Analysis Of The Rime Of An Ancient Mariner

“One of the things you do as a writer and as a filmmaker is grasp for resonant symbols and imagery without necessarily fully understanding it yourself.” These are the words of the British-American film director, screenwriter, and producer Christopher Nolan who, considering his 21 Oscar nominations and six awards, clearly knows something about telling a good story. Nolan understands the importance of good imagery in a story, and that is why he speaks for all writers when he says that they reach to produce good imagery for their readers or viewers, so that they may better understand the idea being presented to them. In The Rime of the Ancient Mariner, author Samuel Taylor Coleridge uses image rich language to tell his story, and creates an intense picture for his reader. The imagery that Coleridge uses in

Samuel Taylor Coleridge?s ?Rime of the Ancient Mariner? is a piece known to many in some vague way or another. An elderly sailor, a ghostly ship, and the killing of an albatross are all present in many people?s minds, although they may not entirely know the whole tale. Although well-known today, the most activity ?Rime? has seen was in its beginnings. It has its fair share of praise and criticism, praise given posthumously and criticism given while Coleridge was alive. Other than criticisms on the actual text, many people claim that Coleridge borrowed the ideas of others and used them.

The Christian belief is that no matter what you do wrong or to what extent, you are always able to be forgiven. As long as you are able to realize and admit to what you've done wrong and are willing to pay for your sins and repent, you will always be forgiven in the eyes of God. In "The Rime of the Ancient Mariner", by Samuel Taylor Coleridge, the mariner is willing to repent. After committing his sins against nature, he comes to realize that it is not to be taken for granted. By realizing and expressing the beauty that nature is, the mariner is granted his forgiveness in return for penance; his telling of this story.

The Rime of the Ancient Mariner is a poem by Samuel Taylor Coleridge, it was written in the late 1700s. The poem’s setting starts during a wedding, an old mariner stops one of the wedding guests from going into the party to tell him a story. The mariner’s story takes place in a ship where he killed an albatross and everything started to go wrong for him and his crew. When the mariner’s story is ending he says that he has a pain to tell people about his story, this is why he stopped the wedding guest to tell him his story. The wedding guest decides not to go to the party because he became upset, he is now a “sadder” but “wiser” man. Coleridge uses many literary elements to make the story come together such as similes, personification, symbolism

The human is the most complex living being on the face of this earth, yet human roots are sometimes forgotten. Through Charles Darwin’s theory of evolution, it is clear that animals are the brothers and sisters of the human race. In turn, human habits resemble those of all the living beings which creates unity between all walks of life, determining the same fate for all. A similar concept relates the three works: Living Like Weasels, Shooting an Elephant, and The Death of a Moth by Annie Dillard, George Orwell, and Virginia Woolf respectively. The authors explore the nature of such creatures in order to achieve a better understanding of their motives, all the while gaining insight on the cycle of life.

Throughout Mary Shelley’s Frankenstein and “The Rime of The Ancient Mariner” there are many instances where metacognitive thinking and knowledge are discussed and presented. The word metacognition comes from the root word "meta" which means beyond. The word metacognition can take many forms including knowledge and when or how to use certain strategies to learn or be used to solve problems. In Mary Shelley’s Frankenstein we see metacognitive thinking throughout mainly through victor and the creature. Both characters are seen very much throughout the story and through these characters we get a great sense of their metacognitive thinking, successfully in ways but for the main part we see these characters as failed metacognitive thinkers. In

Humans have always had an inherent tendency to view themselves as morally superior and intelligent creatures. In thinking highly of themselves, they tend to dismiss the qualities of other species and fail to appreciate the relative harmony of the natural world. This ignorance becomes apparent in many of Clarice Lispector’s short stories, especially in that of the collection Family Ties. The motif of animals recurs multiple times in these short stories, introducing the message that animals live a more authentic way of life than humans by transcending the linguistic and emotional barriers that constrain humanity. To convey this central theme, Lispector uses animals as symbols, foils to demonstrate the flaws in society, and as a contrast between

Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” evokes a dire sense of despair which relate both to the Mariner’s own punishment of isolation and thirst and to significant events occurring in the author’s life, including the French Revolution of 1798 and England’s suspension of Habeas Corpus.

Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” details the story of a cursed mariner, framed in a conversation with a man on his way to a wedding. The Mariner’s tale truly begins when he thoughtlessly kills an albatross as his crew is sailing through the northern ice caps. Rising from Coleridge’s own experience, he ties in various themes exposing the reader to death, consequences of actions, and an interest in the unknown. By creating a clear connection between the physical and spiritual world, Coleridge shows his audience the consequences ones actions has, both good and bad, hoping to show people the importance of preserving and respecting the world that surrounds us.

Cleary seen in the quotation above, the curse resulting in the murder of Albatross left the Mariner viewing death as the only possible option to relieve himself of the haunting, tragic images that left his crew dead. Under the moonlit sky as the Mariner’s ship still sails cursed, but then he witnesses something that changes his perception of God and his faith.

The poems’ histories will be kept brief as they are not the focus of the paper; so, put simply, “The Rime of the Ancient Mariner” was written by Samuel Taylor Coleridge and was published in 1798 in a collaborative volume entitled Lyrical Ballads (“Samuel Taylor Coleridge”). For further historical context, it was during this year that the US Navy was originally formed (“Historical Events in 1798”). And while the origin of “The Rime of the Ancient Mariner” is pretty straightforward, that of “The Seafarer” is more complicated. Originally it was anonymously included in a tenth-century text called The Exeter Book (Shmoop Editorial Team), but the more well known version is its reinterpretation by Ezra Pound, published in 1912 (“The Seafarer: RPO”). However, since Pound changed many of the original details and themes (“The Seafarer: RPO”), we’re going to be looking at an English translation of the original poem. Again, for further historical context, it was during the tenth century that the Chinese started making paper money, the Byzantine empire underwent a revival, and the feudal knight was popularized (“10th century - Oxford Reference”). Despite both poems being published nearly 800 years apart, they share a great many similarities. So without further ado, let’s delve into the surface similarities between the two poems.

According to Microsoft Encarta Online Encyclopedia, an allegory is described as a fictional literary narrative or artistic expression that conveys a symbolic meaning parallel to but distinct from, and more important than, the literal meaning. This is true in Samuel Taylor Coleridge's poem, "The Rime of the Ancient Mariner." "The Rime of the Ancient Mariner" is an allegory that symbolizes the inherent struggle of humans facing the ideas of sin and redemption. In writing this poem, Coleridge spent four months of sustained writing upon his purpose of supposing that supernatural situations are real. This purpose is seen clearly in "The Rime of the Ancient Mariner", which demonstrates

First, the reader can see obvious similarities between the mariner and the Biblical character Adam. According to Christian belief, Adam committed the original sin that caused mankind to suffer as a whole (Harent 3). In The Rime of the Ancient Mariner, the original sin is the mariner’s killing of the God-sent albatross. Even though the crew, like humanity, did not commit the original sin, they ultimately inherit the repercussions of the sin.

"The Rime of the Ancient Mariner is a parable of a seaman's crime against nature (pointlessly killing an albatross) and his repentance by blessing the lowly water-snakes.  Setting the poem in the Middle Ages in the then-unknown seas near Antarctica, the poet is able to make his narrative credible and give the reader what is called 'the willing suspension of disbelief.'  "

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”