Analysis Of The Road Not Taken By Robert Frost

Just as Conrad conveys the creation of one’s own path subconsciously in Marlow, the poem “Road not taken” by Robert Frost explores this idea, represented my literal paths and an alternate, unspoken third path. The metaphor of the physical journey shows the moral growth in the protagonist. The poem is written in first person, giving it a very personal and reflective tone, expressing a pivotal moment in the persona’s life. The use of andante, the flowing rhythm establishes a conversational tone. The rhyme scheme is simple and effective throughout the poem, however, it changes in the final stanza. By implementing a new scheme here, the final thought of reflection is emphasized. The "less traveled" road is symbolic of the gamble of choosing a more individual path in life, the protagonist’s own road. This can be compared to the quote by Antonio Machado, “Travelers, there is no path, paths are made by walking.” This quote exemplifies the fact that walking the path is more important than

In “The Road Not Taken” by Robert Frost, we are given a piece of art that simply will leave you clueless unless, you understand the pain and frustration the man is going through; when choosing what route he feels will give him the most joy. In the poem a man is walking through the woods and he comes upon a fork. He who wants to take both roads chooses the route that he feels is traveled less on. Little does he know that both road have been equally traveled on. He who travels on the route that has fresher leaves lies to himself, by convincing himself that he will come back and take the other route. Though it was a very stressful and a hard decision for the man to make, many people are put into very similar situations like in John Updike’s A and P and as well as in James Joyce’s Eveline. Both Sammy and Eveline find it troubling to make a decision that will change their life completely.

Robert Frosts “The Road Not Taken” is more symbolic of a choice one must make in their life in attempt to foresee the outcome before reaching the end, than it is about choosing the right path in the woods.

The analysis of “The Road Not Taken” by Robert Frost has been up for debate since the poem release in 1916. It is known to be one of the most frequently misinterpreted poems of all time, and even Robert Frost himself has said the poem is “tricky” to comprehend (The). When analyzing this poem many readers tend to focus only on the last lines of the poem and get caught in a trap of selective-interpretation. Quite a few people after reading Robert Frost’s poem firmly conclude that this poem is about non-conformity and individualism, however, that is not the case. Robert Frost’s poem is meant to be analyzed line by line for a complete interpretation. Readers can conclude that the poem represents making choices in life, but that is not the

Furthermore, we have the use of first person, where the almost universal effect is to have an in-depth look into the character and their immediate response to a problem or dilemma. This poem no different, where in the first stanza we are ushered in with the use of anaphora in lines 2, 3 and 4 with the repetition of the word ‘’and’’. This specific use of anaphora is used to create the mindset and intelligible deduction of the traveller to the events and dilemma prescribed to him. Insofar as his immediate reaction be being presented with a choice. It shows his reaction of regret in that he is ‘’sorry he could not travel both’’ and explains what he wish he could do ‘’be two travellers’’ but also how he initiates his decision making process ‘’looked down one as far as I could’’. Also, the use of first person is used to connect with the reader, enforcing the affore-used notion that the reader substitutes their own personal truth into a positive

How can an author effectively convey a universal message to the broadest audience possible? Simple. The author must simply create a completely impartial narrator, devoid of sex, status, or age. The Road Not Taken is a poem told by an impartial narrator who has come to a crossroads in his/her life. The crossroads is represented by a forked path that leads through a forest. The setting is also impartial; the forest is anytime and anywhere the reader desires it to be. The narrator is forced to make a life-decision, thus changing the course of his/her life forever. Symbolism and imagery are used effectively to reinforce the main theme of the poem.

Robert Frost's poem “The Road Not Taken” describes a traveler faced with a choice of which one of two roads to travel. He knows not where either road might lead. In order to continue on his journey, he can pick only one road. He scrutinizes both roads for the possibilities of where they may take him in his travels. Frost's traveler realizes that regret is inevitable. Regardless of his choice, he knows that he will miss the experiences he might have encountered on the road not taken.

