Analysis Of The Song ' Crazy Blues '

For this analysis on Louis Armstrong’s West End Blues, I am going to concentrate on Louis Armstrong and how influential he was in the birth of Swing. He was extremely innovative in the way he played his instrument. Louis Armstrong had a brilliant trumpet sound. His power, range, and his rhythmic approach are all trademarks of his playing in the 1920s and 1930s. West End Blues is still considered one of the most influential and classic pieces in the Jazz Industry. I will explain why by breaking down the song utilizing the five elements of music; form, harmony, texture, melody, and rhythm.

The Blues also became a hit in the 1920s after Mamie Smith recorded “Crazy Blues” and it grew into a huge part of the Jazz Industry. African Americans were given credit for the creation of the Blues industry of music as well. Bessie Smith was known as the “most famous of the 1920s Blues singers.”

Blues is one of the most captivating genres of music. The genre was originated in the late 1800’s as a method used by African American slaves to express the circumstances as well as to put emphasis on their feelings and emotions. In order to create these feelings in this music, blues artists incorporate many of the same techniques used to write poetry. One of the most easily identifiable songs in which it is easy to see the relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith.

Looking back at the history of Blues music, one can see the influence of the African-American community, tradition, and culture very apparent in it. The Blues music genre came into being from the songs

The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.

In the short story, Sonny’s Blues, by James Baldwin, there are two brother that live in Harlem during the Harlem Renaissance. The older brother, whose name is never mentioned, was given responsibility of Sonny by their mother before she passed away. Sonny is the younger of the two and wants to be a jazz pianist, but his older brother does not understand this, while he is an algebra school teacher. Sonny and his brother stop communicating. Later, the older brother is going to his job when he sees in the newspaper that his younger brother, Sonny, had been arrested for selling and possessing cocaine, or as it is called in the story, horse. Sonny’s brother never writes Sonny in jail until his daughter, Grace, died of polio. After Sonny gets out of jail, they begin to get close and his brother starts to appreciate Sonny’s love for jazz.

From the creation of harmonies to singing to instruments, music has been an abstract form of human expression. Although an auditory collection of pitches and volumes, musicians can manipulate the same notes and bring them alive for their audiences. The true emotion and energy that’s felt in music really comes from the player as feelings are transferred to and through the listener. This interaction between performer and the house is catharsis, the complete release of strong repressed emotions. Thanks to the musician, music has the ability to grasp people and cause them to sense emotions and feelings without lyrics or images even being necessary. Although it’s believed we can only hear with our ears, something about music makes it emotionally if not physically tangible. In James Baldwin’s short story “Sonny’s Blues,” a narrator certainly unaware of the impact of music invites himself to experience jazz for the first time. Baldwin uses the final scene of his story to argue that music has an effect on those who are able to experience it. Baldwin does this in one single moment by letting the fixed, practical minded, “well-intentioned” narrator experience catharsis from jazz as his growing, free-spirited brother communicates with him through jazz.

As this was a cover version, King probably intended for there to be a specific focus on guitar improvisation, as there are 3 different solo sections in the song.

After the American Civil War black freed-man settled in the Mississippi Delta. In the Delta each African could have their own fields. Clearing fields, preventing crops from floods, and cultivating their crops were duty of the black people. Mississippi Delta region has a significant influence in the emergence of many blues musicians. When Africans settled in the Delta, they started to record blues music. Unfortunately, recording was quite expensive for them. Therefore, less people could record in the Delta region. Jasper Love, a Clarksdale blues singer, was worked with mules to clear and farm the land. Farm bell was quite important for him because daily labor began and ended with the

A single source of blues music cannot be traced, but Ma Rainey is rightfully credited with introducing it to the world. Hence the reason she was dubbed as “The Mother of the Blues”. During an interview in the 1930s, Ma told musicologist John Work, that she heard what would be called blues, for the first time around 1902. She was in a small town in Missouri working a show at the time, and one morning a local girl came into the tent singing about a man whom had left her. This new style of soulful music drew in Ma Rainey so much she later had the girl teach her the song. Rainey performed the song as an encore in a show soon after, earning a special place in the show, and marking the start of her career (Jas Obrecht Archive).

In James Baldwin’s short story “Sonny’s Blues,” one of the most pertinent themes throughout the story is the contrast and duality of light and darkness. More specifically, the author explores this theme by using light and darkness to explain the characters coming to terms with their realities and the realities of many people who live in their community. The theme also is key in explaining the relationship between Sonny and the narrator. In this paper, I intend to explain the significance of the tension of identifying one’s reality in “Sonny’s Blues,” by exploring the many instances that Baldwin uses light and darkness to explore one’s reality.

In the story “Sonny’s Blues”, written by James Baldwin, the narrator and his younger brother, Sonny, interact with musical elements that serve as a redemption for Sonny. Baldwin believes in the power of music to rescue or minimize the suffering that people go through. Both characters isolate themselves with several instances of music and issue their reactions toward it. Sonny is an uprising musician that wants to portray his life by playing the piano. This story is about Sonny’s Blues. His sadness about his escape from his childhood, his frustration with being a musician, as well as the lack of support from his brother, when he knew that Sonny was hurting the most, are expressed through the wooden black and white keys. At first, Sonny uses

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the “race records” industry, beginning with OKeh’s recording of Mamie Smith’s

An Rhythm and Blues song by a black performer that 'crossed over' and made the pop charts: