Analysis Of The Poem ' The Primavera '

La Migra (pg. 700) is about two young kids (mostly immigrants) playing a game called “La Migra.” In La Migra there are two roles that can be played, the border patrol officer or Mexican maid. The poem is spilt into two main stanzas; each stanza gives you a different point of view. It allows you do play both roles of this game. The first stanza is focus on the role of the border patrol officer. In lines 4-7 of the poem tells you what the border patrol officer would have on the daily basis. This was a jeep, a badge and sunglasses. In the second stanza you play to Mexican maid/ woman. In this stanza you are powerless because you play the immigrant. It gives you a since of being caught in the act of a crime. In my opinion, I feel the theme of this

Barna da Siena’s Mystic Marriage of Saint Catherine and Other Scenes from 1340 is vastly different in content, composition, and a number of other attributes from Fra Carnevale’s 1467 painting Presentation of the Virgin in the Temple. It is clear between the roughly hundred years between when the two were painted that advancements in realistic painting soared and a further appreciation for realism and humanism developed. The need to portray more than just the holy subjects, and to show how far painting had evolved is evident in the differences between Barna and Fra Carnevale’s works. Although, the emotion behind Barna’s work, and its significance are, in my eyes, far greater than that of Fra Carnevale’s.

This paper will compare the themes found in the paintings "Madonna and Child with St. John the Baptist and an Angel" by Domenico di Bartolomeo Ubaldini (Puligo) and "Madonna Enthroned" by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

Are Roberto 's aspirations based on fact? Can he convert his status from undocumented worker to legal resident? How might you go about finding out whether this is possible?

Abandoned by her mother at three-year-old, married at the age 19, three children at the age of 26, and with only a fifth-grade level education. My mom was in prison for a month after struggling to cross the Mexican border into the United States. My mom came to American seeking a better future where my siblings and I did go hungrier to be able to survive. The poet is describing the word “Migration” that takes a different method in relating what is crossing the border as well as tense perceptive effects that occur when it comes to crossing the border. Rosa Alcala’s poem has persona, metaphor, images and figures speech the author can illustrate the feeling of the poem as attentive vagueness.

In this essay, the difference between Northern Baroque and Italian Baroque styles of painting, the differences between a male and a female interpretation, the narrative differences, and the psychological dilemmas they present to the viewer will be discussed.

At first glance, Giovanni Paolo Pannini’s Picture Gallery with Views of Modern Rome (1757) reveals very little past the outsider-looking-in perspective we are given from Pannini’s perspective. In the center is the Duc de Choiseul surrounded by detailed views of Roman architecture including buildings, fountains, and monuments and several infamous sculptures from the 17th and 18th centuries. While looking at the painting, it is hard to pinpoint one focal point within the composition when the walls of the gallery are filled with paintings from the floor to the ceiling. The focus becomes about the space Pannini has created and it does not focus on one specific object or figure. Each view of Rome seen in the imagined gallery adds to the illusion of Rome as an ideal city and to the idea of its beauty. By showing a space that reflects this beauty through the numerous paintings, sculptures, and architecture Pannini’s painting transforms into an allegory. Even though this painting was commissioned to commemorate Rome, he is able to portray the city and its architecture through a well respected and scholarly environment uncharacteristic of any known space or time. These characteristics cause the which allows it by creating a fictitious These allegorical characteristics do not become known unless you take a closer look at Picture Gallery with Views of Modern Rome (1757).

Feeling beautiful deals with many factors but it has become incumbent with focus being placed on the physical aspects of person Una Marson writes about beauty and how it drives many women into changing their features and making those features fit into the standard of beauty. Her poem, “Kinky Haired Blues” speaks about that notion, of women wanting to assimilate to what the norm is. Specifically women of ethnic minorities, she talks more about Black Women and the pressure for them to bleach their skin and to iron their hair. Matters such as race are at forefront of the issues in her society and of the society we currently live in today. Una Marson’s poem “Kinky Hair Blues” speaks to the idea of beauty and the standard of beauty. And how many

The visual work I have chosen is the Bith of Venus and is one of the world’s most famous works of art. Painted by Sandro Botticelli between 1482 and 1485, it is the first example of painting on canvas. The written work I have chosen is the Stanze per la Giostra. It was written by Angelo Poliziano, written between 1475-8. Both works are examples from the Italian Renaissance era, during the Medici rule, and share the theme of beauty and humanism. The works I've selected share the same subject matter, Venus, and is the perfect example of beauty and humanism. She is the epitome of beauty and her birth from the sea is an example of her metamorphosis of humanism. For this paper, I will compare both works then discuss how the shared theme is seen in contemporary works. How does Venus and her beautiful metamorphosis fit into contemporary forms of beauty and humanism?

Botticelli was not merely creating a well known myth he was using it as a way to symbolize something else. He used the goddess of love as just a representation of love. This leads to the question, where is love arriving to? The first reference is seen throughout the entire painting, the flowers. Botticelli and his patron both were living in Florence.

The Annunciation is a Christian celebration of the iconic moment that the archangel Gabriel announced to the Virgin Mary that she would conceive and become the mother to the Son of God, Jesus. The story of the Annunciation derives chiefly from the biblical Gospel of Luke, and has been portrayed abundantly and variously in many visual art forms from the earliest centuries of Christianity and Christian iconography. This essay will explore the depiction of the Annunciation and symbolism in the period of the Italian Renaissance and pay particular attention towards the development of the focus on spiritualism towards naturalism through the refined language of expression and gesture from the 14th century to the late 15th century.

La Primavera is set in a grove, with fruit trees and many types of flowers blooming on the ground. The figure in the center is that of an elongated woman, her head tilted to the viewer’s left and her right hand held up as if she is indicating something on that side. Her gaze comes out of the painting, as if to entreat the viewer to step into the scene. Her form divides the space into two sides. The greenery around her creates a circular shape. Given the subject matter of Botticelli’s other paintings in this collection and the other figures represented, the woman is interpreted to be Venus. At the top of this circle, the figure of a blindfolded male toddler with wings has notched an arrow from the quiver on his back and points it to the left of the painting. His position over Venus and possession of the bow designates him to be Eros, the son of Venus. Following the point of the arrow and the right arm of Venus, there are three dancing women, draped in wispy white with their fingers interlaced. These figures are the Three Graces, identifiable by the way they connect with each other and their dance – in mythology, the Graces

‘Primavera’ is an artwork painted by Sandro Botticelli, (Alessandro di Mariano Filipepi Botticelli). Born in 1445, died in 1510, Botticelli grew up during The Renaissance era and was heavily influenced by the styles of artworks around him. It is debated when this artwork was painted exactly but, it is certain that it was painted between 1477 – 1482. The artwork is 202 cm in length and 314 cm in width and was not framed.

     This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

Composing an opera seems like a daunting task, now imagine trying to take an Epic Poem and make it into an opera, it seems almost like an ultimate challenge; a challenge only few would take on. One of the most famous composers who took on this challenge was Claudio Giovanni Antonio Monteverdi famously known only as Monteverdi, was one of the greatest composers of his time and he was able to bring classical Greek Epic Poems to life. Even though Monteverdi was one of the greatest composers of his times it must have been very daunting challenge to take a story that had been only really heard and written down almost from interpretation from the Greeks and turn it into an Italian Opera. Another challenge he may have faced was condensing the long Epic Poem so that the audience could sit through the opera and still get the most important points of the Epic Poem.