Analysis Of The Poem ' The Country Lovers '

Starts with 'I love a sunburnt country ', which is the exact wording of the second stanza in the original poem by Dorothea Mackellar. This particular stanza (from the original) is the most oem by Oscar Krahnvohl like environmental issues, humanity issues, cultural issues and politicwell-known, and by Oscar starting with this particular line, he exposes the brilliance of the previous poem, but the next few lines start as a parody from the influence of the previous poem.

In “America the beautiful” the author’s use of diction creates an uplifting spiritual tone in the poem.The author uses the same words “oh beautiful for…”focusing not on America's flaws but on the beauty. For instance the start of stanza 4 she writes “o beautiful 4 heroes proved in liberty strife who more than self her country loved and marymor than life”.She apads for the people who believe in freedom of america by sacrificing their lives for their

Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.

Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.

“In the darkness the fields / defend themselves with fences / in vain: / everything / is getting in” (Atwood, 28-33). The man in Margaret Atwood’s poem “Progressive Insanities of a Pioneer” is in a situation similar to the stranger in Douglas LePan’s poem “A Country Without a Mythology.” The man in Atwood’s poem as well as the stranger in LePan’s poem are both unsure of where they are. In “Progressive Insanities of a Pioneer” the man tries to separate himself from his environment; however, in “A Country Without a Mythology” the stranger tries to adapt himself to his environment. By analyzing the content, structure, and meaning of “A Country Without a Mythology” the reader will understand that if the stranger openly accepts his surroundings

Born in Senegal around 1753, Phillis Wheatley became an important American poetic figure. At the age of 8, she was kidnapped and brought to Boston on a slave ship and upon her arrival to Boston, she was quickly sold to John Wheatley (Bio). Under her new family, Phillis adopted the master’s last name, taken under the wife’s wing, and showed her deep intelligence. Even though suffering from poor health, Phillis’s intelligence did not go unnoticed; she received lessons in theology, English, Latin and Greek. Being a slave did not stop Phillis from learning and experiencing her life, she participated in the master’s family events and eventually became a family member. The irony in this situation is

When songwriters begin to pen the lyrics of a song, I believe their ultimate goal is to transcend time in hopes of reaching listeners for generations to come. J.R. Cash, professionally known as Johnny Cash, wrote a song that did just that. “Ragged Old Flag” is a patriotic song that speaks to every generation. Written in 1974, “Ragged Old Flag” was meant to tell the story of our country. Johnny Cash recorded “Ragged Old Flag” live at the House of Cash. Cash wanted the song to be recorded live because it was raw, untouched, and unapologetically real. The basis of this analysis is to show how patriotism spans generations, but also why a song such as, “Ragged Old Flag” is an important part of patriotism in the United States of America.

Out in the yard of an old married couple, there grew a peach tree that flourished with fruit every year, and every year the routine was the same. When summer arrived, each day the old couple would walk outside to pick the ripest peaches on their tree. Some days, they would walk home proudly with a basket full of ripe peaches, giddy with excitement for what they might bake with their prized fruit. But every once in a while, they would come home with very few peaches, allowing them to solemnly eat their fresh fruit instead of a concocted sweet treat.

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

In his essay, “Horse and Gentlemen,” T.H. Breen describes the cultural significance of gambling, specifically in relation to the quarter-horse races, in late 17th century Virginia. Breen primarily argues that the three main aspects of gambling – competitiveness, materialism, and individualism – reflected and reinforced the socio-economic structure of Virginia in this period. The high stakes wagers of the affluent planters reinforced their dominant status in the social structure and the gentry’s right to rule over this colony. Breen’s argument to this effect is supported by letters, court transcripts, documentation of wagers, and other written first-hand accounts. Breen’s case for the cultural significance of gambling has persuasive arguments for its representation of competitiveness and materialism. However, his argument for individualism has contrary elements and his essay would have been improved with the inclusion of women’s role in the gambling culture.

Alex Kershaw and the Bedford boys is a story from a little town of only 3000 in Bedford Virginia. It 's a small town that never recovered from the Great Depression. Effect of this is most of the young men in Bedford joined the towns armory National Guard unit. Alpha company was one of many company 's threw out Virginia numbering around 7500 guardsmen. In the days to come, it would be decided that the 29th infantry division the "Blue and grey" would land on the Normandy beaches to start the invasion. Alpha company and the boys from Bedford would soon be breaking threw the defenses at "Dog one “Omaha beach.

Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.

Except for the family problems being minimized, the main story line of the film The Lover is very similar to that of the book. While the number of characters, the type of narration, and the ending differs, the theme remains the same. In the end, the young girl and the Chinese man break up and live in different countries. But the Chinese man would always love her to death. In both versions, one can see that race is very important when it comes to love matters. Race and family issues are way stronger than

Adrienne Rich was a highly acclaimed twentieth-century poet who railed against war and the injustices in the world, and also used imagery that spoke tenderly of love—feelings that she sensed were both highly individual for her, but also universal. “Twenty-One Love Poems” were written between 1974-1976 to her lover of the time, and they track the course of the relationship through the sweet beginning stages, the development of mature love, and all the way through to its dissolution due to her partner’s seeming inability to “come out” and admit to her homosexuality at a time in society when relationships between women were not endorsed or supported. The language in these poems is very rich and weaves both ugly city imagery and elegant metaphors and similes together, with the apparent intention of making the reader search inside to see if the images and ideas conveyed by the language can be applied to the reader’s own experience of living too. While these poems are highly individualistic and at times very personal, this impressive and moving body of poetic accomplishment also reflects themes to which all human beings can relate.

Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.