Analysis Of The Poem ' The Birth Mark ' Essay

In the short allegory “The Birthmark”, by Nathaniel Hawthorne, a newly-wed couple becomes consumed by the existence of a small birthmark on the wife’s face. When the wife, Georgiana, allows her husband Aylmer, a scientist, to remove the birthmark, both realize that Georgiana will inevitably sacrifice her life for the sake of its removal. As the story progresses, so does the confliction of the newlyweds as they realize exactly what the birthmark symbolized to and for each other. Hawthorne’s hallmark use of symbolism also provides a ‘perfect’ glimpse into the mindset of two themes of psychological conflictions: perfectionism and codependency. Hawthorne seems to share this story as a possible moral of the hidden pathos we place upon the ones we love, and the invisible marks or standards we place upon ourselves for the ones we love.

In “The Birthmark” we first learn about the main character named Aylmer. He is fascinated with science. “He has devoted himself, however, too unreservedly to scientific studies ever to be weaned from them by any second passion” (Hawthorne 952) He eventually finds love with his wife Georgianna, but there is something about her he just will not seem to take much longer. Georgianna has a red birthmark on her cheek which is the shape of a small hand. While she thinks it is beautiful, the most important person in her life doesn’t feel the same way. In fact, Aylmer is truly disgusted and in shock by her mark, claiming it is a “visible mark of earthly imperfection” (Hawthorne 953). Finally telling his wife how he feels, Georgianna is in disbelief. She is upset, hurt, and confused, even questioning their marriage as she tells him “You cannot love what shocks you!” (Hawthorne 953). The last thing she would have thought is that the person she planned to spend the rest of her life with doesn’t see her beauty mark the way she does.

Georgiana had always lived with the birthmark, and was quite fond of its charm. Many people in the town believe it was a fairy’s handprint left to sway all hearts; to them the mark only magnified her appeal. The mark’s charm had rarely been questioned by anyone other than the jealous women of the town, and its peculiar nature had once intrigued Aylmer and amplified his attraction to Georgiana. He begged for her hand in marriage, but soon after they were wed, he queried whether Georgiana had ever considered having the birthmark removed. She was hurt by the implication that the mark depreciated her and grew upset with her husband. As time passed, Aylmer continued to stare at the mark, unable to keep his eyes from wandering to it. This continued until Georgiana was no longer able to ignore the way his eyes were always fixated on this sole imperfection, the crimson hand that kept him up at night and plagued his dreams. She asked Aylmer to remove the mark, or take her life because she no longer wanted to live if she had to live with the mark. She preferred death to the harsh scrutiny from her husband.

By looking at symbolism in The Birthmark, the reader can interpret that the birthmark is a symbol for imperfection and mortality which is not obvious to most people. This is important because it turns the birthmark into something all readers can relate to since no one is perfect. Georgiana’s birthmark was “the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions” (Hawthorne 12). As stated before, nothing is perfect, Nature has a flaw on everything and Georgiana’s was her birthmark. Her husband, Aylmer, notices the birthmark and also sees it as an imperfection even though other men would often tell her it was a charm. “No, dearest Georgiana, you came so nearly perfect from the hand of Nature that this slightest possible defect, which we hesitate whether to term a defect or a beauty, shocks me, as being the visible mark of earthly imperfection” (Hawthorne 11). Aylmer at first is the only one, other from jealous women, to point out her birthmark as an imperfection but his constant talk began to make her believe she was in fact flawed. This is important because it ultimately leads to the death of Georgiana.

simple birthmark where the obsession is because he perceives it in a more symbolic way. Georgiana has often been told that the mark on her cheek is a “charm” but Aylmer does not think so where he said, “No, dearest Georgiana, you came so nearly perfect from the hand of Nature, that this slightest possible defect, which

This may represent the fact that we are born the way god wants us to be, and we really should accept people as they are. This acceptance was something that Aylmer could not handle because of his personality. In The Birthmark Georgiana is afraid of her husband, whereas the all of the people ended up being afraid of the minister.

Hawthorne achieves this same task in the character of Georgiana in "The Birthmark." Georgiana, too, is presented as an ideal specimen of womanhood. She is beautiful, intelligent, and devoted to her husband, the alchemist, Aylmer. She would be absolute perfection, except for one flaw: a birthmark in the shape of a fairy-sized handprint on her left cheek. While those who love Georgiana attest that the mark is a symbol of the "magic endowments that were to give her such sway over all hearts," Aylmer and her detractors regard it as a "bloody hand" that belies "his wifeâs liability to sin, sorrow, decay, and death" (Hawthorne, "The Birthmark" 119-20). Hawthorne continues to impart Aylmerâs inner feelings of shock and horror over Georgianaâs single physical flaw, gradually leading his audience to share his disgust for the dreadful

Georgiana’s birthmark is the main symbol in the story that could have multiple meanings. It is clear what the birthmark symbolizes when Georgiana declares, “I am happy to put my life in your hands,” (Hawthorne 3). Aylmer is ready to start his experiment when Georgiana says she is willing to be a part of it. What Aylmer does not know is that the birthmark actually symbolizes her mortality and when she says she is happy to put her life in his hands, she actually means that her birthmark is her lifeline and she is happy to put it in his hands. Aylmer wanted his wife to be perfect, but he only made the outcome worse with trying to remove the mark. Another example of symbolism is when Hawthorne writes, “The mark was usually a deep red color,” (Hawthorne 1). The color red could symbolize one of many different things, but it mainly symbolizes the color of blood. Blood is a main part of one’s body and mortality, and when the birthmark is described by its deep red color, it means that the mark is her source to life. After the tragic death of Georgiana, Aylmer finally realizes that the birthmark really had been her mortality. Aylmer is so deeply caught up in forcefully trying to get Georgiana to let him remove her birthmark, he does not recognize the true perfection that was there all along. Symbolism helps the theme that is portrayed throughout the story that trying to be flawless results in a devastation.