The metaphor transfers the journey from a physical one. The persona is confronted with the choice of two roads, both fairly similar ‘two roads diverged in a yellow wood’, and must decide which one he wants to travel. This is similar to Lewis’s situation where he has to decide between politics, and true love and fidelity and which is more important. The persona, with ultimately choosing the one that was ‘grassy and wanted wear’ and the ‘ one less travelled by’. He wanted to break away from the norm and experience something new. This road may be more rewarding despite the fact it presents more challenges. The inner journey is depicted through the use of language techniques such as, extended metaphor, first person pronoun, repetition and symbolism.

?The Road Not Taken? (1916) tells of someone faced with two of life?s decisions however only one can be chosen. Whichever road is taken will be final and will determine the direction that their life takes. Frost drives this poem by a calm and collective narrative, spoken by the traveler of the diverged roads. Who is speaking with himself trying to convince himself of which road is the better choice. Frost wrote this poem using standard, modern language.

In the ending of the poem, regret is displayed after realizing the wrong choices were made.

In his poem, “The Road Not Taken”, Robert Frost raises to discussion an inevitable problem that we must eventually confront, which is choosing between life paths. Frost depicts this through envisioning a walker who must choose between two seemingly similar, yet non-identical paths, while not being able to revisit the unchosen one. The poet accentuates on the inescapable regret that one will face in either scenario, as one will forever feel the desire to experience the unexperienced. One can’t help but imagine what would happen if one were to take the road not taken. Robert Frost selects an enticing yet intelligible style of language that is successful at conveying the intended message.

Robert Frost’s “The Road Not Taken” Discussion Forum Robert Frost’s poem, “The Road Not Taken,” is an analogy of life, with daily choices that will influence the choices we make tomorrow. As we live life, decisions are constantly made that modify our outcomes, each choice or path taken provides for a different consequence. In Frost’s poem it is with an awareness of this knowledge that the speaker states, “Yet knowing how way leads on to way,/I doubted if I should ever come back”(14-15). The speaker, with the foreknowledge that the decision of which path to take, will be one with a “ripple” effect, that cannot be predetermined but is still conclusive, change will occur.

Robert Frost's poem “The Road Not Taken” describes a traveler facing a choice, he can either choose the road not taken, or he can choose the road most traveled by. He does not know where either road might lead, but in order to continue with his journey, he can pick only one road. He analyses both roads for the possibilities of where each may take him in his journey. Frost's traveler realizes that regret is inevitable. Regardless of his choice, he knows that he will miss the experiences he might have encountered on the road not taken. Frost, uses literary elements, such as Denotation and Connotation, Symbolism, alliteration, consonance, and assonance in order to convey massage.

Frost shows the readers that it is hard to choose something without knowing what will be the result, thus he wants to try both of the options to decide on something, when he says “Two roads diverged in a yellow wood,/ And sorry I could not travel both”. Whole poem is constructed of this metaphor, and every line refers to something in life. In the last part where Frost says, “I took the one less traveled by” he implies the idea that people wish to be different from others, thus they are prone to choose the option which had not been chosen by many other people. Instead of saying that he was having hard time deciding on a thing to do, Frost chose to use the metaphor of a road, which forced the readers to use their imagination to understand the real meaning behind what he

The poem itself is known for its mistaken qualities. Many readers believe it is an inspirational poem. However, realistically the poem is a metaphor for a decision the poet has made in the pastThe poem contains interesting imagery throughout, including the autumn setting of the poem, how the leaves are “lacking wear” on both paths, it is a beautiful image. The poet uses his descriptions to his advantage as by unique imagery he depicts the decision that needed to be made. “To where it bent in the undergrowth;Then took the other, as just as fair/And having perhaps the better claim/ Because it was grassy and wanted wear”The poem consists of four five-line stanzas with a general rhyming scheme of ABAAB. The tone of the poem switches on a regular basis. The first line of the poem is factual . The main idea of the poem is the decision making we as humans face by the poet travelling on the less wore road he is making a decision not many people make Another poem from the “Roads and Journeys” section is “Travelling through the dark” by William Stafford. The poem was written in 1963. The poem is strange in structure, although it falls under the term “free verse” it is structured in to four neat four line stanza's with a couplet at the