Analysis Of The Poem Enter Without So Much As Knocking Bruce Dawe

Introduction: "Homo Suburbiensis" is as much a poem about the human condition, as it is a record of one man 's escape from the demands of his existence. "Homo Suburbiensis" uses one man 's escape from his demands to represent our universal need to contemplate and resolve our own uncertainties in life in our own special place. Dawe uses a series of imagery to depict the workings of our minds and a chain of unpleasent sensory experiences to illustrate unwanted intrusions in our lives. Through the vague depictions of these intrusions Dawe urges us not to give great attention to them, but to offer to the world, our most truthful emotions and thoughts.

Australia is filled with many different aspects in which makes it the country it is today. I believe it is important to study texts that explore aspects of Australia by studying texts such as ‘The Club’, by David Williamson, a play written in 1977 about an Australian football club and movies such as “The Castle”, directed by Rob Stitch in 1997, about the daily life of an Australian family when their happiness is threatened when developers attempt to buy their house to expand the neighboring airport. Both these texts show us what Australian life was like in the past. By us looking at themes such as language, tradition and the mateship shown we are able to explore different aspects of Australia that make it what it is today.

In a series of verse paragraphs, Dawe focuses on the 1950’s society with an emphasis on the consumerism, materialism and lack of individualism. He seeks to convince an important issue in the Australian Society-Our consumer driven culture; a culture that defines us through what we buy and consume. The focus of Dawe’s criticism of the consumerism is the family that bought home the baby from the hospital. Dawe portrays it in a satirical way; the family life and the individual lives of the family members who have been dehumanized by such a mercantile society. He instills strong commands when describing his family commodities: “One economy-size Mum, One Anthony Squires-Coolstream-Summerweight Dad along with two other kids straight off the junior department rack.” The warmth of the mum, dad and kids, contrast with the advertising language which describes them. It is as if his mum is the size of a washing machine, the father is summed up by the suit he wears, and the baby siblings have been bought like goodies in an apartment place. Dawe is not saying that this is actually true; he is using metaphors and exaggeration.

Charlie articulates how he “never understood why you would ever feel the need to shoot the fish in the barrel… (if) they’re in a barrel, you’ve already caught them… they can’t escape... why bring guns into it?” Silvey’s use of characterisation and first person point of view portrays Charlie’s realisation of the community’s racial prejudice towards ‘the other’. The “fish” is symbolic of Charlie and how he is different to the people of Corrigan; who are like vultures – constantly seeking the chance to attack those that are considered the ‘minority’. Charlie’s close friend, Jeffrey Lu, is a gifted and committed cricket player who persistently tries to get himself in the local team, however, due to his Vietnamese background, “he’s ruthlessly bullied and belted about by the boys at school.” The emotive imagery and alliteration of “bullied” and “belted” further depict Charlie’s internal conflict in addition to his realisation of the community’s racial prejudice towards the peripheral of society. The use of emotive imagery positions readers to realise the extent to which powerful words can have; causing readers to recognise how crude and harrowing humankind can be towards the marginalised. Thus, Silvey effectively conveys to the reader how the indigenous race were isolated from ‘white Australian’ society; how intelligent individuals were ostracised; and, how groups of people with racially different backgrounds were isolated from mainstream Australian society.

Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.

Gilbert’s poem portrays many Aboriginals plight’s within Australia and conveys notions of despair, anguish and anger for his fellow Aboriginal comrades. Again, Gilbert uses strong visual imagery in “the anguished death you spread” which helps convey the persona’s feeling of horror and anger at the Europeans. This is further emphasised through the poet’s vehement and repetitive use of second person pronouns in “you” which conveys a sense of blame and accumulates into an accusatory tone and generates a strong sense of detachment between the author and the European settlers. Furthermore enjambment enhances the accusatory tone in “you pollute all the rivers and litter every road” because the lack of punctuation and pauses makes the lines sharp and quick, creating a sense of anger in the author. In addition the author’s use of metaphors in “humanity locked in chains” creates a sense of struggle and inability to escape the oppression the Aboriginals are in, whereby the word “chain” is symbolic for trapped and lack of freedom. Kevin Gilbert’s emotional poem brings light to the pain and suffering Aboriginals are going through, which is a stark contrast to the image of Australia, being a free and accepting

