Analysis Of The Movie ' The Chinese Mayor '

To grasp the future of work one must watch the film of Sergio Kirby and Lixin Fan to obtain a firm knowledge of the future of work in order to improve upon it. Sergio Kirby’s Wal-Town: The Film is a 66 minute documentary filmed in Canada that seeks to raise public awareness on the negative impacts that Walmart introduces in small town Canadian communities. The documentary includes six university activists attempting to put an end to Walmart’s negative impacts by trekking a journey of public awareness across the various Walmart’s in Canada .The students conclude that Walmart negatively impacts small communities by forcing citizens to become consumers, denying unionization, and closing small business in the local areas. The film gathers

Chinatown is based on Roman Polanski’s lifeworks. Polanski’s goal is to emphasizes the meaning of how cinematography is made, and how it inspires by understanding the concept of setting, lighting, and how the image is captured. This film was released in 1974 by director of Roman Polanski to focus on private investigator J.J. Gittes, played by Jack Nicholson to investigate the elements behind the truth. Polanski’s goal is to emphasize the audience to give an ominous feeling of the main character, J.J. Gittes and his point of view by showing in color instead of black and white pictures. Due to these reasons, Polanski wanted to use Panavision to give a flawed vision about the past, which the story is set in the years of 1937. Polanski states, “a traditional detective story with a new, modern shape” for Paramount picture. (1) This paper focuses on the film Chinatown which is neo-noir, not only because of the setting, but the concept of cinematography that connects duplicates occurrences together that describe three categories: background of the cinematographer, point of view of the main character, and the interpretation of the ending scenes.

Modern day Chinatown is a vibrant and bustling community full of bright colors and Chinese characters adorning buildings as far as the eye can see. Chinese elders roam around the narrow and unkempt streets while children frolic around from store to store with wide smiles, riffling through toy stores as store owners look on. Mothers scurry from store to store searching for the most tender meats to buy for the night's dinner or for the next day's lunch. Tourists from nearby downtown drift into the heart of Chinatown with large and expensive cameras, posing for pictures with Lion head statues and continue on, buying cheap Chinatown goods along the way. Everywhere there are signs of the Chinese immigrant's sweat, labor, and collective efforts

The film Ai Weiwei: Never Sorry (2012) is a documentary directed by Alison Klayman. It follows contemporary Chinese artist and activist, Ai Weiwei, documenting how he stood up against the Chinese government and revealed the horrific actions the government commits. Ai Weiwei differs from other critics of the Chinese government because he uses aggressive words, while his fellow critics do not insult the government or the Communist Party. He uses several mediums to show how the government has acted including his blog and documentaries, showing what Chinese citizens go through on a daily basis.. Weiwei is incredibly brave for putting his life on the line to fight for a better country and a better world.

The film, “City of God” portrays numerous of brutal acts of violence and crime. This film depicts the deviant acts of a sociopathic gang leader, Li’l Ze and his fellow members. He recruits numerous of young kids and teaches them how to become a hood. He kills those who try to stop him from getting what he wants, which is being the one and only drug dealer. He leaves the town of Rio in distraught and in fear of their own life. Even when someone tries to get out of the slum and wants to begin a brand new life, they are shot and killed. This gives the impression that there is no escaping the slums. Once you are a hood, you are always a hood. Though living in poverty, all but one of the characters, Rocket, beats the odds and decides to not be lured into the deviance. Although not all children are delinquents or have criminal tendencies, those who are learn from the intimate groups they associate with. These deviant acts are depicted in several sociological theories such as: Agnew’s General Strain Theory, Learning Theory, Merton’s Strain Theory, Reckless Containment Theory, and Labeling Theory.

During the late 1940s and the early 1950s, the thought of communism instilled fear within many Americans because it was portrayed in such a way that confined diversity and corroded political culture while the United States was supposed to be the land of the free. This fear of communism was nicknamed the “Red Scare” and was fed by Joseph McCarthy’s accusations of hidden communist in the country. The Manchurian Candidate was a black-and-white American film released in 1962 that depicted the Cold War and the affects of that paranoia had on the nation. It was released at the peak of the Cuban Missile Crisis and the spread of communism. This film was about Raymond Shaw, the son of a right-wing political family, who was brainwashed to act as an assassin

Zhang Yimou’s To Live is a powerful indictment of communist authoritarian rule and blind patriotism. The film places the viewer in the position of an insider as the Communist Revolution alters the political and social landscape of China. By using dramatic irony, Zhang Yimou appraises communist collectivist culture, class structure and power in revolutionary China, and the Cultural Revolution. In addition, by using shadow puppetry as a symbol of indoctrination, Zhang Yimou examines the link between political change, personal tragedy, and bureaucratic incompetence.

