Analysis Of The Song Lip

As the steady beat helped travel the dancer to the center of the stage, the musicians then switched to syncopated rhythms. As the syncopated rhythms would play, the performer would become more rigid in his movements. The dancer would use his wrists in sharp motions as if jerking his hands to the new beat. Also, the dancer would start off by rolling his neck in circles and this motion would transition into quick turns. The turns would start off in the squatting position and end up all

The directors endlessly drilled their individual pieces down to the very move in order to make sure that every dancer picked up the essentials. Like engine components, everybody was required to work together seamlessly and undergo maintenance in order to produce the greatest visual effect. To achieve the desired image, our directors casted us into their designed formations, deciding which part of the machine we would be. From there, it was a matter of repetition in order to ensure that the overall choreographic set kept its fluidity and would not rust over

As well as, the elements of Space I saw that the dancers had size, level, place, Directions, and Pathway. The Space from dancing it showed that the dancers were working together as a team and from the level they did a medium movement. The size from the dance show it also showed that they had their own space from a small size. The pathway from the dancers they were following each other and the way they were going in the same direction. The elements of time they had metered time, free rhythm and clock

The music accompanying each dance move was very African rooted, with drums and other percussion instruments creating a guide through each dance move. This dance based on the Candomblé religion, provides insight into the personalities of each Orixás and provides knowledge of rituals of the religion. Many of the dance moves were accompanied by the memory of an Orixás and embodied their force of nature. For example, all the dance moves for the Orixá of water, or Yemanjá, were flowy and delicate, sort of water

Although this was very important in this time the technique and movement of this era is where my real focus lies. Within this era there were 5 selected dance steps that were always used and then put together into a sequence. The 5 steps are; demi coupe, coupe, pas de bourree, temps de courante and the minuet step. All of these steps were then put together and you had do them and in a faster manor which was hard because you aren't familiar with the steps but it is a step you know

For example, the ensemble was comprised of eight male dancers instead of the traditional female dancers. With regards to the choreography, unlike the previous piece, Ballo della Regina, there were palpable unconventional movements not seen in a typical ballet like the walking in parallel feet, using the heal instead of the toe to turn, and utilizing the body as almost an automated, fast-paced machinery instead of displaying it as feathery and delicate. Furthermore, using the element of abruptness and sharpness to exhibit exotic structures and shapes of the body like chains, twists, diagonals, triangles, and boxes. The sharpness of the movements were more prevalent in the ensemble. Interestingly, the ensemble embodied an essence of the Apollonian body displaying symmetry and coordination, whereas the central dancers embodies certain aspects of the Dionysian body displaying chaos and rapidity, which complemented the absurdity of the

Usually the dancers display a clear and combustible dance language, moving through space at varying levels and elevations and facing all directions. I frequently assembled the dancers in geometric formations, including but not limited to, lines, wedges, and clusters and then I would move moved them around, not just leaving them dully in the center. Set design in my movies gave me further elements to make my dance sequences unique. I was quite fond of using ramps, ladders, poles, platforms, and staircases to use space horizontally, vertically, and diagonally. These simple structures gave my dances an extraordinary sense of

This dance consists of strategic footwork that is meticulously planned to flow along with the beat of the music. There are many components that over time, have created this dance. These components being the culture, the overall evolution of the steps in the dance over the years, and more. 1st Paragraph: History of the Dance and Culture

The spirit spoke not through words but through the language of dance, referring to moral and social doctrines of beauty, serenity, dignity, control, order, and balance. Dance movements exaggerate the powers of ordinary women and dramatized the ideals of feminine beauty. It was extremely

“Unpretty” by TLC was the song I chose for my project analysis. This song is about current issues in society. The theme of the song is a girl trying to be someone she is not to impress a guy. Young girls today will do just about everything to fit in and try to impress people. I don’t necessary agree with this song because someone should never change themselves for anyone else but themselves.

There was the evolution of the pointe shoe. Choreographers were so propelled by the new, unpredictable, story music around then that they started to change the moves to oblige it. Expressive dance turned into a great deal more specialized and gifted type of move. Amid this period of expressive dance, there was more coordinated effort between the artists and the choreographers. The choreographers made the lyrics which is the story or account thought and they choreographed the move to oblige it. They then imparted this to the performers who composed the score to oblige the story. A great deal of traditional moves was made out of four primary parts: the maxim, the female variety, the male variety and the terrific allegro. Every part gave everybody included in the generation an opportunity to truly flaunt their ability and

I think it depends on the individual choice. In today’s audience, it is no secret that vocal music dominates overall. When we listen to vocal music, the mood of the song can have you feeling one way and suddenly have you feeling another way. Eminem’s song “Stan” is a perfect example. The song has a fan writing a letter to Eminem. In the beginning, he tells Eminem how much of a big fan he was to him and has been trying to get it contact with him, while also telling him about his life and feeling sorry about the loss of one of Eminem relatives, but by the end of the song he is hurt and mad that Eminem never responded to him. Unfortunately, he takes his and his child’s mother life. The lyrics can take you up and down in vocal music. Online radio

The following dance elements were used in creating the dance performance. For example, the action element, locomotor, is shown by spinning and stepping to the left and right. Non-locomotor, on the other hand, is demonstrated by lying down, crouching, standing and drawing shapes. Each of the aforementioned actions required the use of the performer’s whole body.

In the dance, I recognized some of the movements because we have done some of them in class. Chasses, port de bras (1st, 2nd, and 5th), chaines, and pas de bourre are examples of the movements that I recognized. This dance is different from the ones done I class because of the genre. The “Shim Sham” or the “Hard Knock Life” included movements, such as the jazz walk/hands or the kick-ball-change. Whereas “An Aberrant Accord” included more smooth movements, like

This couple dancing is the representation of romantic love, but they have certain fears of this approach because they are afraid of being watched and judged. We heard voices, rumble. There is a world outside this intimacy.