In addition to the imagery employed by the poem, Night Racing also utilises the conventions of metaphor and simile to construct the unique perspective of a black Aboriginal being “invaded” by white colonists, working to create a sense of identification with the Aboriginals of the time, which has now carried forward into the modern day context in which this poem was constructed. The manufacture of the car as a “junkyard dingo” and the manifestation of the Earth as having a “dying heartbeat” are two metaphors that are most predominantly important in the construction of the reading that the poem represents an attack on the invasion of Australia. The “reverse colonisation” speaks directly back to a

Similarly the idea of Australian life and isolation is depicted in ‘Journey: The North Coast’ where poet is eager to reach home. Perhaps the poet desires to visualise beautiful Australian landscapes as to allow the readers to view the magnificence of flora and fauna in contrast to the man-made destructions. It appears that the poet has been isolated for ‘twelve months’, and Sydney in this case acts as a barrier of poet’s desire towards nature. The title itself symbolises poet’s home and the destination which contradicts to the urban

Dawe, born in Fitzroy, Victoria in 1930, became known as the ‘poet of suburbia’ living an unconventionally conventional life. Having been born during the great depression Dawe worked many occupations. This allowed him to develop a great deal of empathy with and give voice to ‘ordinary Australians’ through his poetry. Maguire however, born 1935 in Oklahoma lived an ‘average American life’ and from that perspective was able to compose his song ‘eve of destruction’. Maguire’s song, like Dawe’s poem

Gary Disher’s socially provocative Australian historical drama novel The Divine Wind (1998) set in the Australian pearling town of Broome, provides a thought-provoking and contemporary outlook on racial prejudice, isolation and the loss of rights to adulthood during the onset of World War11. Disher establishes this through a range of characters of differing ages and cultural backgrounds, evoking a war-devastated Australia and its effects on young adults forced to leave their childhood behind. Written as a series of melancholic recollections, the seemingly simple novel conveys the messages of a violent history, as it explores the complexity of the relationships between racially diverse characters during the onset of WW11. The novel follows a young and ambitious Hartley Penrose who faces challenges with discovering his maturity/identity, serving as a transition from his past to his future. The Divine Wind utilizes the characters’ ideas, experiences, beliefs, and values to explore the central themes, the racial prejudice between the white race and other ethnicities, the regional and urban divide and the growing up and loss of rights to adulthood. The Divine Wind utilizes conventions and ideas from the drama genre to communicate these central themes which are still prevalent in today’s modern society.

The poems of Skryznecki’s life about migration into Australia after the end of the atrocities, in 1945, gives us a valuable recognition of a unique cultural experience from the past. The poem ’10 Mary Street’, flashbacks to 1949, after migrating for a restart to pave the way for a new life in the Down

Bruce Dawe, an Australian known poet, born 1930 is still one of the biggest selling and most highly regarded poets of Australia. His ability to write such influential poems has made an impact on a number of people, as each poem can be related to the ordinary living lives of Australians throughout the years. Bruce Dawe's poems are interesting because they comment on the lives of ordinary people. This statement is agreed on. In relation to the statement, three key poems can be linked being Enter Without So Much as Knocking (1959), Homo Suburbiensis (1964) and Drifters (1968).

Imagery illustrates that Corrigan is a town that only worry about themselves and positions the readers to reject the town’s values and attitudes. Silvey has done his research to capture how the 1960’s Australian life would have been due to the fact that he has included all the aspects such as anti-intellect,

Gray uses the images of an “Aboriginal, not attempting to hitch, outside town” to emphasise the discomfort and disconnection he feels with land and the environment around him. This image is very strong as it shows his disempowerment towards the environment. He feels lost in this town so he moves away from the foreign constructions.

‘The Ballad of Calvary Street’ by James K. Baxter is a poem used effectively in order to develop the key idea of appearance vs.reality. This idea is developed in the poem to reinforce idea of Baxter’s underlying dislike for modern suburbanised society. He struggled throughout his life to understand modernized society. Growing up as a Catholic, he eventually came to an epiphany and realised the New Zealand he knew was filled with hypocritical middle class values that he did not respect. In this poem, we are given an insight into these ideas. This poem is relevant to New Zealanders, as James K. Baxter appeared to evaluate New Zealand society harshly and his judgements were always from the perspective of one intimately involved in the social process. James K. Baxter, who found intolerable ‘depersonalisation, centralisation and decentralisation’ of urban civilisation could still find reason for hope ‘in the hearts of people’. His criticisms of national life and his ultimate decision to step out of the mainstream are admired by many. He incorporates the extensive use of religious