Analysis Of The Poem ' Porphyria 's Lover ' By Alfred Lord Tennyson

Historically feminine rights activists have constantly fought for social change. Nevertheless it wasn’t until the 1800s that widespread awareness began to stir for women’s rights. So it was little wonder that the rapidly growing controversy embedded itself into much of the Victorian literature. Writer Lord Alfred Tennyson used a romanticized time in history to highlight a political issue of his era. Chivalry and knights are commonly associated with this time by modern readers, creating the ideal contrast for Tennyson’s literary work.

During the Victorian era were the years for women that had no constitutional rights of their own, and both writings indicate how both wives were

The Victorian Era women was vastly different than the female we think of nowadays. Women during that time were expected to fulfill more of a domestic and motherly role, one that stayed at home and took care of the house. They were confined within the private sphere of the world while the men toiled away in the public sphere. The ideal Victorian women was described as:

Some critics have advanced the notion that one of the reasons there is such a paucity of women and of strong, beneficent women in particular within this story is due to what they represented in typical Victorian England society. Women were generally viewed as "a social force or a source of authority" which "reinforces this fiction of coherent male identity" (Doane and Hodges 63). This quotation suggests the fact that women were generally the keepers of morality and virtue within Victorian

The narrator is portraying a woman who is looked down upon because of her mental illness, but women at the time were often seen as childish or too emotional. “Then he took me in his arms called me a blessed little goose,” (Gilman 5). The narrator’s husband, John, treats her almost like a father would treat a daughter. The narrator is belittled because of her inability to act like women at the time were expected to. “Victorian values stressed that women were to behave demurely and remain with in the domestic sphere,” (Wilson 6). During the 19th century, women were expected to simply care for the children and clean the house. Most of the time, women who aspired to do more than that were not considered respectable wives. “Because the narrator is completely dependent on her husband and is allowed no other role than to be a wife and a mother, she represents the secondary status of women during the 19th century,” (Wilson 5).

In the words of Jane Austen, “It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife” (Austen, 5). This quote highlights how women were dependent on men to have a place and to be respected in society at the time of the victorian era. Women were viewed as domestic tools rather than human beings; they were treated as a domestic production that men control and own. Before a woman is married she is owned by her father, and after she is owned by her husband. In different parts of the world, the undergrading of women or no feminism still exists. Women can not voice their opinions let alone own an object in the

look at but he feels as if the Duchess takes him for granted and she

Social standing, and moral values were vital elements in Victorian society, and the fundamental doctrine of establishing this ideology, began at home. The home provided a refuge from the rigour, uncertainty, anxiety, and potential violence of the outside world. (P, 341) A woman’s role was to provide a safe, stable, and well-organised environment for their husbands and families. However, change was on the horizon with an underlying movement of business and domestic changes both home and abroad, with industrialization, and the suffragist movement. Women were beginning to gain autonomy and began to grasp their opportunities, thus significantly curtailing male supremacy and the definable acceptable ‘role’ of the woman.

In the Victorian period “…the childless single woman was a figure to be pitied.” (Abrams. 2001). It was considered to be outside of social hierarchy not to be a part of the domestic scene for women, “domesticity and motherhood were portrayed as sufficient emotional fulfilment for women.” (Abrams. 2001). In reality this was not the case and the role of motherhood and domesticity clearly did not sufficiently fulfil a woman’s emotional desires and requirements, situated in a suppressed, dominant patriarchal society ruled by men. In fact patriarchal society subjugated the role of women; they were seen as lesser than, and required to stay on the domestic

Alfred Tennyson was born in 1809, the fourth son of the Reverend George Clayton Tennyson, in Lincolnshire, England. His early childhood was a combination of cooperating with numerous siblings, engaging in a rigorous classical education forced upon him by his father, and an increasing fear of his father's drunken violence and paranoid resentment at the children and wife. Tennyson's fear of inherited madness, what he called “the black blood of the Tennysons”, and his grief for his friend Aurther Hallam, would be with him for much of his life and provide a basis on which he expressed his feelings in poems.

Despite being under the rule of a female monarch, women faced many inequalities and suffering during the Victorian age. Examples of these inequalities include not having the right to vote, unequal educational and employment opportunities. Women were even denied the legal right to divorce in most cases. As the Norton Anthology states, these debates over women’s rights and their roles came to be known as the “woman question” by the Victorians. This lead to many conflicting struggles, such as the desire by all for women to be educated, yet they are denied the same opportunities afforded to men. While these women faced these difficulties, there was also the notion that women should be domestic and feminine. There was an ideal that women should be submissive and pure because they are naturally different. The industrial revolution introduced women into the labor workforce, but there was still a conflict between the two identities; one of an employed woman, and one of a domestic housewife.

The poem Mariana by Alfred, Lord Tennyson was published in 1830 and is the text I have chosen to do closely analyze. The subject matter of the poem was taken from one of Shakespeare’s plays titled “Measure for Measure”, and the line: “Mariana in the moated grange,” gave Tennyson the inspiration to write of a young woman waiting for her lover. The two texts share a common theme of abandonment, as in Shakespeare’s play the young woman is also diligently awaiting the return of her lover Angelo after his desertion upon discovering her loss of dowry. Similarly to Shakespeare’s text, Marianna lacks action or any narrative movement, the entire poem serving as an extended depiction of the melancholy isolation

“Maud: A Monodrama” is the lengthy poem that dominated the first collection published by Alfred, Lord Tennyson after he became poet laureate. In its rich and romantic symbolism, it is characteristic of the great poet 's work. Notable, also, is its critique of the hypocrisy and other social failings of Victorian Britain. “Maud” became one of the best-known poems of the period, and continued to be influential even after its style became dated.

Written by John Stuart Mill in 1860-1861, as the Victorian era took place in England, “The Subjection of Women” is a critical piece of analysis in regards to the status of women in society and their unequal relationship with the opposite sex. During Mills lifetime, women were considered to be inferior to men by custom and laws, therefore, it was expected of them to be submissive in nature and to drive their aspirations as far as those of a homemaker, wife and mother could go. Deeply influenced by the ideas of his wife Harriet Taylor Mill, and John Stuart Mill’s own beliefs, “The Subjection of Women” was published in 1869, becoming a piece of literature that would not only challenge the common views of society at the time, but will advocate for different approaches in light of modern times.

Tennyson portrays the isolation of women through the reoccurring theme of Romanticism, this is shown through the poet’s constant associations with nature being the centre of the poem. The poet focuses more on the surroundings of the main character as she lives “By the island in the river…And the silent isle embowers The Lady of Shalott.” Tennyson presents the speaker to hide the details of the actual lady, her imprisonment and the curse which leads us to believe she is a mystery as the nature around her seems overpowering and consuming her. Tennyson portrays the lady in the poem to be an embodiment of a typical woman of the contemporary culture as he describes ‘A charmed web’ which the woman is ‘weaving, either night or day’. The ‘web’ can be a symbol of slavery but also a symbol of creativity and possibility. When the woman tries to turn away from the web she refuses to be a slave and ultimately