Analysis Of The Movie ' The Same Title ' By Anthony Burgess

A Clockwork Orange, by Anthony Burgess, develops a fictional account of a violent futuristic society, while integrating commentary on  current political and social issues.

In the movie “Copycat” from 1995 there is a character named Helen Hudson (Sigourney Weaver) who is a psychiatrist that studies the behavior of serial killers. At the beginning of the film she is giving a lecture at the University of San Francisco and at the end of the lecture, Daryll Lee Cullum (Harry Connick, Jr.) follows Helen into the restroom and tries to hang her, but fails and gets locked up in prison. Thirteen months later, Helen suffers from panic attacks and agoraphobia which have resulted from her Post Traumatic Stress Disorder. She has been housebound for months now and has a homosexual assistant named Andy (John Rothman). Darryl Lee is in contact with William McNamara, another psychopath who wants to follow in Darryl Lee’s footsteps and become famous. So Darryl Lee tells William to continue his work of killing Helen.

A Clockwork Orange, a novel written by Anthony Burgess in the 1960’s takes place in dystopian future in London, England. The novel is about a fifteen year old nadsat (teenager) named Alex who along with his droogs (friends) commit violent acts of crime and opts to be bad over good. In time, Alex finds himself to be in an experiment by the government, making him unable to choose between good and evil, thus losing his ability of free will, and being a mere clockwork orange. A “clockwork orange” is a metaphor for Alex being controlled by the government, which makes him artificial because he is unable to make the decision of good verses evil for himself and is a subject to what others believe is right. In A Clockwork Orange, Anthony Burgess

Antisocial Personality Disorder ( ASPD) is a mental illness with various causal factors such as genetic predispositions, environment, parental neglect, gender, brain abnormalities, etc. The factors presented affect the character Alex DeLarge from Anthony Burgess’s A Clockwork Orange (1963). Despite Alex not being diagnosed, it is evident that he suffers from ASPD, it is clearly expressed through his behaviors and mentality. Eventually, Alex is incarcerated preceding a murder he committed, in order to be released early he enlists himself to a treatment so that he could be cured. The events that follow include his participation in the Ludovico Technique, an experimental form of aversion therapy which leaves him unable to fulfill the needs of his mental illness.

The client is a 26 year old, single, male, African American. He is an active duty ship’s serviceman seaman serving in the United States Navy, aboard the USS Belleau Wood (LHA-3). Seaman (SN) Fisher is residing on board the USS Belleau Wood (LHA-3) that is permanently stationed at San Diego Naval Base, 32nd Street in California. SN Fisher was given orders to report to Navy Mental Health Services Department on base as Involuntary Command Referral for diagnosis and treatments, to get an evaluation and expert psychiatric recommendation about whether the service member is mentally fit to stay in the United States Navy. SN Fisher is unwilling to begin counseling,

Burgess' A Clockwork Orange, a critically acclaimed masterstroke on the horrors of conditioning, is unfairly attacked for apparently gratuitous violence while it merely uses brutality, as well as linguistics and a contentious dénouement, as a vehicle for deeper themes.

A war film like Full Metal Jacket, does not aim to glorify war, but to show the distortion of morality in it, the romanticizing of violence to the point of blurring the lines between profane and holy. With the analysis of the film’s plot, the ideas it chooses to enforce, the visual, and narrative techniques he used, one gets the impression that Kubrick, focuses on the image of a man – being and becoming a killer machine. This again is a repeated trope that is a main narrative point in A Clockwork Orange. In both stories a man is being re-constructed by the establishment with the purpose of good for the society. While a notable parallel between both films, in Full Metal Jacket this trope is reversed.

I am going to write about the way that Kubrick achieves the same effect with the language in the film, A Clockwork Orange, without using the language that Anthony Burgess uses in the and also how he gets the same effect without using language as Anthony Burgess does to get the reaction out of the readers. Kubrick uses the protagonist of both the film, Alex, and his gang to show the violence that we can see in the novel through the use of language. In the beginning of the movie Alex and his gang run violently through the streets of their city and commit all kind of violent things that includes them raping a woman.

