Soviet challenge; all parties agree upon the city of Las Vegas, Nevada as the exhibition site. Creed and the boxing promoters stage a lavish, patriotic show complete with showgirls, rhythm and blues singer, James Brown, and glitzy, red-white-and-blue decoration. As the fight begins, an over-confident Creed attempts to outbox Drago, but as the bout progresses, Creed cannot match Drago’s brute strength and superior size. After a brutally hard punch from Drago, Creed falls, unable to recover. He dies in Balboa’s arms. When confronted by the outraged media, Drago comments, “If he dies, he dies.” Due to the negative media publicity, Ludmilla, Drago 's wife, calls the United States an “antagonistic and violent government” that makes “threats of violence” to her husband and Koloff, the head trainer, comments that American society has become “pathetic and weak.” The Soviets insist on a rematch in Russia with Balboa as the antagonist. Angered by Drago’s cold indifference over Creed’s death, Balboa decides to avenge his friend, defend his country’s honor, and fight Drago in the Soviet Union in an unsanctioned fifteen round bout on Christmas Day, a Christian, Catholic, and Eastern Orthodox celebration of Jesus Christ’s birthday. This explicit symbolism adds another layer of quiet complexity to the film by setting Christianity against godless Communism.
Balboa flies to the USSR, accompanied by his trainer, Duke, and brother-in-law, Paulie. Located in the Siberian village of
The Alamo is a 2004 American war film about the Battle of the Alamo amid the Texas Revolution; it is a motion picture that catches the dejection and fear of men sitting tight for two weeks for what they hope to be sure passing, and it some way or another succeeds in taking those popular society brand names like Davy Crockett and James Bowie and giving them human structure. The film was coordinated by Texan John Lee Hancock, delivered by Ron Howard, Brian Grazer, and Mark Johnson, dispersed by Touchstone Pictures, and featuring Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, and Jason Patric as James Bowie. The film relates to history, the Alamo looks exact, and, in reality, we find that San Antonio de Béxar was deliberately re-made with small saving of cost. In any case, a feeling of the way the occasions at the Alamo are joined with the national story of slavery, development, and the evacuation of Native American from the eastern United States in the 1830s and 1840s is missing. On the off chance that we incorporate this bigger story, we can maybe figure out the more extensive point of view that at first created enthusiasm for the venture.
In the movie, The New World: Nightmare in Jamestown begins with the voyage of about one hundred men journeying to discover treasure in the New World called Jamestown. These men were part of what was called the, Virginia Company. The Virginia Companies exploration was predominantly for treasure like gold and silver. The voyage took about four months. At the time, Jamestown was not the place to be living. In Jamestown the land has been stricken with a scarcity of food and there had been a staggering amount of infections going around. Fortunately, they had the assistance from England who shipped them different resources essential in order to endure the harsh conditions of Jamestown.
Why is the movie called Glory? Is it really glory? I strongly believe not only is the movie glory itself, but the characters represent the idea of glory throughout the movie as well. Glory is a high rank of honor, which involves tireless amounts of work to get to. Not only did the characters in the movie represent the movie well, but portrayed the Civil War in a proud manner as well. There are many characters that represent glory, but there are three that stand out among the rest. Those characters are Colonel Robert Gould Shaw, Corporal Thomas Searles, and Sergeant Major John Rawlins.
At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.
Literature is considered a mirror of the society. The pool of content in literary writing stems from the environment in which the writer is placed. A writer will use this environment to advance his/her views of the society and at the same time drive into the audience/readers important information that he/she wishes to pass. Hunter S. Thompson has used his creativity in the novel Fear and Loathing in Las Vegas written in the 1960s to reflect on American society with Las Vegas as the point of reference.
John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.
Requiem for Detroit? is a historical documentary, released in 2010 and directed by Julien Temple, about the decline and collapse of Detroit, one of America’s largest cities. It chronicles Detroit’s journey through its success in the automobile industry all the way through its urban decay and industrial collapse to the present day. As the film draws a close, Temple also suggests some ways forward for Detroit. He presents possibilities and clearly shows which he thinks is most likely through his use of interviews with subjects and visual representations of these offered opinions. The intended reading that Temple offers viewers is a complex one, with many anti-consumerist and anti-corporate ideas and leanings. Despite the ‘doom-laden’ feel of much of the text, Temple paints optimism for the potential for a progressive and productive future for Detroit. Throughout the documentary he clearly expresses this intended reading through effective use of motifs, shown by visual and sound techniques, music and interviews with both privileged and non-privileged characters.
In the 1940’s a series of propaganda films titled Why We Fight were produced for the purpose of defining the enemies of World War 2 to justify the necessity of America’s involvement in war. Hitler needed to be defeated, Nazism had to be destroyed, and tyranny had to be stopped for the sake of the American way of life by any means necessary. How could society argue against America’s role in the world war when freedom was being threatened? As Martin Luther King Jr. said “Injustice anywhere is a threat to everywhere.” No questions asked, Americans mobilized in the name of liberty and freedom. However the 2005 documentary film Why We Fight directed by Eugene Jarecki is not a sequel or war propaganda. The film informs the audience and questions America 's military industrial complex that has since dictated policy since the victory of World War 2. With the help of narration, soundbites, and credible speakers Jarecki shines light on the pernicious impact of the armed industry on our government, army, and citizens.
