Analysis Of ' The Scarlet Letter '

In chapters 9-15 of The Scarlet Letter, the author decides to dedicate an entire chapter to each character. For example, on chapter 9, the chapter is dedicated to what happens with Roger. Roger becomes friends with Arthur Dimmesdale in chapter 9. Dimmesdale is sick, and he thinks Roger is kind and suspects nothing. But Roger, who is Arthur's personal physician, begins to suspect that Dimmesdale is hiding something from him. At this part of the book, we don't know what the author plans for Dimmesdale to hide, if he even is hiding anything at all.

In his book, The Scarlet Letter, Nathaniel Hawthorne tells of a story where a young woman has had an adulterous relationship with a respected priest in a Puritan community. Typical of Hawthorne's writings is the use of imagery and symbolism. In Chapter 12, The Minister's Vigil, there are several uses of imagery when Dimmesdale, the priest, is battling with confessing his sin, which has plagued him for seven years. Three evident techniques used to personify symbolism in this chapter are the use of darkness versus light, the use of inner guilt versus confession, and lastly the use of colors (black versus white).

Hester Prynne’s exit from the jailhouse, which is marked by her external poise and determination in despite of her internal fear and apprehension, highlights her will to control her fate through regulating her own emotions in an attempt to guide the

1. As the story opens a throng is gathered.  Who are these people?  Where and why are they gathered?

“Here was the iron link of mutual crime, which neither he nor she could break.”

The characters in the Scarlet Letter are judged greatly through how and who they are able and unable to forgive. Such as the main female lead, Hester Prynne, and her struggle for the town to forgive her, finding the will to forgive herself and having God forgive her. Although, this was hard because every day she had to live with the scarlet letter upon her chest as a reminder of her sin. Another character that had one of the roughest times in the novel was Arthur Dimmesdale. This man kept a sin hidden for most of the novel and let it eat him away. The person that Dimmesdale needed to forgivehim the most was Pearl. He spent most of the novel trying to earn her beloved trust. Pearl would ask him favors to go into town with her but it

In a novel that revolves almost solely around sin, the consequences of said sin, and redemption, there is no greater sin than that of revenge. No character in The Scarlet Letter is free of sin, but all gain some sort of redemption, save one Roger Chillingworth, who is arguably the greatest sinner of them all. Hester Prynne may have committed adultery, and Arthur Dimmesdale may have also committed adultery with Hester (as a priest, no less), but sins of passion are not the same as sins of vengeance and anger. These sins of revenge and madness are what Chillingworth is guilty of, ultimately making him the worst sinner in the entire book.

The Scarlet Letter by Nathaniel Hawthorne is one of the most iconic books in history; its storyline, theme and literal characters have made an impact on the world of literature for hundreds of years. What stands out the most in the book is the use of archaic diction and figurative language, which serve to paint vivid, descriptive pictures of each character, specifically, Roger Chillingworth. In chapter nine of The Scarlet Letter, ‘The Leech”, Nathaniel Hawthorne uses setting, allusion, metaphor, irony, diction, and tone to reveal Roger Chillingworth, the town “Leech’s, evil, ominous character displayed by his actions and words.

        In reality, the Scarlet Letter is many things. It has all the characteristics of a modern-day soap opera, but it is way more than some television show cast on ABC. It could be a sermon being shouted from a church attendee, but no; the Puritans are surely not the heroes in this novel. It could be a story of failure, for there are many failures cast upon the main characters, or it could be a story of revenge from an angry husband. And, maybe it could even be a story of creativity-- the attempt of one to see their artistic side in a community who disapproves a mind of imagination. The novel could mean a multitude of things, only noticed

The setting of Nathaniel Hawthorne’s “The Scarlet letter” is crucial to the understanding of the event that takes place in the story. The setting of the story is in Salem, Massachusetts during the Puritan era. During the Puritan era, adultery was taken as a very serious sin, and this is what Hester and Dimmesdale committ with each other. Because of the sin, their lives change, Hester has to walk around in public with a Scarlet Letter “A” which stands for adultery, and she is constantly being tortured and is thought of as less than a person. Dimmesdale walks around with his sin kept as secret, because he never admits his sin, his mental state is changing, and the sin degrades his well-being. Chillingworth

The Scarlet Letter, a novel written by Nathaniel Hawthorne, is a novel that takes place in the town of Boston, Massachusetts in 1642. Hester Prynne, the main character of the story, commits the sin of adultery. Because of this sin, she is "blessed" with a child named Pearl. Her punishment is to wear a scarlet letter “A" on her chest for the rest of her life, which affects the way the townspeople look and act around her. Also, she must stand on the scaffold in the town for three hours for the whole town to recognize her grave sins. The man who should be standing upon the scaffold along with her and Pearl is the town minister, Dimmesdale. He is presented as a weak character because of his fear of losing his beloved reputation as such a holy

In the stories of The Scarlet Letter by Nathaniel Hawthorne and Frankenstein by Mary Shelley, the antagonist characters display parallel story lines through their searches for the enemy. Roger Chillingworth, the former husband of Hester Prynne and the antagonist of The Scarlet Letter, works against his wife in order to find her untold second lover. Frankenstein is a contrasting story in which an unnamed monster is the antagonist towards his human creator, Dr. Frankenstein. Yet despite quite different story lines, the two characters possess traits that exibit parallels between them. In the novel The Scarlet Letter, Roger Chillingworth displays the startling passionate characteristics of an unwavering drive to seek out his foe, madness as his focus on his search takes over his entire being, and terrible anguish when his task is unexpectedly over, all of which are reflected in the daemon created at the hand of Dr. Victor Frankenstein in Mary Shelley 's novel Frankenstein.

“Human nature will not flourish, any more than a potato, if it be planted and replanted for too long a series of generations in the same worn-out soil. My children have had other birthplaces, and, so far as their fortunes may be within my control, shall strike their roots into unaccustomed earth.” (23)-Nameless narrator’s narration

“Women belong in the kitchen.” “All women should be barefoot and pregnant.” “Women are strictly homemakers.” These are a few of the commonly used phrases regarding the female role in society that date back to the mid-seventeenth century. However, ardent supporters of gender equality have surfaced in almost every culture where this ideology is practiced. Nathaniel Hawthorne explores this inveterate societal conflict through his story The Scarlet Letter. The main character, Hester Prynne, is punished for committing adultery by being forced to wear a scarlet letter upon her bosom; Hawthorne created a story sympathetic to the female cause and demonstrated, through Hester, qualities of early feminism that later establish themselves during his

The Scarlet Letter Critical Analysis Nathaniel Hawthorne was born in 1804 in Salem, Massachusetts, the direct descendant of John Hawthorne, and a judge at the infamous Salemwitchcraft trials. The guilt that Hawthorne felt over the actions of his ancestor had an enormous impact on his writings. In his introduction of "The Scarlet Letter", Hawthorne accepts the guilt from his forefathers and offers to repent for their crimes (Waggoner, 5). This unusual way of viewing guilt and sin is one driving factor in Hawthorne's writing. The other, which is closely related to the first, is the relationship between men, and of man to humanity as a whole.