Analysis Of The Movie ' Stranger ' By Harold Crick

While reading The Stranger I noticed that traits that Albert Camus character depicts in the book are closely related to the theories of Sigmund Freud on moral human behavior. Albert Camus portrays his character of Meursault as a numb, emotionless person that seems to mindlessly play out his role in society, acting in a manner that he sees as the way he’s supposed to act, always living in the moment with his instincts driving him, and if the right circumstance presents itself the primal deep seeded animal will come out. I believe that most of the character’s traits fall under Freud’s notion of the Id and Ego mental apparatus, and don’t believe that his idea of the super-ego is represented in this book.

The Stranger The Stranger exhibits a society that has confined itself with a specific set of social standards that dictate the manner in which people are supposed to act. This ideology determines the level of morality, and how much emphasis should placed on following this certain "ethical" structure. Albert Camus's main character, Meursault, is depicted as a nonconformist that is unwilling to play society's game. Through Meursault's failure to comply with society's values and conform to the norm, he is rejected and also condemned to death by society.

The Article “A Stranger in Strange Lands” written by Lucille P. McCarthy is an examination of the writing process. This article follows a college student through a twenty-one month study to determine how the students writing ability is affected as he transitions from one classroom to another. Focusing on specific writing processes in different types of classrooms,this article hopes to uncover the importance and effect of writing towards a specific audience within a particular genre and to offer a better understanding to how students continue to learn to write throughout college.

Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.

In the movie, Stranger than Fiction (2006), the film begins by watching the main character go through his daily morning routine. Harold Crick’s wristwatch timed every step that he took. Whether he is brushing his teeth, getting dressed, or catching the bus to work. The film begins this way to emphasize the symbolic importance of the watch. The first few shots relate to the last few shots, because Harold was supposed to die. The author of Harold’s story, Karen Eiffel, finished the story with how he was supposed to die. Karen Eiffel ended up changing her mind about killing a living person through her book. Harold’s life was saved by a shard from his watch lodging into an artery in his right arm, resulting in him not bleeding to death. The

Harold Crick in Stranger Than Fiction is a man who starts and ends every day the same way for twelve years. He starts off each day by brushing his teeth seventy-six times. He leaves for the bus at the same time each day calculating his steps. However, Harold was brushing his teeth on an average Wednesday and he heard a voice. He did not know where the voice was coming from; eventually, he concluded the voice was a narrator in his head. The voice in Harold’s head changed his life forever.

Harold becomes innocuous to numbers. He begins to make audacious choices by straying away from counting toothbrush strokes and tying his tie in a Windsor knot. He no longer finds content in time and rigid routine and attempts to cultivate and win Ana. Harold plays a pun in the film by giving Ana “flours” which is a replacement for actual flowers. For once, the structure lifestyle of Harold Crick slowly dissipates when he met Ana and a person who was an empty piece of canvas is now filled with infinite paint strokes. Harold’s only source of time is his watch and that wristwatch symbolizes his utterly organized and predictable life. Yet, the abrupt malfunction of his wristwatch causes Harold to restart the wrong time. This causes an interruption that alters his life into unconventional lifestyle. In a way, even though Harold’s wrist watch saved him from his inevitable death at the end of the film, but it also rescued him from his restrictive world. If his wrist watch never shut off and Harold never changed the time, his life will remain unresponsive and repetitive which will eventually result in his imminent death. The harmless act drove Harold to thrive through the abnormalities. The banner over Ana’s bakery says “We are here to fight, to think, to love, to rebel…” which reflects Harold in a way that his wrist watch rebelled against time when it shut off. A sign that the limits of time should

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

“The Little Stranger” is a 2009 gothic novel written by Sarah Waters. It is a ghost story set in a dilapidated mansion in Warwickshire, England in the 1940s. This novel features a male narrator, a country doctor who makes friends with a family with faded fortunes left simply with a very old estate that is crumbling around them. The stress of reconciling the state of their finances with the familial responsibility of keeping the estate coincides with perplexing events which may or may not be of supernatural origin, culminating in tragedy.

When viewing any postmodern cinema, it can be difficult to determine which is actual reality. In both films, it is questionable which reality is in fact real. In Stranger than Fiction, one possible reality is that Harold is a product of the book that is written by the famous author Karen Eiffel. It begins one day when he starts hearing her narrate various details of his life. Such as, when Harold was counting the number of strokes while brushing his teeth. He would look up and try to find out where the voice was coming from. “...alright, who just said that Harold counted brush strokes?” (Harold, Stranger than Fiction) Later he found himself screaming in public at the bus stop after Karen had narrated his imminent death “…Why? Why my death?” (Harold. Stranger than Fiction) Was she the author of his life, or was he just hearing voices in his head? Perhaps he had a nervous breakdown or had developed schizophrenia? It is also difficult to tell what the actual reality in Play. It appeared

The Stranger by Albert Camus follows the story of a man named Meursault, who received notice that his mother had passed away. Meursault was not emotionally connected to his mother, and his reaction is not what the reader would expect, as he did not seem to care at all. Therefore, the day after attending his mother’s funeral, Meursault goes to the beach and meets up with his girlfriend, Marie. After the beach, Meursault and Marie go to a movie and spend the night together. When he returns home from work the next day, Meursault runs into his neighbor, Raymond, who beats his mistress. Later in the story, Meursault, Marie, and Raymond go to a beach house, which is owned by Raymond’s friend, Masson. At the beach, Masson, Raymond, and Meursault

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

Art is the expression of human’s creative skill and imagination, art pass through society, and it reflects social life by shaping. Art, such as literature, dance, painting, calligraphy, and music. James Baldwin, a famous African- American author of “Stranger in the village.” He discussed the rank and relationship between the Blacks and Whites in the society. Also, Baldwin went to the village in Leukerbad, and lived with the White Europeans. This essay is about the the experience and history of him. Teju Cole was the one who had read the “Stranger in the village” and he wrote what he felt about James Baldwin’s essay. Their opinions were opposite, but I think there is no right or wrong.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

“Life has to be given a meaning because of the obvious fact that it has no meaning.” Henry Miller