Analysis Of The Movie Tombstone

What goes through your mind as you are observing a film? Do you notice the way the camera angles play with your mind and make you wonder? Or do you spot the way the lighting techniques help to communicate the story? Maybe you hear the score or the dialogue and witness the sense-tingling notes and words that make you guess what is going to happen next. Whatever it may be, films are amazing works of art that stimulate emotions and help you experience the story in a deeper way. I had the opportunity to view the movie Tombstone and pay closer attention to the details that make the film what it is.

Tombstone was released December 25, 1993 and made $6,454,752 in the first week. Tombstone is based in the city of Tombstone in the Arizona Territory during the 1880s. The movie is about the conflict that an ex-cattle town sheriff and his family face. Wyatt Earp, played by Kurt Russell, his older Brother Virgil Earp, (Sam Elliott), and his younger brother Morgan Earp, (Bill Paxton), come to Tombstone to become miners. When they first get off the wagon at the hotel, the county sheriff greets them and gives them a tour and they come to a saloon put out the business by Ike Clanton, (Stephen Lang). Wyatt throws Clanton out of the saloon. Milt Joyce, (Pat Brady) cuts Wyatt in on 25% of the houses takings a night. After this walking back to his brother Ike shows up with a shotgun to deal with Wyatt; at this time, we are introduced to Doc. Holiday, (Val Kilmer) who hollers at Ike so to alert the Earps of what is coming. Due to this no blood was shed. Then a stagecoach rolls into town. On the coach is a play company staring Josephine Marcus, (Dana Delany). Wyatt is immediately attracted to her and she notices him down the road and is attracted as well. Then the Earps and Doc go to the Bird Cage Theater where they take their wives: Wyatt’s wife Mattie, (Dana Wheeler-Nicholson), Virgil’s wife Allie, (Paula Malcomson) and Morgan’s wife Louisa, (Lisa Collins) and Doc’s girl Kate, (Joanna Pacula). During the play, the Cowboy’s gang was watching as well but they were shooting their guns

In the sense of a cinematic point of view the common themes are shown in Shane that reflect the typical Western. The beautiful scenery plays a huge role cinematically and is a key feature in many Western films. For example, in the opening scene, a deer is filmed as it takes a drink of water from a spring with the beautiful background scenery of mountains. This shot from the beginning shows innocence and beauty that the west has. The openness and purity of the setting draws the audience in and is shown throughout the rest of the film. Another cinematic element that Shane incorporates into the film that is use in many Westerns is the violence and fighting and how they are filmed and portrayed. In the film, the first fight scene was with Shane and Joe Starrett against the landowners in the towns bar. The scene was filmed with no music, only the sounds of the men fighting, hitting and breaking things around them. This classic violence element of fighting in Westerns is show in this film and is filmed well as it intensifies the fight between them.

The film consists of many cliché western characters. There is a banker, an outlaw, a prostitute, a doctor, a gambler, and a pregnant woman. These characters are categorized by social class. The banker, the pregnant

The theme in the movie is mainly justice. Mississippi Burning takes place in the 60s and there was a great lack of

Post modernism can be seen as a turning against structuralism and the rigid thinking of genre. Shaun of the Dead(Focus) is a postmodern film as a combination of two genres: horror and comedy. Horror and comedy are both opposites but did very well together in this film. Shaun of the Dead is a post-modern as it had all of the elements of a horror film but is in fact a comedy. The film was directed and written by “Edgar Wright” (Wright) and co-written by “Simon Peggs” (Peggs). The film is a hybrid romantic, zombie and a comedy. These genres contradict each other therefore resulting the film to be seen as a comedy as these opposing genres are not normally combined with each other.

Ford’s Stagecoach is an epic and revolutionary approach that displays the desert terrain and western inhabitant’s struggles. Stagecoach follows the lives of seven strangers in their attempt to arrive to Lordsburg, New Mexico. Each of these characters reflects the various types of people found in the western world. The film is laced with many American ideals of the time such as xenophobia, chivalry, the conventional standards of women, and much more. Stagecoach defies the conventional western film because it is no longer just men in a desert terrain with rifles.

Almost two decades ago, a film known as Tombstone was produced, featuring a star-studded cast. This action-packed western portrays the legendary feud between the Earp’s and the Clanton’s. For the most part I believe it to be a respectable movie containing a powerful storyline. This film portrays the life and times of the famous cowboy, Wyatt Earp, focusing on what led to the gunfight at the O.K. Corral. Tombstone provides a mixture of both fact and fiction, however I believe this film to be mainly accurate. After seeing this particular film, I have resulted in finding some of the accurate and incorrect scenes and facts. Just to name a couple of the films inaccuracies are the misleading facts about the

