Analysis Of The Poem ' Ode Of Spring ' By John Keats Essay

Jeremy Karr Karr 1 Mrs. Overbeck AP Literature & Composition November 29th, 2014 “To Autumn” Explication John Keats’ “To Autumn” uses the beauty, and abundance in the season of autumn in his ode to create a sense of transformation and rebirth. The poem begins with talks of autumn’s abundance and ripeness of fruit along with the beauty of autumn’s ability to begin the process of rebirth for plants, showing autumn’s simplicity and beauty. However, the speaker begins to talk as if autumn is a woman, one that wants to enjoy the harvest she has worked for during her life, finally using the beauties or songs of autumn that come out as the day ends to suggest that the speaker would rather enjoy what autumn has to offer in his final moments.

Albert Einstein spoke of nature and its value when he said, “Look deep into nature, and then you will understand everything better.” As Einstein pointed out, by looking into nature you could discover something new about yourself and the world around you. John Muir and William Wordsworth both discovered joy when they looked deep into nature. This joy gave them a new perspective on nature and life and they each expressed this joy through different works of writing. Both authors have a unique outlook on nature and its impact as well as different thoughts on how to share their relationships; Muir used diction and connotation to show his relationship in his essay “The Calypso Borealis” where Wordsworth used tone and syntax in his poem “I Wandered Lonely as a Cloud”.

Keats was a key figure in the Romantic era in the first part of the 17th century which, according to René Wellek 's classic definition, sought to substitute 'imagination for the view of poetry, nature for the view of the world, and symbol and myth for poetic style. ' Therefore, Keats ' 'Ode to a Nightingale ', written in 1819, has an affiliation with the natural world, through both the metaphors he uses and his meter and rhyme. The fact that the poem is an Ode to a nightingale shows that Keats is addressing the bird in particular and therefore it asserts the link that is found in Romanticism between humans and the natural world. M. H. Abrams states that Keats wrote this poem, whilst reminiscent of a Horation Ode, as what came to be known as a Romantic Meditative Ode which is 'the personal ode of description and passionate meditation '. It is clear here that what Keats is passionate about in this poem is 'the country-green '. Keats coined the term negative capability to describe 'passionate mediation ' in a letter to

Walt Whitman loved to experiment with form when it came to poetry. He used his verses to show his complete adoration of all things wild, and our role as beings in this infinitely complex and thought-provoking universe in which we exist. To say he had a bit of a “nature crush” would be an understatement – Whitman goes in to great detail of his love for the wildness and often describes his emotions in a viscerally sexual manner, using poetic devices to underline his immense feelings for environment and hammer in the imagery to readers of how majestic the world appears to him. “Romantic” poets loved the outdoors – if it wasn’t contained in four walls and a roof, they were all about it. They loved to praise the innate details that made our planet so incredible,

Nature has an undefinable meaning as the theme is utilised in literature, and it has been a topic of reflection within the Romanticists since the beginning of the era. Romanticism and nature and inextricably linked ideas. Poets; Emily Dickinson and Walt Whitman wrote during the romantic era, and both drew heavily from aspects of nature in their work. Nature can be paralleled against several things, including humanity and the idea of life and death. The contrast between the natural world and the artificial world, and what this means for society, is also strongly eluded to in Dickinson and Whitman’s poems. Each poet uses nature as the backbone to their poetry in several instances. Dickinson’s, “Hope is the Thing with Feathers”, (Dickinson, 19) and “My Life Has Stood A Loaded Gun”, (Dickinson, 69) are strong examples of this. Whitman’s, “Song of Myself”, (Whitman, 29) and, “When Lilacs Last in the Dooryard Bloom’d”, (Whitman, 255) are also poems that show the connection between nature and romanticism. Poets, Dickinson and Whitman engage with romanticism in a creative and constructive manner through the utilisation of the natural world.

Lastly, the Romantic Era blended human emotions with nature. The interfacing of emotion and nature was emblematic of Romantic poetry, whether it engrossed the idea of bequeathing human emotions to an innate article like a river or connecting the scenery to the temperament of the writer. (James, 491) This kind of beauty that is

In American Literature many authors write about nature and how nature affects man's lives. In life, nature is an important part of people. Many people live, work, or partake in revelry in nature. Nature has received attention from authors spanning several centuries. Their attitudes vary over time and also reflect the different outlooks of the authors who chose to discuss this important historical movement. A further examination of this movement, reveals prevalence of nature's influence on man and how it affects their lives.

This poem that I am going to be focusing on is titled "Ode to Autumn",

The beauty of nature is often overlooked and underappreciated in today’s society. The neglect and lack of respect given to such a beautiful creation by members of society is widely reflected in Romantic poetry. The romantic era began in 1798, where writers such as William Wordsworth and Samuel Taylor Coleridge expressed their opinions and feelings towards nature. Overall such writers typically express a positive outlook on the natural world around them, however some stray the other way. Specifically Coleridge and Wordsworth began to express the feeling of disconnect towards nature. Both writers began to feel as though they could not understand nature and cannot connect with the beauty it gives off as expressed in poems such as “Dejection”, “London 1802”, and “Lines Composed a Few Miles Above Tintern Abbey”. Not only did some of these writers begin to feel a disconnect but a select few also begin to feel as though people are disrespecting the balance of nature and are trying to disrupt the balance and manipulate it. Writers such as Mary Shelley, author of the novel Frankenstein, expresses the concern of people taking the laws of nature and twisting them. Writers and people living during this time period not only express an appreciation for nature but also the truth about the human relationship with nature. The relationship between humans and nature is on of mistreatment.

The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens

In “To Autumn”, the season autumn is depicted as death, or as the Grim Reaper. Autumn is, however, an unusual reaper figure, in that they are not merciless, but patient and calm. Interestingly enough, the point of view Keats offers about death, is non-violent, not corporeal, and only implicit in the poem, through metaphors. Almost all human components are removed from the poem, and death is symbolized by nature only. It is put into a context where it occurs in the course of nature, and pictured as a consequence of riches, abundance, and fulfilment.

Robert Frost’s nature poetry occupies a significant place in the poetic arts; however, it is likely Frost’s use of nature is the most misunderstood aspect of his poetry. While nature is always present in Frost’s writing, it is primarily used in a “pastoral sense” (Lynen 1). This makes sense as Frost did consider himself to be a shepherd.

At one time or another, every person has experienced the beauty of summer. In this time of the year, nature is full of life, the weather is at its finest, and the paramount joys of life can be experienced to their fullest. Then the fall comes, the trees turn lovely shades of red and yellow, and the wind offers a nice chill breeze for relief. Unfortunately, seasons change and the beauty that people once experienced vanishes. People focusing only on the material and petty aspects of life, rather than the beauty around them, will let life pass them, missing out on the true wonders of the world. In his poem “To Autumn,” John Keats utilizes imagery to express the importance of indulging in the beauties of nature, while alive, because humans are mortal beings bound by the limits of time.

Nature is a source of inspiration for each poet from which they determine imagery, emphasizing its symbolic meaning and part as a powerful force in human life. Percy Shelley’s “Ode to the West Wind” and John Keats’ “To Autumn” are fixated on nature. Shelley addresses nature in majority of his poems climatically, according to his spontaneous and momentary response, while Keats turns to contemplation due to his personal suffering. Both poets are impacted by the seasonal process in nature which ushers them into the temperament of transition and aging. However, both of them differently perceive the same natural manifestations.