Analysis Of The Movie ' The Romantic Dramedy Sepet ' By Yasmin Ahmad

The book being reviewed in this papers is Code of the Suburb: Inside the World of Young Middle-Class Drug Dealers by Scott Jacques and Richard Wright. This book is written on the context of 30 different individuals from a small location referenced as “Peachville” in Atlanta Georgia (Jacques & Wright 1). Each of these known individuals during their time in high school were selling drugs. Marijuana was the particular substance to be sold, but few dove into other illicit drugs including ecstasy, cocaine etc. (3). Generally speaking, the first questions that appears is what pushed these students to dive into the prospects of peddling and using drugs? Better yet, why continue to use them? The 7 chapters included in this book contain various stories of popularity and financial gains and losses along with the destruction of relationships.

The film Moonlight was released October 21, 2016. Moonlight is all African American cast, and was awarded over 25 awards including the Academy Award for best picture. This film is a coming of age story that follows the dramatic ups and downs of the life of Chiron, a young Africa American man growing up in Miami. The plot begins from the time he is in elementary school to the time he reaches adulthood. The plot is structured in three stages of the life of Chiron and touches on the topics of the struggle of dysfunctional households via socialization, sexuality and sexual identity, physical and emotion abuse, and the process of accepting ones self.

Paisan is a revolutionary, documentary-style film, consisting of six separate but seemingly related episodes. Director Roberto Rossellini uses this film to portray the drastic consequences of war on a nation, the people, and overall society. Neorealism was a pivotal movement, and Paisan brought attention to the Fascist influence by showing the harsh economic and social reality of World War II. Rossellini also uses Paisan to allude to regionalism and the importance of a unified nation. Paisan exposes a fundamental truth and emphasizes a need for reconstruction through the use of a complex setting, elements of humanity, and reoccurring themes of revival.

Released in the summer of 1994, the movie “When a Man Loves a Women” produced by Touchstone Pictures’ producer Jon Avnet created a film that touches on a female alcoholic. This film included stars like Meg Ryan, Andy Garcia, and Lauren Tom. An airline pilot played by Garcia as Michael and his wife Alice portrayed by Ryan are forced to deal with her alcoholism. Within this family it includes that of her two children and the nanny (Lauren Tom). The film offers several hinting scenes to Alice’s addiction. Alcoholism is a disease of denial, the movie focuses on not only the alcoholic but those around her that deny and have even grown accustomed to her drinking.

This is a criticism of Moonlight, a film directed by Barry Jenkins. It is a coming-of-age story, telling the journey of a young gay black man named Chiron. Through linear character development the film follows a young Chiron from adolescence into adulthood while growing up with alpha males in Miamis black ghettos. The Story is told in three parts, with a different actor playing the lead role in each section: a young Chiron named “Little”, as a teen named “Chiron”, and an adult named “Black”. Despite a compelling lead performance by Mahershala Ali and Naomie Harris, and its great soundtrack, Moonlight falls flat and never gets out of the shadow of its typical cliche plot, all the while, the film continued to never overcome the obstacle of

“Why Did I Get Married?” directed and produced by Tyler Perry is a movie based on four couples who take a reunion vacation to the Colorado Mountains in order to reunite with friends from college. On this vacation things didn’t go according to plan. Throughout the movie there was heartbreak, infidelity, suppressed feelings, conflict, and secrets raging throughout each of the couples’ relationship in some aspect. With these unfortunate events occurred at various times throughout the film it cause their trip to evolve from a place to relax, enjoy friends, and time off from work into an emotional and tense atmosphere with the involved couple seeking validation from the other couples on the reason why their marriages are the way they are. Even though the movie ended on a good note in their celebration of Janet Jackson’s character (Pat) receiving an award one of the marriages did not survive. This couple’s relationship will be my focus for this paper.

Aziz Ansari published his first book Modern Romance, on June 16, 2015, where he teamed up with notable sociologists to uncover the mysteries of the changing dating scene around the world. Ansari states that relationships have been evolving for the past century for reasons ranging from people having different wants and desires to more advanced technology. These developments have revitalized the dating culture, but simultaneously have also made it very complex. Ansari’s reason for writing this book was that he was “fascinated by the questions of how and why so many people have become so perplexed by the challenge of doing something that people have always done quite efficiently: finding romance” (Ansari 6). In the book, he dives into the

In Wolfgang Staudte’s (1951) film, Der Untertan, the main character named Diederich Hessling develops from being a meek and cowardly boy to become a manipulative and self-involved man. The film uses many instances of imagery and subtle moments of foreshadowing to convey the ideals of the people of that time which lead up to the World Wars. Diederich is a typical Prussian citizen who blindly follows, supports the true “German values”, and bows to his superiors while stepping on his subordinates. The film illustrates Diederich’s character development, his shift in personality, and political confrontations through carefully crafted camera techniques that also highlight the time period that the film was set in as well as produced in.

