Analysis Of The Raft Of Medusa

I think the artist is able to communicate the bad condition of the ship and its crew is in. The mood of the work is scary and gloomy. The design and intensity of the waves, the changing weather, and the ships in the ocean seem to make the scene come alive. It really conveys a since of naturalism in the painting the way it depicts the environment around the ship.

While Gericault's, Raft of the Medusa was essentially criticized for its lack of direct criticism of the event and more a display of the human element, it is this feature that made it characteristically romantic. Gericault took the national scandal out of the papers and turned it into a personal event for each of the passengers. Rather than depict the weltering bodies of the crew, he gave them more muscular frames in vigorous poses. Originally setting out to portray the event as nothing more than a visual truth, he shifted his focus to portray a greater truth of suffering.

In art, there are qualities that speak louder than words. It expresses many different messages and emotions and each person has an experience different from the next. In this paper, I will be discussing two artworks I encountered. The piece is a good example of how people can encounter different experiences in one piece. I attended the Orlando Museum of Art a while back with family and overall enjoyed my experience. On my visit, I found the museum quite impressive and felt a deep connection with specific pieces.

I like this painting because of the feeling and memories it reminds me of. The water and rocks remind me of all my childhood memories of swimming in the water and hiking mountains. The bright and light colors create a cheerful and

He interviewed the survivors, drew mutilated corpses in the Paris morgue, and had a model created in his studio of the raft. The painting was 16 feet 1 inch by 23 feet 6 inches so it is huge in size and the dramatic impact was just as amazing. This gave the people a record of an event that happened in a time before photography.

In the time when the French salon would have been looking for a Rococo style painting of important figures and royalty to hang in their gallery they accepted Gericault’s work as it was an extreme change from the typical types of paintings they hung. It represented the nameless souls who fought to stay alive upon the raft. Jeffaris (2005) exclaims “This event was a political scandal - and Gericault's painting - an exposé - a 17th Century tabloid headline!”. They knew it would create a stir and grasp attention, and it has become iconic for the the way in witch it broke traditions. This event had a huge effect publicly because of the fact that the lower ranking people were left behind to die while the wealthier and more important people escaped on life rafts. This is quite metaphorical of the political situation in France in this period (after revolution) as the wealthy got wealthier and the poor were left to starve and die. Its ironic that this painting of such a horrible event was such a symbol of hope for the lower class of France at the time. It showed the strength of the weak and poor, it showed that the lower class had the strength to survive even after the wealthy had taken everything and left them to die. Giving hope to the lower tier of society that anyone can make it regardless of their status. From the description of Medusa (n.d.) the raft of the medusa was “Intended as a political statement about the disorderly state of the French

In the book “The Raft” by In the book “The Raft” by S.A. Bodeen, there are quite a few characters, but there are two main secondary characters that play a big role in this book. The two main characters in this book are both somewhat involved with the main character, Robbie and come in different parts of the book.

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

All the figures in the painting have different expressions on their faces. For example Mr. Columbus starrs dirrectly at the group of coucil men sitting infront of him to convince them of the new world he had discovered. He stands infront of the crowd, looking like a honorable man, with his chesting bulsging out and his right footing pointing forward. His left hand is holding a map, while the right firmly points at it. There is a concil man sitted next to where Christopher stands, looks down at the map to validate Mr. Columbus agruement. There are three figures standing on the left excluding the king and his guides. These men seem so suppresed by what Columbus is telling them, that one of them grab the other firmly on the shoulder to perheps ask him how all of it is possible. The king on the other hand opens his month wide in disbelieve and his hands lift up at about a 30 degree angle, as if he was attempting to stop Columbus from fabricating more lies. On the far right of the painting, there is a boy with what appears to be a map that he is showing two men on his right.; they both starr at it while the other lean forward with his hand placed under his chin. Human drama remains me of Giotto style in Italy 1400-1500. He was the first artists to incoporate human drama into his work by including little details of gustures and emotions. This very artist was great at expressing different types of emotions on the faces

There is also a focus on detail on the incense containers. They have a lot of texture and strings on it. Light reflects from the metal, similar to how it reflects off the fabric of the dresses. The use of the incense swinging to the center, the wings, the similar paint colours and the similar physical features insists on a unison between these paintings.

Every person has feelings. These feelings are aroused by a catalyst. A touch, a smell, a sight. When a person does art, his or her duty is to titillate the viewer. His or her work must be passionate, captivating and able to be thought about. When an artist renders a piece, be it a painting, water color, sculpture, dance or poem, he or she must inspire the viewer to come back and look at it a second and a third time. The artist must expand his or her mind to engulf others. Octavio Ocampo has accomplished all this and more. Around the world millions of people have become enthralled with his innovative style. People are fascinated by his work. Everyone from the art connoisseur to businessmen and professionals are thrilled by the reactions

One strong aspect of this painting is it has a strong sense of both harmony and unity. The painting achieves harmony by using similar elements throughout the work and unity by making a quality of wholeness or oneness to the painting. Even though there are many different hues in this painting none have an overpowering feeling over the work which brings wholeness to the work. The work has repetition and rhythm of colors such as blue and patterns like the swirling brush strokes which brings many elements throughout the work.

2. Create your own art critique for The Raft of the Medusa. The Raft of the Medusa, an oil painting by Jean Louis Théodore Géricault in 1819, displays a hopeless tone by using the frantic men reaching toward the sky. The artist uses cool hue and a striking, simple negative space to draw the viewers eye to the triangle of men.

The Raft of the Medusa is the most quintessential piece of art pertaining to the romantic period as it fully exhibits the defining features of the romantic period. The Raft of the Medusa is a work of art often referred to the starting point of the Romantic era, as it uses the most defining features of Romantic period artwork. The Romantic era utilized emotion and nature in a lot of their paintings as it single defining feature, and in this painting this is very much so. Theodore Gericault's The Raft of the Medusa exhibits illicit emotion as the survivors on this raft are exhibiting raw emotion as they lay waste to nature's wrath of the crashing waves. The survivors scream with hope as they attempt to signal for help to escape this calamity and

Many elements and principles are portrayed in this art piece. To begin with, the first thing I see and grabs my attention is the swirling wind. Rhythm and Movement can be seen and it creates a flow to the rest of the painting in which leads your eyes to follow along the path of the swirl and brings you to the next subject. It allowed me to view the art piece up to down and left to right, as I started from the swirl to the stars