A Clockwork Orange demonstrates the philosophically issues of free will and determinism through how the main character was treated in the movie. It also addresses important issues such as ethics, philosophy of the mind, free will and determinism, and the problem of perception. Philosophers such as John Hospers, B.F. Skinner, and Jean-Paul Sartre have different views on the issue through their theories of how individuals are or are not responsible for the free will choices that they make in life. The main character in the movie was a very violent , and reckless person. He participated in sinful acts such as being a gang member, raping women, being involved in fights, etc. These actions resulted in him being sent to prison and eventually being brainwashed into doing things out of his character. The three philosophers have very different interpretations of how the main character should have been dealt with and the reasonings behind his actions.

A Clockwork Orange portrays the concept of good versus evil. “It is usual to think of good and evil as two poles, two opposite directions, the antithesis of one another…. We must begin by doing away with this convention” (Buber: 1938). One has to disagree with Buber, good and evil are two opposite poles because they both deal with different aspects and values. The conflict amongst good and evil becomes difficult in A Clockwork Orange, since the novel actually presents the fight between enforced good and evil that is done voluntary. Alex is a teenager who gets a thrill

In the novel A Clockwork Orange, the author Anthony Burgess tells a story about a young man name Alex and his friends, every night they go around and start committing violent acts. In the novel Alex expresses his freedom of choice between good and evil. The freedom of choice is a decision that every person must make throughout his life in order to guide his actions and to take control of his own future. This Freedom of Choice, no matter what the outcome is, displays person power as an individual, and any efforts to control or influence this choice between good and evil will take way the person free will and enslave him. In this novel the author uses this symbolism through imagery. He shows that through the character of

The use of music as a motif in (Stanley Kubrick, A Clockwork Orange 1962)] creates a lens so that the viewer is able to recognize the trend that violence has to destroy an individual’s identity. Although Alex (Malcolm McDowell) clearly associates violence with his own individual identity and sense of self, he consistently reveals the impossibility of remaining an individual in the face of group-oriented violence. The images that music create coincide the destruction of Alex’s identity, either through compliance to a group’s style of violence or through failure to embrace the similarity of group actions associated with violence. As the movie progresses, musical imagery follows the exit and return of his personal identity as a role of his

The society of A Clockwork Orange is constructed upon struggles for power. Crime is a part of the everyday. Violent street gangs seek power through anarchism, direct authority is represented by a network of corrupt police, and on the highest social level a struggle for political and administrative power is fought. Alex reflects: "Power, power, everybody like wants power." As a microcosm of the social mentality, he seems to fit the notion of being a product of his environment.

It shows roughly 12,000 acts of violence, murder and rape being the most portrayed, and over 1,000 studies guarantee that too much screen time for boys increases their aggressive behavior. Such as the numerous crimes inspired by Stanley Kubrick's A Clockwork Orange. If the various murders of teenage boys and the assault of a woman by a man dressed as a droog were not disturbing enough, Kubrick indefinitely took it off the market after a gang rape was conducted

Similarly, the character of Alex McDowell and his actions are presented with methods comparable to that of Bonnie and Clyde. Stanley Kubrick stresses the violence in A Clockwork Orange as a way to show the full extent of his harmful maniacal ways. Narration alone can only tell us so much about his personality and isn't able to comprehensively encompass the significance of the violence attributed to Alex. It isn't until we see the crimes being committed in vivid detail that we are able to recognize the true nature of Alex’s moral extent. This illustrates him as the character he is meant to be as per the novella written by Anthony Burgess. We learn through wide angle shots of the moments leading up to the raping of a helpless woman, that Alex is entirely comfortable with the sadistic action and even finds it amusing. Upward facing camera angles that specifically place his face as the focal point are used during this scene and many others like it to enunciate his sinister appearance. They are used to show that as a person, Alex enjoys these all to pernicious behaviors. The excessive realness of the scenes only supports our understanding of his lack of humanity. Alex’s aggressiveness is magnified by the way he senselessly beats the old man under the bridge and the husband of the raped woman. Incorporating an undisturbed shot of him doing so allows it make a greater impact on the audience's perception of the character. Just as in Bonnie and Clyde, violence is shown with no