Analysis Of The Poem ' Garden '

I’m not the Indian you had in mind; a video that was written and directed by Thomas King challenges the stereotypical image that America has towards Native Americans. King is also the author of a short novel “A seat in the Garden”. This short story also challenges the established perspective that American society has towards the Native Americans. There are various stereotypes and perspectives that a majority of the public has toward a particular group. For example some of the common stereo types that are seen throughout the media are that all Asians are good at math, women are primarily sex objects, All Africans like fried chicken, and all Mexicans are gangsters. These stereo types are not completely true for an entire group, yet they

Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.

Jane Hirshfield connects to nature at her home in Marin County, California this is where she gets her inspiration for her poems. Hirshfield published “Tree” in 2000 as a free verse poem, divided into 4 stanzas and 4 sentences to convey the nature world. The poem represents a “young redwood” (line 2) growing near a house, near a kitchen window. The redwood is already scraping against the window frame of the house, reminding the reader of the “foolish” (line 1) idea of letting it grow there. Humans were created to be one with nature, but as they evolved as a species, they were obligated to choose between the materialistic world or the world of nature.

In beginning of “Marigolds,” by Eugenia Collier, Lizabeth is indirectly characterized childish and disrespectful as she shows that doesn’t really care about anybody other than herself. In the story, Lizabeth mentions an event in which she did not act like a child and calls it “devastating” Since Lizabeth finds the idea of maturing devastating, Lizabeth’s motivation is that she does not want to grow up. Since she does not want to grow up, she creates an internal conflict for herself. As the story progresses, Lizabeth and her friends are looking for something to do and they come to the idea to terrorize their neighbor, Miss Lottie. The story states,” The idea caught on at once, for annoying Miss Lottie was always

Two of the poems written by Seamus Heaney, “Digging” and “Blackberry Picking”, contain recurring themes while both discussing entirely different scenes. The first poem, “Digging”, talks about Heaney’s memories of hearing his father digging in the potato garden outside the house. The second poem, “Blackberry-Picking”, carries a similar solemn tone, while describing another memory of Heaney’s of his experience with picking blackberries. These poems by Heaney share similar themes of reflection of his past experiences in which he dissects important life lessons from everyday events such as the passage of time and the uncertainty of life.

Humanity is but a facet of the sublime macrocosm that is the world’s landscapes. In the relationship between man and landscape, nature is perpetually authoritarian. In her free-verse poems, The Hawthorn Hedge, (1945) and Flame-Tree in a Quarry (1949), Judith Wright illustrates the how refusal to engage with this environment is detrimental to one’s sense of self, and the relentless endurance of the Australian landscape. This overwhelming force of nature is mirrored in JMW Turner’s Romantic artwork, Fishermen at Sea (1796). Both Wright and Turner utilise their respective texts to allegorise the unequal relationship between people and the unforgiving landscape.

Create a sample list of owners and properties. Your list will be similar in structure to that in Figure 1:30, but it will concern owners and properties rather than owners and pets. Your list should include, a minimum, owner name, phone and billing address, as well as property name, type and address.

Out in the yard of an old married couple, there grew a peach tree that flourished with fruit every year, and every year the routine was the same. When summer arrived, each day the old couple would walk outside to pick the ripest peaches on their tree. Some days, they would walk home proudly with a basket full of ripe peaches, giddy with excitement for what they might bake with their prized fruit. But every once in a while, they would come home with very few peaches, allowing them to solemnly eat their fresh fruit instead of a concocted sweet treat.

Death is inescapable. In the same way, life is inescapable. The Appalachian short story, “Jake Pond”, portrays this inevitable cycle through the depiction of a young boy enjoying nature. Lou Crabtree writes of the many inner workings of life through symbolism. While some would say this story is a literal telling of a boy and his surroundings, it does, in fact, include a plethora of metaphors to display the complexities of life through figurative language (Crabtree). In Lou Crabtree’s “Jake Pond” symbols such as the young boy, black snakes, pond, hollytree, and other natural entities portray themes of life and death, while detailing multiple aspects of change.

