All good writers are skilled in influencing the way we see their characters. Sometimes we love them or sometimes we hate them. A poem recently read is “King Billy,” written by Edwin Morgan. Throughout, various poetic techniques are cleverly applied to express to us that Billy Fullerton is a dislikable character. This will be proven by analysing the poetic techniques utilised by Morgan. The poem “King Billy” is set in early-mid 20th century Glasgow during the time of the Depression. This was a time when many young men were unemployed and rather impotent, therefore when gangs came along they all flocked and joined which gave them some feeling of importance and an income, albeit a paltry one. However, later in the poem it transpires that these …show more content…
This sets the reader up to feel quite negatively about the rest of the poem, namely its subject, Billy. In the second stanza it is shown that Billy took advantage of his followers as they had nothing else to do that would make them feel powerful. “Brooding days” This word choice shows that Billy’s followers were in deep frustration and anger due to the situation they had to endure. Indignation will also have been felt as it is suggested that Billy is superior to them along with taking the majority of the money brought in by the disillusioned young men. This produces our disliking of Billy because of the malevolent and selfish way he treated his seemingly loyal followers. Repetition is also used to display how the rival gangs are always brawling. “get the Conks next time, the Conks ambush the Billy Boys, the Billy Boys the Conks” Described here is the backwards and forwards motion in which the two gangs are fighting in. It appears that there is no reasonability behind why they are fighting, they just do it. Here it is transparent that Morgan really is irked by Billy and he strongly disapproves of the way he is using the young men following …show more content…
The usage of commas really helps depict the speed at which a word leads to someone dying a gruesome death in a close. This profoundly contributes to our dislike of Billy as it portrays how malevolent he really is. Used next is alliteration. Here it imitates the disgust felt by Billy when Chief Constable Sillitoe brings Billy’s fun to an end. “Sillitoe scuffs the razors down the stank” When this happened Billy would almost certainly feel irate about the situation as basically his livelihood is now gone. This makes us dislike Billy as it makes us realise that harming people for his own gain was his life. When the gangs were no longer so was Billy became powerless. At the end of the second stanza it is proven that Billy did loose his power when the gangs were disbanded. “a bouncer in a betting club” “dying alone” Both demonstrate that not only did he loose his power but also that he also lost dignity that he had. People only associated with him because they were in need of money and protection. Once his power was gone, so were his ‘friends,’ this shows he died a typical bully’s
“Gangs have morphed from social organizations into full-fledged criminal enterprises” (Thomas, 2009, para 5). Gangs are highly sophisticated and more dangerous then ever. The number one reason to join a gang is money; and 95 percent of gangs profit comes from drug dealing
Later, in chapter 9 it says, “...give me the strength to finish the job.” This shows Billy not giving up because he so badly wants to finish doing his job even though he is out of energy. This also shows the quote because he will not let go of
It was very unlike Billy to ever do something so rash; he brought out the best in everyone. Captain Vere felt in his heart that Billy’s actions were a mistake, but he could not be sure. The accusation Claggart made was mutiny, and mutiny was a serious crime. Vere had no proof that Billy was not guilty, so for the safety of himself and his crew, he sacrificed Billy’s life.
Billy had no mental problems. He was more than capable of having a conversation and could have explained himself to the captain. Billy let his emotions get the best of him. Billy regretted striking Claggart. Billy was punished correctly for the crime he
With this description, Vonnegut vastly distances Billy from the ideal, strong and mighty image of a soldier, yet Billy is a soldier nonetheless. Not only is this weak and ungracious character fighting and representing the honour of his country but also he is one of the few soldiers who survive the war; he outlives many of the other soldiers that could be considered better suited for war. Furthermore, Vonnegut compares Billy to a filthy flamingo, highlighting the distance that exists between society's soldier ideal, graceful and admirable, and the soldiers' reality, harsh and rampageous. In short, Billy is so far from what is expected that he “shouldn't even be in the Army” (51). However, Billy is not the only soldier in this ludicrous predicament. Vonnegut describes the entire Army as chaotic, confused and ludicrous:
While never a defeatist, Billy merely flows through his disjointed life without much heed to the event at hand. Billy realizes that he holds the power to create his own happiness and satisfaction out of life through appreciation of the present moment rather than contemplate the occurrence of past and future. Vonnegut develops Billy Pilgrim as a unique protagonist as a means of forcing the reader to question the application of free will upon society and gain a new perspective on the beauty of the present.
