Analysis Of The Sailor's Barracks By Giorgio De Chirico

Oil on canvas, presented by Sir Colin and Lad Anderson through the Friends of the Tate Gallery, 1976

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

Stability and balance is also achieved through the incorporation of the vertical and horizontal planes. In the southwest facade of the building the vertical slits are balanced with the horizontal planes created by the cubes, cornice and the ornamental horizontal band that runs halfway through the walls. These vertical and horizontal planes further dictate a rhythmic continuity throughout the building. Building's scale is rather modest in comparison to its site and the surrounding landscape and the smooth texture of the facade helps its integration to the environment. (Figure 4)

The painting Square at La Trinité (Le Square de La Trinité) (1875) by Pierre-Auguste Renoir is located at the RISD museum in Providence, RI. This is an oil painting on canvas, surrounded by an ornate gold frame. Square at La Trinité is a pastel colored landscape scene with nature, figures and buildings in the background. The main focus of the painting is the two people in the right-hand corner, one a female and the other a male who are strolling through a lively garden. During the 19th century impressionist artists wanted to capture life as they saw it happening. Another artist who had a similar style to Renoir was Monet who painted works such as Beach at Trouville (1870) where he painted his wife sitting on the beach taking part in middle-class leisure. Renoir’s work demonstrates the impressionist technique important to the 19th century, evident by the way he captured middle class leisure in a modern subject matter.

The Courthouse can be identified in the middle left hand side; on the middle right hand side is an orb of light, which most likely can be determined as the moon. This building is very tall with a trapezoid-like roof and a dome tower on top. The tower is lit up with lights and has another, smaller tower with a flag pole on the top.

Three weeks ago I visited the Art Institute of Chicago. It was established in 1879 and has since expanded its collection to approximately three hundred thousand works. Attracting over one and a half million visitors annually, it is one of the largest art museums in the United States. The reason I chose this site is that I read that it displayed Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, and I wanted to see it in person because it is so iconic.

The piece I chose to write about is called Anti-Mass by Cornelia Parker who originated from London, created this piece in 2005. She was also raised Catholic which really gives you a sense of this sculpture. It is located at the de Young. What really made me chose this piece is because of how massive it was when I walked up to it. It seemed so intense when I looked at it and at the same time it looked so surreal. Now with this piece, you would need to walk around it at least twice to really feel how it is huge when it comes to the size, its hanging from the ceiling and continues till its only a few inches off the ground. Walking around it is when you really understand the size since its three-dimensional.

For my first museum paper I went to OSV since it was my first and only choice of venue. I went to the Towne’s House since I was told I would be able to find what I was looking for. After struggling to find a painting that I could read the information on, I saw the various the paintings along some walls and ceilings.

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

The piece I choose to critic is titled “Buscado por su madre” or “Wanted by his Mother” by Rafael Cauduro, no year. This piece is an Oil on Canvas painting that measured 48”x36” located at the Long Beaches MoLAA. The work is presented as one of a few Mexican artists that share an interest in their painting primarily figurative style, political in nature, that often narrated the history of Mexico or the indigenous culture. The painting is one of the first viewers see as they enter the Museum. It is at eye level and demonstrates a superb use of illusionistic realism that it creates the illusion of being real. The painting is of a old Missing poster of a man on a brick wall. What made it stand out in my eyes was the fact that it looked to be a three dimensional object on what looked like real bricks with the words wanted by mother on the top. Cauduro’s piece, in my eyes looked like he literally took a chunk out of a wall, and placed an old torn missing poster of a man on the front and put it out for display. Cauduro uses texture to represent the look of brick by applying thick strokes of paint creating a body of its own as and mimics the look and shape of brick. He also makes applies the same technique on the wanted poster by implying that it is old and torn by again layering his paint to create the

On September 4, 2016, I visited the Matisse in His Time exhibit at the Oklahoma City Museum of Art. This exhibit is home to a plethora of pieces by many different European artists from the 19th and 20th centuries. While it is focused on Matisse and his extensive works, containing more than 50 of his pieces, there are many portraits and sculptures by other influential artists from that time period including Renoir, Picasso, and Georges Braque. Three of the most appealing works that I encountered in this exhibit are Maurice de Vlaminck’s Portrait of Père Bouju, Pablo Picasso’s Reclining Woman on a Blue Divan, and Henri Matisse’s sculpture series Henriette I, Henriette II, and Henriette III.

For my museum trip I chose to visit the Leepa-Rattner museum in Tarpon Springs. I have never been to an art museum before so I wasn’t quite sure what to expect. With that being said, I must admit I really found enjoyment from the distinctive emphasis that artists put within many of these images. Furthermore, it is truly amazing how you can gaze at a work of art and begin to establish an idea of the narrative being told within the image. The Leepa-Rattner museum is not very large, and it did not take very long to view everything that was on display. But to a great degree, I was fascinated with the workmanship and focus of many of the paintings. The museum was very beautiful, and the architecture was very well done as well. The building presents an image of a ship at sea. Additionally, I really valued the size of the museum, which is not huge, yet rather more personal and relaxed. I found a few of the works strong and persuasive, and the more diminutive size keeps things in perspective.

Oh my, how I have found it difficult to choose just one piece of art for this first DF post! I thought about choosing one of the more classical pieces I enjoy, or a beautiful sculpture, but lately I have appreciated architecture and interior design more than ever before, so I decided to go with the late H.R. Giger’s Museum Bar in Château St. Germain, Gruyères, Switzerland.

Fig.1. Jackson Pollock, Number 7, 1952. Enamel and oil on canvas, 134.9 x 101.6 cm. New York, The Metropolitan Museum of Art.

When I was looking through 17th-18th century European artwork in the Norton Simon Museum, there was one piece of art that really stood out to me. That beautiful art piece was the Bay of Naples by Claude-Joseph Vernet. This piece stood out to me because of the beautiful scenery that is displayed and the deep serenity the piece gives me when I look at it. The Bay of Naples is a painting of a landscape that captures the daily life of the bay. The materials used for this painting was oil on canvas.