This very well-known poem ‘Sanctuary’ was written in the early ‘50s by Judith Wright. Judith was a prolific Australian poet, critic, and short-story writer. She was also an uncompromising environmentalist and social activist campaigning for Aboriginal land rights. She believed that the poet should be concerned with national and social problems. The poem ‘Sanctuary’ was written as a great expression of environmental concern from her. The poem begins with a shocker. Sanctuary, implicitly, is a place of habitation which is safe. However, the first lines of the first stanza, “The road beneath the giant original trees sweeps on and cannot wait” represents a contrast. Here the road is used metaphorically to symbolise today’s modern developments taking place at the cost of all round natural destruction. The poem then unfolds the gloomy mood of the poet in the description of dangerous driving in the night on the road through the Sanctuary to the city: “only the road ahead is true.” In the last line then she is simply sarcastic: “It knows where it is going: we go too.” In fact the road never knows where it is going, but we know where we are going! The poet subtly asks: do we know where we are going by destroying our own habitation, native forests, plants and animals?

Whenever a scene of a movie approaches where a debacle unravels or innocent lives are jeopardized, audiences grip their chairs in anticipation for help to come or for a hero to spring into action and save lives. Similarly, in many circumstances, no matter how dire an event might seem, there is always a beacon of hope amongst doleful situations. From every ending comes a new beginning. The poem, “November Cotton Flower”, written by Jean Toomer, describes (the conditions when slaves were under the Harlem Renaissance) the conditions in which slaves were under during the Harlem Renaissance where there seems to be no prospect for a brighter future for the slaves in the society. Throughout the poem, Toomer develops his theme of hope and desire for a brighter future by exhausting literary devices such as metaphors, structure, and imagery.

“But now I know more/ about the great wheel of growth,/ and decay, and rebirth”(Oliver). In the poem Stanley Kunitz by Mary Oliver, the speaker talks about a man who she at first misunderstands, but then realizes the reality about him. This man is Stanley Kunitz, who was the tenth Poet Laureate of the United States, and inspired many people(Poetry Foundation). Although many admire Stanley Kunitz, Mary Oliver admired him enough to write a poem about him, and how she wants to be as great of a poet as Kunitz. Even though at first Mary Oliver had misunderstood how Kunitz would work so ethically, and almost thought it was like magic. Oliver soon realized that it wasn’t magic, it had been hard work, which had make Kunitz such a phenomenal poet. Throughout the poem Oliver describes a garden, and how hard this man works to make it beautiful, which makes sense on the surface. When looking at the deeper meaning, the poem is about how hard work pays off and creates beautiful works of art.

That’s how the weeks after weeks went by in the facility, flowing like a repeating dull song, like a sea minor the wind and wave. Despite the medicine he regularly swallowed three times a day, he doubled his trouble sleeping. Most of the night,

The forest was pure and clean, as though it had never been disturbed by man and his vicious life killing machines. Peacefully sleeping under the dark gray sky, the community of mighty timber had not a care in the world.

‘Norham Castle Sunrise’, first painted by Joseph Mallord William Turner in 1798 as a young man of 23 years old. Having first visited the castle in 1797 Turner proceed to paint Norham Castle various times through out his career. It can be seen through this series the way in which his age impacted upon his perception of the scene, his final painting, completed 1845 when Turner was in his 70s shows the transition of the atmospheric value and presence that now features, i will be writing on this final painting. Normah Castle, the subject of this particular painting is located on the River Tweed, on the boarder of England and Scotland, painted in the medium of Graphite, watercolour on paper. ‘Wanderer Above a Sea of Fog’, painted by Casper David Friedrich in 1818 as a mature man, aged approximately 44 years old, Friedrich painted this piece in the final third of his life, it is believed to possibly have been Colonel Friedrich Gotthard Von Bricken, of the Saxon infantry, it is most likely this man was killed in 1813 or 1814 in service of King Friedrich Wilhelm III of Prussia in the Battles against Napoleon, there for this painting may be serving as a patriotic tribute. The inspiration for the painting was that of the Elbandsteingebirge, in Saxony and Bohemia.