Billy has lost a sense of love as death has faced him in the eyes once too many. Billy deals with his pain by turning to alcohol abuse, he cannot deal with his mourning, "Sometimes it's not as if they have died so much as that I myself have died and become a ghost." (43). From Dolores and Billy, the central theme is slowly revealed.
“This scene not only expresses Billy’s rage, it visually represents his childhood. Billy is blocked by barriers of gender, class, and
Billy’s retaliation leads to another conflict between good and evil where Captain Vere must decide Billy’s fate after he commits a crime punishable by death after killing Claggart. Vere likes Billy’s character and would not like to see Billy put to death. Vere accepts that Claggart provoked Billy’s retaliation by lying and can see the evil in Claggart but also recognizes the call of duty which at war-time was non-tolerable for such an offence. Vere is troubled with the conflict of conscience and duty and under the circumstances of war he does what is right and has Billy hung. Captain Vere loves Billy and has no problem with him in any way but finds where authority has evil it will command.
Gangs affect everyone lives especially the people in the gang because other members make you do things that you don’t want to do or that is dangerous towards you or yourself. ‘The Last Spin’ by Evan Hunter is a short story about two boys from opposite gangs that were forced to settle an argument over territory. They did this by playing an extremely dangerous game (Russian roulette). What they didn’t expect though was that they would become closer by having conversations in between shots and finding things that they have in common. They don’t realise this for long however because there was a
Captain Vere knew that Billy did not mean for him to die but he still calls a trial for murder. Captain Vere knew that Billy was not going to revolt as well but because of the mutinies that had been taking place at that time, Vere did not want to show any weakness. Billy could have probably gotten off had he turned in the other men who were actually planning to revolt but he didn’t because of his loyalty to his crew. He lost the trial and was hanged, his last words being, “God Bless Captain Vere!';
Qualitative descriptions suggest that, for many, gang membership represents 104 Journal of Contemporary Criminal Justice / May 2005an opportunity to enhance social capital as a means to cope with a multitude of problems. Although on balance gang life appears to be neither very rewarding nor satisfying (Hagedorn, 1988), identification with the gang is solidified in response to conflict—often with other gangs—as members pursue their individual and collective interests.
But ignoring death and its suffering is exactly what Billy should not be doing, Vonnegut suggests. To do so makes him, like the Tralfamadorians, alien and inhuman. He has no sense of his own mortality, an awareness he needs in order to understand that, as Stephen Marten has observed, "life is valuable not because it is infinite but because it is so scarce" (11).
When he tells Billy that he needs to figure it out and snap out of it, Billy says, “ You guys go on without me. I’m all right” (Vonnegut 47). This just displays the hopelessness in Billy’s life. The war has driven him to lose touch with himself and not value his own life. This makes it very easy for a reader to feel empathy for Billy and get an idea of how war can really affect these men. Billy isn’t the only character that Vonnegut uses to depict the terrors of war.
While constantly aware of Miss Drew’s situation, Billy can’t escape the realization of his position’s possible transiency and the fact that his life depends on his usefulness in the gang: “all I had to remember was how small of a mistake was sufficient to change my fortune, maybe even without knowing it. I was an habitual accomplice to murder. I could be arrested, tried, and sentenced, to death”(123). From this, Billy is impressed with one of the fundamental rules that accompanies inclusion in gang life—absolute loyalty to the gang’s interests. Billy observes the consequences of breaking this rule of loyalty when he hops onto the boat and into the scene of Bo’s sinking figure, and later, when Schulz’s personal life becomes complicated with a pending courtcase. The gang loyally relocates to the rural small town of Onondaga to help ensure the boss avoids jailtime. After painstakingly building an amiable reputation in the town for the Boss, Schultz’s temperament leads to “the president” Julie Martin’s murder in the hotel. The entire gang dutifully cleans the room and removes the body with cover up concluding with and unprepared Billy being punched in the face. After the fact, Billy comes to see the necessity of his subsequent broken nose yet is internally insulted and cannot shake the urge to “get revenge” (159). This affront to his own ego caused a shift