Analysis Of The Poem ' Gloria Anzaldua ' Essay

Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.

Gloria Anzaldúa was a Texas-born, lesbian, Latina, feminist, that wrote about many of her personal experiences and views of the diverse background she grew up in. Growing up a certain culture at home and being in a country with a different culture, brings along a lot of self-identifying issues. Gloria Anzaldúa uses various strategies and languages to write this powerful piece by code-switching, quoting others, diction, and rhetorical questions. Anzaldúa’s “How to Tame a Wild Tongue” speaks about the social issues that Latinos face involving identity, language, and sexism.

Gloria Anzaldua’s short essay, Towards a New Consciousness, begins with the description of her mixed culture, a mestiza, and the conflicts she faces in being torn between being Mexican and Native American. Anzaldua expresses her struggle of her torn heritages by describing herself as being caught between two cultures and their values. Instead of being able to love and respect both cultures, Anzaldua feels as if we people feel the need to take up one side of our heritage and end up hating the other part. She paints an image as standing on an opposite side of a riverbank, yelling back and forth answers and questions showing that we eventually end up favoring one side and only getting pieces of the other

Maya Angelou’s poetry occupies a very special position in her development as a writer (Chow 1). As a child, Angelou went through five years of complete silence after she was raped at the age of seven years old, by a man named, Mr. Freeman. As a result of telling about her traumatic experience, her uncle’s literally kicked the man that raped her to death. Beings she spoke of her traumatic experience and the result of the man dying, she then imagined that her voice had the potential to kill. Thanks to her teacher, Bertha Flowers, at school Angelou started writing poetry as a means of expression of her life events through her poetry (Chow 1). Poetry thus played an essential part in the recovery of her voice, which in

Activist, Gloria Anzaldua’s narrative excerpt “How to Tame a Wild Tongue” She goes into depth of ethnic identity, while knocking down walls of linguistic and identity down. How one would identify themselves while broadcasting the struggles any person with culture has felt. She uses ethos, pathos, and logos alongside all five senses. Making the reader feel as though they witness the struggles she went through if not witness then actually experienced. Anzaldua’s thesis is that language is a part of one’s identity. It is what makes a person who they and connects them to their roots. People shouldn't let others try to tame their tongue or cut off their native language; because once they do and are given that power they can disconnect the person from their culture and roots.

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

In this Chapter I feel that Anzaldua is trying to get the reader to understand the differences and atruggles amongst cultures. The clash of cultures results in mental and emotional confusion. Living inbetween more than one culture, you often get opposing messages from these cultures. Sometimes when living within the Chicana culture common white beleifs conflict with the beleifs of the Mexican culture. They both hold beleifs of the indifinous peopel and their culture. It creates a problem that the dominant cultures views and beleifs are defiant to the others. This is very wrong because it creats the problem of one being superior to the other. This especially relates to the Mexican culture and white culture. This creates the assimilation problem when one culture is not accepted or considered below another.

Anzaldua identifies as a part of an emerging new mestiza consciousness and community, which strives to move beyond simple dualistic thinking and endeavors to “act and not react” This important contradiction lies at the heart of Anzaldua’s analysis. “From this racial, ideological, cultural, and biological cross-pollicization, an ‘alien’ consciousness is presently in the making — a new mestiza consciousness, una conciencia de mujer. It is a consciousness of the Borderlands.” (Anzaldua, 1987, 420). Anzaldua’s proposition of the new consciousness mediates social relations, revolutionary social change, and its wider relevance to feminist theory through discussions of the Borderlands and its implications for ‘identity.’

The racist connotation that Miss Jimenez associates with who she thinks would “fit in” society’s box is a definite reflection of the hardships Valdez witnessed in his community. For example, the Zoot Suit Riots that occurred in 1944 was rooted by a reaction by young Mexican-American males against a culture that did not want them to be a part of it. Stuart Cosgrove examines this issue when he states, "In the most obvious ways they had been stripped of their customs, beliefs and language.” (*Vargas 317) These youths were going through an identity crisis because they did not know which culture they could identify with. Miss Jimenez is a character that embodies that repression Valdez explains in “Los Vendidos.”

Yet the struggle of identities continues, the struggle of borders is still our reality. While discussing the rhetorical analysis of this essay I had an epiphany. The purpose of this essay is what troubled me most. Was she just writing to write or was she just a creative writer? After one hour of discussion it hit me, the feelings that me and my class mates where encountering was it. Nearly all of us came into the discussion annoyed and impatient. We were unwilling to analyze the essay because we where enraged by the fact that it was not completely in English. All but a few who understood Spanish where irritated because to the paper was not converted to what we wanted it to be. How dare she write a paper and expect us to read in when it isn’t in perfect complete English. I then discovered that all of our anger and annoyances were her point or purpose. She wanted to make us feel how she felt. Every day she was criticized on how she spoke and wrote. One side wanted only English while the other only wanted Spanish. When in reality she knew both therefore wanted to use both intermittently. Every time she was corrected she was annoyed and discourage. As each and every one of us read the paper we were all annoyed by the fact that it wasn’t in the language we wanted. We thought that because

The poem “Girl” by Jamaica Kincaid is a lengthy poem describing society and the social structure in the early 50’s from what it sounds. The short story “Girl,” deals with the experience of being young and female in a poor country. This poem describes a time when stereotypical gender roles where a huge part of society women had duties that only women could do such as clean, cook, wash clothing, watch the children and ect. And the men were head of the house hold and preserved as high and mighty, the untouchables by women and children. “This is how you iron your father 's khaki shirt so that it doesn 't have a crease; this is how you iron your father 's khaki pants so that they don 't have a crease;”(Kincaid) is an example of how the poem spells out how the women are supposed to cater to men, how to act in public settings and a variety of other things women were “meant to do” or as ordered by men.

One of the first complexities that "The Dead Woman," a poem written in the first person by Pablo Neruda, exhibits can be clearly seen in the first three lines: "If suddenly you do not exists, / if suddenly you no longer live, / I shall go on living" (Neruda, "The Dead Woman," YEAR, 1-3). Neruda talks about someone or something that is in existence right now in the moment but he speculates on the death of this thing. Because he writes, "I shall go on living," the reader immediately wonders about the kind of relationship that Neruda has with this thing that might die. Is this an ordinary love? The lines would seem to imply that it is not, that there is something, in fact, unordinary about it something beyond special. Why would this thing die suddenly as well? Wouldn't that be a bigger shock to someone to have something taken away from him suddenly? This poses a paradox from the beginning. The theme of the poem seems to be about giving up old things, people and ways. It also seems to have an element about dealing with the unconscious mind. Neruda is speculating on death and what life will be like for him after the fact of this thing's death. There is a spiritual element to this poem and an overall theme of getting on with life after a major loss. The poem carries this element throughout the entire poem, which adds unity and fluidity at the same time.

The border between the United States of America and Mexico always had been always a theme for a lot of discussions. And, in the book “Sunshine/Noir II” Juanita Lopez and Michael Cheno described, through texts, their point of view about the topic. Both authors represent that the control of the border has become way more restrict and militarized. In that sense, Michael Wickert presents his idea in a poem form, text named “The border Is a Fight”, that describes the dramas of a Mexican family that has to cross the border every day in a hope to get a better future. Whereas, Juanita Lopez demonstrates it through an essay that uses personal narratives of the author’s relatives to illustrate her point of view. Therefore, the both authors exploit their point of views using different text forms, and figurative images, like metaphors and personification, for delivering their ideas in the way they do.