Sankofa is an Ankan word which means, “We must go back and reclaim our past in order to move forward ( Diop, 2014).” The film Sankofa was produced in the year 1993 in Ghana directed by Haile Gerima. It is based on the Atlantic slave trade. It is the story slavery from the point of view of Africans. In the film, all characters represent an element of African American culture (Gerima, 1993). It also shows the traditional racial scale with the whites at the top followed by Half-castes in the middle and blacks at the bottom.

The film starts off with the protagonists’ encounter in a baseball tournament. Invitation communication begins with Gary asking Brooke if she would like to have a hotdog. On relationship meaning level, it reflects Gary’s interest in knowing Brooke. By the end of the tournament, Gary tries to ask her out, exploring the possibilities for a relationship with her. Despite Brooke calling him “crazy”, she still chuckles and responds to Gary’s pick-up lines, hinting that Brooke is not totally uninterested. It is quickly followed by the opening credits with intimate photos that captured the intensifying communication stage between the protagonists. Their long term commitment takes the form of cohabitation, thus completing the escalation phase of

“It’s a war going on. The ghetto is a cage. They only give you two choices, be a rebel or a slave” Dead Prez, ‘Turn off the Radio’, 2002. It’s an epidemic that’s happening in major cities across America; racialized black and latino youth are pipelined directly into the criminal justice system through different institutions starting at a young age. These boys are marked for illegitimate gang activity at an early age, initiating the ongoing process where they are stigmatized in every aspect of their life for their negative credentials before they even have the opportunity to prove themselves. Victor Rios, author of Punished, names this phenomenon the Youth Control Complex and shadows several youth in the Oakland area, in hopes of bringing light to these injustices. Rios, having grown up in the ghetto himself, knows firsthand what it takes to escape this inevitable incarceration; mentorship from adults who care and opportunity fueled by the individual. The Youth Control Complex effectively criminalizes these boys at a young age, however through the sociological imagination one can see that the conditions are part of larger structural and societal processes.

The movie Bashu: A Little Stranger, is a heartwarming commentary written and directed by Bahram Beizai in 1989 on the effects of war, love, and racism in a small village community in Iran. Beizai challenges the widely accepted Iranian identity through stars Susan Taslimi as Naii, Bashu’s adopted mother and Adnan Afravian as Bashu. The film boasts a simple plot, yet the societal critiques are strong and apparent. It takes place during the Iraq-Iran war, a war brought forth from long standing border conflicts and fears of revolution. Many critics agree that Bashu is a timeless film. Although produced in 1989, this situation could happen at any point in time.

“Interested in your father’s glorious family tree? You aren’t included, it only includes men’s names.” In the film ‘Wadjda’, directed by Haifaa Al-Mansour, a girl named Wadjda from the male-dominated culture of Saudi Arabia sees a green bike that she strives her hardest to own. Although could the bike be a metaphor for something deeper? Some may say the bike is nothing more than a plain old bike, but in this essay, I will discuss how and why the green bike symbolises more than a mere green bike. The focus will be on the significance of the bike, why it has been chosen to act as the metaphor, and how/why the director has chosen it to show that Wadjda is subversive.

Throughout his book Modern Romance, Aziz Ansari the author develops and explains concepts that are involved in romantic relationships. In his arguments he describes certain points that explain how romances were modernized with the advancement of the technology. The growth of technology has created new sources of communication like for example socials networks and other websites in the internet that allow people to have an easier search to find a partner when they are looking for one. One of the biggest arguments that author talks about is when he describes how technology has played an important role in romantic relationships. The use of technology that exists in the present day has become excessive and it is a good argument to discuss in the essay. Up to today the online services and socials networking sites have become important factor s in the search for that “perfect someone” that people want to share the rest of our lives with, but at the same time it becomes a dangerous weapon that disappoints, lies and destroys romantic relationships. It’s not really that technology influences bad things; but it is more up to the responsibility of people and the purpose they use it for. The fact that the technology has become a very helpful tool to date someone is something very common to do nowadays but also it is dangerous because people do not really know who they are talking to or who is behind the computers monitors. Although

Analyze This is a hilarious, feel good movie about two men from different backgrounds living completely opposite lifestyles. Through a series of very funny, random and bizarre moments they form a memorable friendship together. The movie came to theatres in 1999, was directed by Harold Ramis and included a cast full of some of Hollywood’s brightest stars. It begins with two gangsters leaving a café, discussing their plans to attend a meeting involving the countries major crime bosses. One gangster goes back in the café to get a toothpick and at the same time the other gangster is killed from a drive-by shooting. The movie’s plot is based upon the surviving gangster seeking out a psychiatrist to help with his emotional