Creed, is a movie that performances by Michael B. Jordan as Adonis Johnson, Apollo Creed’s son, Sylvester Stallone as Rocky Balboa, and Tessa Thompson as Bianca was directed by Ryan Coogler. Adonis Johnson, who is the son of former heavyweight champion Apollo Creed, was living in the youth facility when Mary Anne, Creed’s widow visited him and decided to adopt him. Adonis work as a professional, but he was not satisfied with his current life. Mary Anne was so disappointed with him because Adonis’s father passed away in the ring, and she did not want Adonis to follow his dad’s step. Despite the fact that he wanted to pursue his dream to work as a professional fighter, he gave up his current job and went to Philadelphia. He found Rocky Balboa there and he requested Balboa to become his mentor and trained him. In the process of becoming a professional fighter, Adonis went through challenges. Even though Adonis faces challenges in life, he overcomes them because he never gives up.
The movie “Gone with the Wind” is about a rich southern girl named Scarlett O’Hara and her life hardships set during the time-period of the Civil War. In the story, Scarlett is forced to watch helplessly as her family’s wealth and lives fade as the confederacy loses the Civil War. Even though, the movie is mainly centered on the dilemmas of Scarlett’s love life, there are many historical accuracies that immerse the viewer in the southern mindset as well as the timeframe. The portrayal of class structures and the confederate attitudes before the Civil War are both accurate and engaging details that the movie successfully implements. In the film, these examples are displayed mainly through the dialogue and setting.
In the short film, “The Negro Soldier,” the whole focus was to get African Americans to join the military. With the use of propaganda, the U.S. government hoped to promote getting African Americans to want to fight for their country. It hoped to instill patriotism in them. It showed that Germany and the Nazis had no respect for them and considered them the scum of the earth. It also portrayed them being accepted as equals into the American society. It was used to make them think they were wanted and play a major role in the success of the war against germany. And to ultimately make Germany and the Nazis look like the bad guys (destroying their monuments) instead of the racist America they lived in. It also portrayed African American soldiers prior contributions in previously fought wars as pivotal moments in American history. It made it seem like they were the reason for those victories. It also explained how the African American soldiers were honored with tributes, memorials, medals and parades for their service in the military. In the ongoing WWII, it was said that there were three times the number of African Americans soldiers in WWII than in WWI. Also, many more were getting commissioned and attending West Point and OCS (Officer Candidate School). African American men that were once printers, tailors, entertainers are now soldiers in the Army as gunners, tankers, radio operators, mechanics, quartermasters, and infantrymen. They were now the backbone of
Fruitvale station, is a story about the real life Oscar Grant, a black man who was shot and killed by a Bay Area Rapid Transit police officer in Oakland. This film follows Grant and his last days before the shooting on New Year’s Day. Written and directed by Ryan Coogler, Fruitvale station was his first feature film. Coogler expressed that he was interested in making this film because he wanted people to get to know Grant, get attached, so that when a situation like this occurs again, people will care more about that human life (Wikipedia). In addition, the cast includes Michael B. Jordan (Grant), Octavia Spencer (Wanda Johnson), and Melonie Diaz (Sophina Mesa), amongst a few others. However, there is an underlying concept in this film. This film relates back to Double Consciousness and the internal conflict and struggles within African American men.
The film Requiem for the American Dream is a documentary that informs its audience, the American middle class, that the American Dream has died. The film was produced over a four-year period and was later turned into a book containing three times as much material as the film and became a New York Times bestseller of the same name (Gold 2016). Considering the length of time this took to create, and the topics it covers, it is relatively short at only 73 minutes. Despite the time constraint, the film conveys its message in a way that is understandable to the audience. The principle filmmakers are Kelly Nyks, Peter Hutchison, and Jared Scott, all of which have worked with Chomsky in past ventures according to the website IMDb.com. The star of this documentary is Noam Chomsky, while he is on screen he is shown seated, with a relaxed manner, offscreen he is the narrator. The video has ten parts that describe how the American Dream has died, beginning with the concept “Reducing Democracy” where Chomsky tells viewers that the “founding fathers” drafted the U.S. Constitution with the intention to protect wealthy individuals against too much democracy. Next, he addresses “Shaping of Ideology” this highlights a memo, sent from Lewis F. Powell Jr. in 1971 detailing the attack on the American economic system, stressing that the young are being taken away from the ideology of the status quo (citation needed). Following that is “Redesign the Economy” this part is about how before the 70s
Defiance is a movie written, directed and produced by Edward Zwick. This movie’s setting is in Nazi occupied territory in Belarus during World War II. The storyline follows the Bielski brothers as they attempt to evade capture and fight for their lives, and over the course of the movie, the lives of twelve hundred other Jewish survivors on their quest for life, liberty and the new promised land. The film features Daniel Craig as Tuvia Bielski, Liev Schreiber as Zus Bielski, Jamie Bell as Asael Bielski and George MacKay as Aron Bielski. The film is based upon the novel Defiance: The Bielski Partisans written by Nechama Tec and is a true story s of survival during the Nazi occupation of eastern Europe. This is a gripping movie full of
The untouchables is a movie based on the true events that occurred when the eighteenth amendment was passed. The eighteenth amendment established the prohibition of production, transport, and sale of alcohol. The Federal Agent Eliot Ness wants to stop Al Capone, who is the top of organized crime. It was a hard job for Eliot Ness because Al Capone with his money bought many policemen, politicians, and other important people, therefore Eliot Ness could trust anyone. Eliot Ness had to choose no more than twelve men to form his squad. The Untouchables were formed by Eliot Ness, and another nine men he picked, they were called the Untouchables because they never accepted any bribes. Al Capone One of Al Capone’s men offered Eliot Ness $2,000 to stop interfering with the organization and an additional $2,000 if he continued to cooperate. Eliot Ness’s plan was to make an impact in the income of the gangsters, so they couldn’t pay for protection. (Biography.com)