Analysis Of The Story ' The Story Of Mustafa Saeed '

His selfish bias making it impossible for Amir to begin earning redemption. This is again proven when he returns to Pakistan to visit Rahim Khan. Rahim Khan pleads with him to try and get Amir to rescue Sohrab, his nephew, from Kabul, but Amir refuses: “‘you know,’ Rahim Khan said, “one time, when you weren’t around, your father and I were talking. And you know how he always worried about you in those days. I remember he said to me, ‘Rahim, a boy who won’t stand up for himself becomes a man you can’t stand up to anything’ I wonder, is that what you’ve become?’ I dropped my eyes. […] Finally, I settled for this: ‘Maybe Baba was right’” (Hosseini, 221). When given the choice to defend his honour and go rescue a young boy, or insult himself and look at the world through a negative lense, Amir chooses to adopt an incredibly negative persona, as per his past. He chooses to refuse the opportunity to experience empathy and relate to Rahim Khan’s desperation and pain, and instead drives a wedge between their relationship. Pushing himself further away from the redemption he craves so desperately. As a fear of empathy inhibits one’s ability to find redemption and uphold healthy relationships.

One implication as a result of the biggest known migration of human beings in history is that there is little documentation of individuals from the African Slave Trade. As such a familiar occurrence in history, there is little to be known about the individual experiences of captives during this horrific time. Randy Sparks, author of The Two Princes of Calabar, ends the silence as he provides the reader with a glimpse into an eighteenth century odyssey, and first hand account to the trading communities along the coast of West Africa. This trade not only transported people, but the exchange of ideas is also present across and around the Atlantic. The novel tells the story of two young men from Nigeria who are from an elite slave trading family. These men were captured by Europeans and sold into slavery until they were ultimately released back to their homeland. The Two Princes of Calabar offers insight into the complexities that existed in the transracial Atlantic world of the eighteenth century through the themes of privilege, gender bias, and the mistreatment of the enslaved.

As time passed, European domination drastically altered the African landscape – both physically and culturally. Traditional roles, practices, and beliefs were either completely subverted or modified to fall in line with European cultural ideals. Doubtlessly, this process of subjugation worked to the detriment of native populations throughout the continent. Even though all members of indigenous communities have suffered under this system, African women remain especially vulnerable to its harmful effects. As Mary Kolawole points out in her comprehensive work, Womanism and African Consciousness, these women must confront a set of oppressions unique to their position as both black Africans and women. During her discussion of African women’s current struggle for recognition, Kolawole argues that, although colonialism displaced many African traditions, the patriarchal social structure remained. In many ways, she holds, European colonization widened the rift between African men and women even further (Kolawole 34). Although African and European traditions share in the elevation of the male over the female, most African cultures offered women a greater position of respect within society, as well as more “positive avenues of self-liberation” than were available to European women

Amir’s mother, Sofia, dies in childbirth; Amir inherits her love of literature and probably her looks to some extent, but, her being dead, never receives any motherly love or guidance, which could have helped him out of the cowardly hole he later digs himself into. Amir’s father’s best friend and business partner, Rahim Khan, tries to give Amir the motherly love he clearly needs, fostering Amir’s love of writing and steadfastly standing up for him when Amir’s father, Baba, criticizes him, but Rahim Khan does not do enough to instill honesty, courage, and strength of conviction in young Amir. Amir’s best friend, Hassan, a servant a year younger than Amir, is everything Amir is not: athletic, brave, loyal, honest, and kind, inciting jealousy in Amir. Assef, a local bully, poses a real threat to Amir, hating Amir for the crime of befriending a Hazara (oppressed ethnic minority), but Amir is protected by Hassan, allowing young Amir to freeze and not stand up for himself in Assef’s presence. Last, but most importantly, is Amir’s father, Baba, and his views on Amir: he blames Amir for Sofia’s death,

Born in Kabul, Afghanistan, Amir was the son of a wealthy social worker. He was brought up with the son of his servant, and perhaps his only best friend, Hassan. Amir had a rocky relation with his father. At times, it seemed as his father loved him but those moments didn’t lasted forever. He thinks Baba (his father) wishes Amir were more like him, and that Baba holds him responsible for killing his mother, who died during his birth. Despite being best friends, Amir thinks that Hassan is beneath him because he belonged to an inferior cast. He used to mock him jokingly or tried to outsmart him. In all fairness, it was Amir’s cowardly nature that

The main point of the story of Rahab is that God rewards people, regardless of their station or past sins, who put their faith in Him.

Amirs father, Baba, is a strong man very set in his ways. He represents the independent culture of old Afghanistan. He instills his ideals of masculinity on Amir, and believes he should be stronger, more sports oriented, and able to stand up for himself. “Of

Chraibi’s book Muhammad: A Novel is a fantastic, powerful read because it is just that: a novel. It is a fictional story, but written by an author who had an unusual, mystical calling himself to write the book. By using original aspects from the traditional biographies of Muhammad and then adding his own personal, esoteric twist on these characteristics, Chraibi creates a work of literature that is truly compelling and shows Muhammad’s journey to becoming a prophet in a mystical light. Two central distinctions, namely Muhammad’s relations with Khadija and Bahira, add the spice in this novel that really help the reader grasp what is mystical about both this literature and most importantly, Muhammad himself.

Written by Tayeb Salih, the novel ‘Season of Migration to the North’ as described by The Observer “is an Arabian Nights in reverse, enclosing a pithy moral about international misconceptions and delusions.” The novel is set both in England and the Sudan, showing the stark social differences within these two locations. In this essay, I will evaluate the reasons supporting and opposing Mahjoub’s statement as defined in ‘Season of Migration to the North’.

The historical novel Segu by Maryse Condé is set in the African country of Segu during a time of great cultural change. The African Slave Trade, the spread of Islam, and personal identity challenges were all tremendous and far-reaching issues facing Africa from the late 1700s to early 1800s. Condé uses the four brothers of the Traore family, Tiekoro, Malobali, Siga, and Naba, to demonstrate the impact that the issues of Islam, slave trade, and identity had on African people through the development of each character. The oldest of the sons, Tiekoro exemplifies the influence and spread of Islam through out Africa at the time.

"Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu" (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new

Explore the relationship between Mustafa and the narrator in Season of Migration to the North.

“Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu” (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new trade in the nineteenth

In Season of Migration to the North, was written refers to 1898 when Great Britain started the occupations in Sudan. The narrative explained the questions that everyone asked him when he came back from London. “They say that women are unveiled and dance openly with men, it’s true” (4) Wad Rayyes asked. Women in the village did not have this freedom. This idea contrasts with what Mustafa explained his experience in the West. Mustafa was described as an inhuman genius and has a hobby of seducing women. He was educated and successful in both Britain and Sudan. He was the only child of a camel trader who died before he was born. Mustafa volunteered to go to school after the conversation he had with the government official. He liked the official’s hat saying “Will I wear a turban like that?” (19). He wanted to

The fictional accounts of women’s experiences in Fadia Faqir’s, Pillars of Salt, illustrate issues articulated by women’s rights activists in the Middle East. Traditional roles of women and men and a mythology of femininity and masculinity are juxtaposed with the disparate realities of the characters. The damaging forces of colonial rule, war, and Westernization are also exposed.