Analysis Of The Poem ' The Echo Of Silence '

Silence is an important factor in life and can be encountered in different ways, silence can be seen as peace, harmony and can also be viewed as a negative effect such as depression, sadness or even as evil. Silence also gives time to reflect on life and society and when silence there is time to reflect on faith and religion, this would allow to decide on or question religion. When silence is demonstrated it implicates the importance of peace and the chance for revival.

“Women and Gender in Islam” by Leila Ahmed was published in 1992, at a time when research on Arab women was a young, newly emerging field of study. Leila Ahmed is an Egyptian American writer and feminist. Her text “Women and Gender in Islam” targets proclaimed feminists, both western and non-western, as the intended audience. The text is involved with the discourse of gender, the discourses of women, the discourses of feminist, and colonial and post-colonial discourses.

Women's rights in the Middle East have always been a controversial issue. Although the rights of women have changed over the years, they have never really been equal to the rights of a man. This poses a threat on Iran because women have very limited options when it comes to labor, marriage and other aspects of their culture. I believe that equal treatment for women and men is a fundamental principal of international human rights standards. Yet, in some places like Iran, discriminatory practices against women are not only prevalent, but in some cases, required by law. In this essay I will explain to you the every day life of an every day Islamic woman living in Iran. You will be astonished by what these women have endured through the

Marjane Satrapi’s Persepolis introduces the Islamic veil as an attempt by the Iranian government to control women. Islamic radicals promised safety and security for those who abided by their rules. Rebels who refused to wear the headscarf were threatened with beating, rape or death. These modern women who fought against religious oppression met the minimal requirements of the government rules to safely live in the hostile environment. Through being forced to wear the veil, the control of the Islamic government drives its people to a rebellion.

He became a hero and began to enforce the rules. He was the man who forbid women from leaving their homes without wearing a chador. Instead of Iran meeting its goal of overcoming oppression, they became a dictatorship once again. When Neshat visited Iran, and saw the progress of the country, she used photographs like Rebellious Silence to show the world that the revolution didn’t change society, but changed the outlook on women. The image seized a visual account of the people and events of Neshat’s time and

“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

One of the most controversial topics concerning Muslim women’s rights is the idea of the veil. It is believed by some Muslims that the veil is an Islamic obligation that all Muslim women must adhere to. But nowadays, the veil can have different meanings that are not necessarily religious. In her article “Reinventing the Veil,” Leila Ahmed addresses some of the different meanings that the veil can have. Marjane Satrapi explores one of those meanings in her animated autobiography Persepolis (2008). In Persepolis, Marjane tells the story of her rebellion against the Iranian Islamist regime that takes over Iran, oppresses women, and forces them to wear the veil. What was interesting to me was seeing Marjane wear the veil without being oppressed, although she does not believe in it, and is being forced to wear it. In Persepolis, Marjane Satrapi escapes being a subject to the Iranian Islamist ideology by establishing her individual identity through transforming the veil from a means of oppression into a means of feminist rebellion.

It is interesting to note that Satrapi made the veiled women all have similar complacent expressions and as such was indistinguishable from one another. However, she gave each unveiled woman features, such as their hair and eye or nose shape; showing that all Iranian women are unique. (Add more)

Therefore the situation Neshat saw at that time in Iran which women facing many struggles and oppressed made her to create political artworks revealing negative view on it’s religion. (Women of Allah Series are part of them. And as she wasn’t in Iran while revolution happened, Neshat can definitely feel the transformation of lives in countries, especially women’s lives after the revolution.

In this portrait, the artist has portrayed herself, wearing a black color dress that covers her completely only leaving her face uncovered. Moreover, a poem in Persian language is stated on her face, and a rifle is segregating her face into two components. The artist’s eyes gaze intensely towards the viewers from the both sides. She opted to portray herself as a muslim woman to shed light on her religion and to explain the distinction amongst Islam and western culture. According to Syre, the poem inscribed upon her face narrates the belief of many Iranian Muslim women in Islam. It is their believe that as per Islam, all men and women are equal, and the Chador that covers the woman body from head to feets, leaving her face naked prevents woman from becoming a sexual

Satrapi shows how femininity and gender ideals was used as an encouragement to support the revolution objectives. The revolutionary leaders needed a motive to make people strongly believe in the revolution, religion and gender was used as the main motive and to strengthen the passion. For instance, in Persepolis, women were depicted as guardians of the nation since they are understood to be the careers of tradition through motherhood. The Islamic regime used the cultural norms and turned women into a symbolic cultural base. Over the course of Persepolis, we see other different examples used by Satrapi like her teachers who seemed brainwashed by the Islamic regime Ideas (96). Fae Chubin’s “When my virtue defends your borders” shows how the 1979 revolutionary leaders’ speeches emphasized that women chastity and devotional motherhood are pivotal to the protection of the nation, its independence and its future. He uses the post-revolution interviews, speeches and writings by revolutionary leaders in the context of a historical review of gender politics and gender discourses in Iran by looking specifically into the ways in which gender is narrated and how traditional notions of femininity in the Islamic gender discourse became reconstructed and contested through those narrations. As an example, one of the revolutionary leaders Olama, said “this shameful unveiling… this basin-shape cap, the cast-off of the foreigners, is a shame to the country of

How is man’s treats woman in different countries? What should women do to protect themselves? Women experience sexual harassment in every street in the world. Can we blame woman for wearing conservative clothes? What about man who are ineffective to control and behave themselves? Is the solution woman covering her hair and their bodies? Last month, when I want to The Avenues I witnessed a woman in black abiya covered all her body get harassed as much as women in jeans. We should take a step back and thinks about who we blame. The problem is not what women wear, but it is about the men's feeling of entitlement to women's bodies. An artist identifies herself as a female, Muslim, Egyptian draw a comic that talked about the same issue and problem and the stories were based on real experiences it called Qahera. This analysis of Qahera takes a particular look at the issues in the Qahera comic’s about street harassment because it based on the relationship between men and women.

The cultural imprints of the Soviet Union are still a part of Afghan identity, although both men and women were affected by the secularization of Afghanistan, but Afghani women transformation was evident physically more than men’s transformation. The veil is a symbol piety and modest in Islam, some Muslim women veil to observe God’s command, but others veil to construct their identity. Laila Ahmad in her book “A Quite Revolution” states that “the veil gathered a range of new meanings in the past few decades: from an expression of personal faith, solidarity with Palestine, Chechnya or Iraq or allegiance to the ummah, to a safeguard against sexual harassment, a fashion statement, a critique of western "sexism", a call for minority rights, and