In the film, Night of the Living Dead, the movie starts with two siblings, John and Barbara, driving to their father's grave to drop off flowers. John is reluctant to be there and is eager to leave while Barbara is trying to pray. John teases her like when they were children saying “They’re coming to get you, Barbara!” when they both see an unknown man. Barbara goes to apologize to the unknown man but it seems he is dazed and kills John. Barbara escapes and finds herself at an empty house. In the house, she meets Ben, who borders up to the windows after taking down 3 undead. After a bit of listening to a radio for the current status of the state of emergency, Harry and Tom come upstairs. We learn that two men, two women, and a child had been in the basement of the house during Barbara’s and Ben’s struggle with the undead. After much argumentation on if the basement or upstairs was safer between Harry and Ben, Harry went back downstairs to his wife and child. Tom and his wife, Judy, stayed upstairs with Ben believing they could properly border up the windows together. After much convincing from Helen, Harry’s wife, Harry and she join the others upstairs. While listening on the radio, they are given more updates of the state of emergency. The radio announcer suggests instead of staying in place, to now go to one of the designated “safe areas”. When places are announced, Tom says that one of the

The story formula for Stagecoach structures around characters in the Tonto and introducing the characters, traveling to Lordsburg, stopping at Dry Fork way station for food and unforgettable dinner table scene, traveling towards Apache Wells in the snow, Mrs. Mallory’s baby born in Apache Wells, finally getting to Lordsburg but got attacked by the Indians, and ended with Ringo Kid in a shooting conflict. Stagecoach did a great job in the characters types. There are the protagonists, prostitute, gambler, schoolmarm. These are the specific character types in Western movies. The setting of the movie is on point. It’s in the American West and takes place in the 1880s. The location of Monument Valley is a favorite location for John Ford. The presentation of Stagecoach has many great exterior shots that collocate the characters with the environment they occupy. The stars in Stagecoach does fit in a Western movie. Like John Wayne, he stars in many Western movies. What makes Stagecoach a western is the traditional western theme. Like the fight between whites and Native Americans. There is a good use of the American West’s open plains and mountains.

Shaun Of The Dead is constructed like a horror movie postmodernism as a combination of two of the opposition - the horror and comedy genres. It can be seen to the postmodern also turned against structured and rigid thinking of the horror movies. Shaun Of The Dead is a postmodern because it consists of all the elements of a horror movie, but in fact is a comedy, Shaun of the Dead was written by Edgar Wright and co-author Simon Page, the film is a hybrid romantic, coma, and comedy, and this type contradict thus each other than the film led to be seen as a comedy, as traditionally is not a combination of these types usually opposed to each other. Shaun of the Dead is a contemporary version of the horror film because it still follows the laws and conventions of the horror film, which consists of blood and gore, zombies and isolation this whole iconography of popular horror movies. Another way Shaun Of The Dead contrasts with the horror and the theory of character Propp films is by replacing the main character to lead the male cool and strong ordinary boy who works in a shop selling electronic devices with slacker him from a friend who adds initially Another element of humor in the film due to lack of The presence of the typical characteristics of a hero.

The Wild West is one of the most famous time periods in American history. Spanning from post Civil War to the early 1900’s, the West was plagued by outlaws, deadly diseases, and harsh weather. The grim reality of the Old West is often overlooked, due to Hollywood’s portrayal of it. Many movies about the West are generally over dramatic; sending the message that shootouts happened everyday at high noon and other over the top conceptions. The reality of the “Wild West”, America in the 1800’s and early 1900’s, is not how Hollywood romanticizes it.

There were some reactions that I experienced when I watched this movie a couple times. The first time that I watched the movie, I thought it was sad and predictable. The very first scene shows the two men just missing each other at the Texas Market, than the rest of the movie was about their life being sad. I pretty quickly saw that the two would eventually run into each other and find the love they were missing in their life. It was sad to see that they were so unhappy in their lives. Since I was a kid, I grew up with a family that believed in equal

The movie told us a story about how love never dies. Demi Moore portrayed a woman named Molly who lived with her boyfriend Sam. Sam had a greedy and money grabbing partner Carl played by Tony Goldwyn. This is the typical kind of partner who has no real life of his own and will do anything he can to get millions. Of course these kind of characters never mean to do anything harmful to their supposed friends but something always goes wrong. Carl arranges to have a sleazy character rob Sam in order to get what he wants from him and finish his sleazy business deal. Sam and Molly are coming home late one night when the “pretend” robbery happens. Unfortunately Sam chose to fight back and gets knifed. He dies there on the street and soon realizes he has become a ghost.

Nothing will ever go according to plan. Tests are failed, people are changed, loves are lost. As is the case with Tim Burton’s The Corpse Bride, following the story of an elegiac young man, the son of newly rich fishmongers. Victor Van Dort (Johnny Depp) is betrothed to Victoria Everglot (Emily Watson), the daughter of penniless aristocrats, to heighten both of their families, and despite his initial terror, he falls in love with her. Unfortunately, Victor has a horrible time at the rehearsal and cannot remember his vows, leading him off into the words where, while practicing, he inadvertently puts the wedding ring on the Corpse Bride (Helena Bonham Carter), a young woman who was murdered on her wedding day for her parent 's money. Victor’s adventures in the land of the dead tear him between his new wife and his intended bride, while teaching him more about himself and those around him. Throughout the film, the elegantly lifelike clay figures portray the lifelessness of the living juxtaposed with the liveliness of the dead in Victorian Europe.