Analysis Of The Poem ' Dead Man 's Dump ' And Dolce Et Decorum Est

“Facing it” by Yusef Komunyakaa and “Dulce et Decorum Est” by Wilfred Owen, are two powerful poems with the graphical life like images on the reality of war. It is apparent that the authors was a soldier who experienced some of the most gruesome images of World War I. In “Ducle et Decorum Est” Owen tells us about a personal experience in which he survived a chemical warfare attack. Although he survives, some of his fellow troops do not. As in “Facing It” Komunyakaa is also a soldier who has survived a war. Komunyakaa response to his war experience is deeply shaped by his visit to Lin’s memorial. Inspired by the monument, Komunyakaa confronts his conflicted feelings about Vietnam, its legacy, and even more broadly, the part race plays in

From the earliest records of history, accounts of war have been portrayed as valiant acts of heroism. Children and adults alike have gathered together to hear tales of war and its glory. From the stories of Alexander the Great to recent-day movies like Saving Private Ryan, war has been praised and exalted with words such as bravery, honor, and freedom. However, Wilfred Owen's poem "Dulce et Decorum Est" shows the ugly, horrible side of fighting. By use of gripping words and vivid descriptions, Owen paints incredible pictures of what World War I was really like. He tears away the glory and drama and reveals the real essence of fighting: fear, torture, and death. No

In the poems of “Dulce et Decorum Est” and “Facing It” written by Wilfred Owen and Yusef Komunyakaa respectively, two entirely different yet similar stories of war are told. “Dulce et Decorum Est” is told through the perspective of our narrator as he’s directly in the middle of a war and of the horrors he sees. From the unforgiving terrain to the description of the already beaten down soldiers, and quickly followed up with a gas attack, it is not a pretty picture. The poem tells of the soldiers scrambling to put their helmets on to shield them from the gas, but not all of them make it. One soldier helplessly fumbles with his helmet and does not manage to put it on in time. The images of his friend choking and drowning are all too real for

In the poem “The Man in the Dead Machine,” Donald Hall uses vivid imagery and alternative scenarios to emphasize the sheer overwhelming specter of death that loomed over those serving in the greatest conflict known to man. The hook that Hall uses to initially provoke the readers interest is the mentioning of the Grumman Hellcat, a fighter plane used by Americans in World War II. Specifying the model of the fighter plane allows the reader to be knowledgeable about the setting of the poem. The meaning of this poem focuses on the destructivity wartime causes on the life of those in service. The main focal point Hall emphasizes throughout his poem is the uncertainty of life and death. However, other important targets of this poem are suicide

Sharon Olds, in her poem “Leningrad Cemetery, Winter of 1941”, portrays the dreary and dire effects of war. As one of the most destructive and longest sieges of history had just begun, the countless bodies scarred the citizens of Leningrad. In order to convey horror, hopelessness, and death, Olds utilizes simile extensively, corrupting images with typically hopeful connotation.

Imagery techniques in this poem consist of key words, an example is “They’re rolling them out of the deep-freeze locker on the tarmac” this gives the readers an image of dead bodies being rolled out of an aeroplane onto the runway. By using a visual approach in the poem, the poet can better express his feelings on war to the reader(s).

Wilson Owen (1893-1918), a soldier that fought in WWI, uses aspects of prosody in his poem “Dulce et Decorum Est” (1917) to convey how trauma generates significant impact because one suffers from confusion during a deathly situation. The poet describes an experience he had while in war: “In all my dreams before my helpless sight, / he plunges at me, guttering, choking, drowning” (Owen 15-16). Owen uses imagery to set the scene by describing his situation as something he cannot help. A fellow soldier is enveloped in tear gas and cannot find a gas mask so he plunges toward the author in attempt to receive his. Furthermore, he changes the rhythmical structure from iambic to trochaic in the last two beats, “choking, drowning” (Owen 16).

“The Death of the Ball Turret Gunner” by Randall Jarrell is able to accomplish so many thing with so little lines-mainly through the use of metaphor and diction. It explains the terrors of wars in gruesome detail and explains the ways in which wars, in a sense “breed” and “birth” death. To some, this poem is seen as the ultimate poem of war, and rightly

Over the years, the wars throughout history have provided magical but traumatic contributions to art forms of all types. From the writings of Kurt Vonnegut's "Slaughterhouse Five", to the poetry of Rupert Brooke and Wilfred Owen, they have influenced many of the modern forms of art that we see and study today. These works have been deconstructed and analysed in many different ways, but the work of Brooke and Owen continue to be controversial due to the subject matter. Commonly, popular poets and artists stray away from the topics of death and tragedy, but Brooke and Owen confront it in a realistic, in-your-face fashion. Some of the key differences between these two unique poets is the way that they approach the subjects of war-related death

During times of war, it is inevitable for loss to be experienced by all. In the poems “The Black Rat” and “The Photograph” written by Iris Clayton and Peter Kocan respectively, the idea of loss is explored through an omniscient narrator recalling a soldier’s involvement in warfare. While Clayton writes of a soldier’s abrupt loss of hope and how this experience negatively affects his life, Kocan explores how the loss of a loved one affects a family sixty years later. While both poems incorporate similar techniques in imagery and narration, the time setting for each poem is different as “The Black Rat” is set in Tobruk, Libya during World War 2 and “The Photograph” is set during World War 1.

In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways through particular words. He relies upon adjectives, personification and the use of imagery to describe the suffering.

The poem Sorrow by Martin Dejnicki shares many similar themes with The Things They Carried by Tim O'brien. Both works of writing display war as a painful and and traumatizing experience. However, this poem reflects the message in The Things They Carried chapter, “Sweetheart of the Song Tra Bong” most accurately. Both the chapter and the poem share the theme that war can take away a person’s humanity. In the lines, “We've dug a hole, called a trench, Humanity is gone, replaced with stench” (Dejnicki) the author is trying to convey that a soldier in war can have their humanity striped away and uses the symbolism of “stench” to describe the foul persona that may replace it.

Owen personifies death, giving him readily identifiable human characteristics as spitting and coughing, but in a way that accords with the gruesome nature of death since he spits “bullets” and coughs “shrapnel.” What is really striking is that the soldiers welcome death's claim of their lives; they “chorused if he sang aloft” and “whistled while he shaved [them] with his scythe.” Although evoking the death-as-a-reaper conceptualization,

“Dulce et Decorum Est” by Wilfred Owen takes its title from the Latin phrase that means “It is sweet and becoming to die for one’s country”. Quite often the barbaric nature of war is over romanticized and the author uses this title satirically to mock the public’s deluded view of war. The poem graphically describes the hell soldiers have to endure in their everyday battle for survival. These are tragedies of war that only veterans can fully understand and Wilfred Owen tries to enlighten the general public of these tragedies through imagery and similes throughout his poem.

A primary focus for Rosenberg's poems is centered around the hardship and struggle in war. For example, a few of his most famous poems including “Dead Man’s Dump,” “On Receiving News of the War,” “Soldier: Twentieth Century” and “Break of Day in the Trenches” all incorporate the mentality of a soldier facing battle. It is easy for an individual to talk about the thought of war and the struggle that a soldier may face. Furthermore, Rosenberg wrote from his experience as a young man going through such a horrific event, which allowed his readers to see what he saw, feel what he felt, and undergo what he went through. He mastered this art form in the early years of his life and shared his work with the world. In many cases, he describes an object or occurrence and lets the description do most of the work.