In Hawthorne’s short story “The Birthmark”, Aylmer feels that his wife Georgiana is a miracle and that she is perfect. Her only flaw was the birthmark in the shape of a hand placed on her cheek. Instead of focusing on all her Georgiana’s perfections, Aylmer only focused on one of her flaws, the birthmark. Aylmer constructs a statement about her birthmark saying that, “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain.”(Meyer 345)

In Hawthorne’s story, the idea of control is used in many different ways. The largest symbol of this theme is the birth mark itself on Georgiana’s cheek. This birth mark resembles a hand and represents Aylmer’s control over Georgiana. Aylmer’s wife, Georgiana, is controlled by her husband. Aylmer makes her hate the birth mark that she once loved through his own hatred of it. Georgiana, discovering her husband’s disgust of her birth mark, tells Aylmer, “To tell you the truth, it has so often been called a charm, that I was simple enough to imagine it might be so.” (340; par. 4) In this scene, Aylmer makes his wife feel foolish for accepting and even loving her own birthmark. She responds to him in the form of an apology, an apology for even having the birth mark that disgusts her husband so much. She blushes and seems embarrassed of her natural face. The hand symbolizes Aylmer’s control over Georgiana, how she feels about herself, and how he pushes the idea of the removal of the birthmark that she liked from the beginning.

The archetype of Georgiana can be seen as the perfect women, however, her birthmark acts as a symbol of imperfection and mortality that keeps her from fully pleasing her husband. Georgiana is described as beautiful and perfect except for one flaw, the birthmark. “It was the fatal flaw of humanity which Nature, in one shape or another, stamps ineffaceably on all her productions, either to imply that they are temporary and finite, or that their perfection must be wrought by toil and pain” (Hawthorne 220). The hand-shaped birthmark can be seen as her being touched by nature and acts as a symbol of imperfection and mortality in humans. The symbol of the birth-mark standing for mortality can be seen again towards the end

In this short story, Hawthorne uses symbolism to emphasize the strange shape of the 'earthly imperfection' (204) and his desperate need to change it. The shape of the birthmark 'bore a

One of those signature tales is “The Birth-Mark”; it is a story about the union between a man of science, Aylmer, and a woman of beauty, Georgina (Hawthorne 12). Hawthorne adorned this piece with deep, thought provoking symbols; such as the one on Georgina’s cheek. The mark is more than just a physical attribute on her skin; to Aylmer, it was a “symbol of his wife's liability to sin, sorrow, decay, and death”, in essence the mark is her humanity (14). All humanity strives to get rid of their defects; as well as Aylmer, as his experiment is to rid Georgina of her flaws. The birthmark became more and more present to Aylmer after his marriage; he began observing his wife’s appearance and developed a morbid obsession with the “singular mark” on her cheek (13). The mark is described as being “deeply interwoven” in her skin; it is a part of her being, and not just of her appearance (13). The birthmark resembles a hand; the shape’s importance is recognized

People during this time thought science was the answer and cure to everything. Like many of Hawthorne’s stories, there are morals in the story and many concepts for the reader to contemplate. One of the ideas “The Birthmark” examines is of man interfering with nature through the use of science. Perhaps Hawthorne’s purpose of writing “The Birthmark” is that man should not play God or attempt to alter nature and by doing so it can be dangerous and deadly. Aylmer thought his wife was perfect in every way except for the small hand shaped crimson birthmark on her cheek. An example quoted in the story of how Aylmer feels about the birthmark is, “Aylmer’s somber imagination was not long in rendering the birthmark a frightful object, causing him more trouble and horror than ever Georgiana’s beauty, whether of soul or sense, had given him delight” (646). Hawthorne wanted the reader to realize no matter how perfect Georgiana was, the superficial birthmark on her cheek bothered Aylmer so much that he, as a scientist, believed he could remove it. Georgiana was not bothered by the birthmark until Aylmer made her conscious of it by constantly mentioning it. Georgiana says to Aylmer, “Danger? There is but one danger that this horrible stigma shall be upon my cheek! Remove it, remove it, whatever be the cost or we shall both go mad” (654). Aylmer was so obsessed with using science to perfect

Georgiana’s birthmark represents the sole flaw that prevents her purity to Aylmer. The narrator states, “Seeing her otherwise so perfect, he found this one defect grow more and more intolerable…it was the fatal flaw of humanity…the symbol of his wife’s liability to sin, sorrow, decay, and death” (Hathorne, 213). Even though others found her imperfection appealing, Aylmer views the birthmark as a visible reminder that separates any woman or man from perfection. Georgiana has innocently looked upon her birthmark as her “charm” because of the opinions of others around her. Aminadab, Aylmer’s lab