “Mother and daughter were fated to wander from village to village, dispensing ancient cacao remedies, travelling with the wind.” With every shift in location, she had to leave behind the life she had built there, beginning with abandonment of her father who one morning, “awoke to discover that Chitza and the little girl Vianne had gone away.” At a young age, Mia chose to move to Los Angeles in hopes to fulfil her dreams of becoming a successful actress. However, it was later evident that the project she became successful in required her to go to Paris. Whether it be love, home or family, the authors show the different sacrifices that need to be made in order to fulfil a dream.

In the film Sugar Cane Alley, the journey of a young orphan boy is illustrated in the island of Martinique located right outside France in the 1930s. The protagonist, Jose, must reside with his grandmother who must do the jobs of poor black’s which includes washing clothes and working the sugar cane plantations for the rich white’s in town. Jose manages to see the significant social and economic gaps through the multiple characters around him even after the abolition of slavery. This gap is further supported through the visits to the capital, Fort-de-France, where Jose gains the opportunity to further his education through a scholarship offer. As this educational journey progresses, the audience is able to see comparisons to Van Onselen’s article, traditional African roles, and the social tensions experienced by the mulattos in a predominantly black and white population.

context such as race and gender, and the history of the painting. In addition, I will be

Thesis: For the ability to join this 30% of those lucky people, I would fulfill my dream job of working in fashion public relations.

When one first watches the movie, one may quickly judge that the characters are in direct contrast to the colors they represent. In the movie, Tangie (orange) which means vitality with endurance plays the part of a promiscuous girl whose hatred for her mother drives her to do what she does. On further look at her character, I realize she is a true reflection of the color orange. She endures sexual abuse from her grandfather and faces abortion at a tender age but is still strong enough to overcome it and bring out her true beauty. The text also employ poems and songs to show the intensity of pain and emphasize the strength of each character and women in general.

In Danny Boyle’s film ‘Slumdog Millionaire’, a vast range of effective film techniques are used to communicate not only transitions and character traits/personalities, but also the ideas of how power can corrupt individuals, and how ideas can be communicated, such as how ambition can enhance an individual, or be the reason for their downfall, and how our past informs our future; our outcome in life is determined by where we’ve come from. They are able to visualise this with the three main characters. The protagonist Jamal, the antagonist Salim and Latika.

Horror films are movies that aim to elicit a strong physiological reaction in the viewer, such as raised heartbeat and fear. Three horror films by the names of Psycho, Scream and The Messengers will be analysed and compared to an episode of the popular children’s show Shaun the Sheep. Five elements will be addressed in this analysis, those being camera techniques, Mise-en-scene, Editing, Lighting and Sound.

''The power of Christ compels you! The power of Christ compels you! The power of Christ compels you!!! ...'' Father Merrin&Father Damien Karras from the movie -The Exorcist-

Alfred Hitchcock is widely considered one of the most essential directors of all time and has undeniably revolutionized the cinematic art form and horror genre movement. A key ingredient to his productions is the psychoanalysis of the movie’s villains and the deceivery at comes with deep psychosis. These elements are what have taken Hitchcock from a good director to a legend. Hitchcock layers his movies in ways in which every time one watches his films they can pick up on a new detail that deepens the meaning and effects of the storyline. This is exactly what he does in his 1960 film, Psycho. By layering Freudian psychoanalysis, creating a twist ending and suspense, and giving the villain of the story, Norman Bates, a deeply rich background story, Hitchcock creates phenomenon in the audience arguably scarier, then Norman’s murders. Through this use the psychoanalysis and backstory, the audience also feels sympathy for Norman. This duality is what makes Hitchcock a wonderful artist and Psycho, a piece of art.