Fears of polluted air and water, and the extinction of wildlife species due to contamination have overtaken the western world. In an excerpt, titled “The Filth They Breathe in China,” taken from American historian, Michael Auslin’s book, the author focuses on the nation where, due to its rapid industrial growth, these effects of pollution are most prominent, China. In his article, Auslin, uses anecdotes, uses strong diction, and uses appeals to logic and credibility in order to capture the enormity of China’s pollution problem.

Danny Boyle’s film Slumdog Millionaire follows two brothers from the Juhu slum in Mumbai as they face the trials and tributes of growing up in poverty. Although Salim, the elder brother, is given the same childhood experiences and trauma as his younger brother Jamal, his drive and hunger for power lead him to a life of crime, corruption and misconduct. These actions later have a detrimental effect on his relationship with Jamal, which in turn, becomes his demise. Boyle uses a range of effective film techniques to develop Salim’s growth as a character which helps to communicate the idea that ambition can enhance an individual or be the reason for their downfall. Throughout the film, Boyle uses the varying stages of Salim’s life through

a partner of their choosing, rather than the old tradition of a mate being selected

Chinatown is a drama/thriller starring Jack Nicholson who played the character of Jake Gittes. The plot of the story develops around Gittes job as a private investigator, and Gittes researches the background information of the water system for Los Angeles. Through Gittes investigation, the sudden death of Mr. Mulwray becomes the main plot line of the story. Ms. Mulwray, the wife hires Jake Gittes to investigate her husband for infidelity, but through his inspecting, he starts to uncover the truths within the Los Angeles water system. The characters of the film have a strange connection with each other, which makes the story rich in depth. This is powerful for the viewer because the potential of the plot can be expanded with extraordinary plot twists and character development. Personally, I thought the Roman Polanski constructed a phenomenal movie, because of the drama aspect. The conflict was clear thirty minutes into the film, and the direction of the film perfectly kept the audience glued to the plot of the movie. Chinatown provides effective elements of drama through intensive detail, and a strong plot; which makes the movie highly entertaining.

“Hibiscus Town” is a 1986 movie which depicts the constantly changing social structure of peasant life in the period leading up to and during the Chinese Cultural Revolution. The film looks at peasant life in a small town in China, Hibiscus Town, which acts as a microcosm of China where we are able to observe how the momentum of the Cultural Revolution moved to redefine and transform class boundaries. “Hibiscus Town” concerns itself with the life of Hu Yuyin, the film's protagonist, and how her new label as a class enemy dramatically changes her circumstances.

The Get Down establishes inherent norms over time, creating rules that viewers internalize as defining the show’s storytelling strategies. For example, how each episode starts off with Zeke’s older self rapping a recap of the prior episode in a front of full audience at Madison Square Garden in New York. Being defined as a musical comedy and gritty prestige drama , if there was an episode in The Get Down where Shaolin Fantastic is not spinning turntables, Zeke is not rapping, or Mylene isn’t singing, it surprises the audience. Episodes that violate these norms stand out by in violating fan expectations. Because this is a common for the first half of the first season, viewers would expect music and drama in the second half. To understand The Get Down in its narrative importance, viewers must be operationally familiar to the show’s storytelling norms and consider the importance of individuality inside a formal narrative system, positing claims about how dysfunctional and dramatic it was to be a teenager of color in the capitalism dominated society of New York.

Zhang Yimou’s thrilling film Hero is both an emotional and exhilarating experience. Hero combines the use of action-packed scenes as well as a beautiful love story. Nameless, Broken Sword and Flying Snow, the main characters, team up to eventually kill the King of Qin who had murdered a number of people with the Qin army including both Flying Snow and Nameless’s father. Although the Qin army is an enemy of Broken Sword and Flying Snow’s people, it is a personal issue to assassinate the king. Throughout the film the audience is exposed to the developing love that forms between Broken Sword and Flying Snow. While their love unfolds, many battles of combat arise between enemies and allies. When Nameless joins Broken Sword and Flying Snow,

“Fuck this shit. See you next year Cannes. Out”. Is a bold twitter quote from the very famous Brian Hu which gave a lecture at CSU San Marcos film class October 20th 2015. He is the artistic director of Pacific Arts Movement and of the San Diego Asian Film Foundation who received his PhD in Cinema and Media Studies at UCLA. His lecture presented grave insight into National cultural specifics but emphasized mostly on China and Hong Kong. He also broke down genres as they play a role in the film industry. Martial-arts as a genre are very specific to Chinese cinema and Japan has samurai films of loyalty and justice. As a genre, martial-arts take place at a temples or a forest and is very culturally specific. Other genres like body genres are specific to a body reacting to a film and no mater were you are in the world you have a body. In Latin America they have mellow dramas called “telenovelas” that people want to cry to and in Korea they have their own form of drama shows that they cry to as well. Horror films often have us react with our bodies, for example: if you see something gross you feel it in your body, and at the same time your body is reacting to the way the characters are. Other body genres like comedy can have a reactional impact on your body as well. For example: if you see something funny and you laugh, that is a body reaction.