Analysis Of The Stranger By Albert Camus

In Albert Camus’s work of literature The Stranger, the characterization of Meursault plays and valuable role in outlining the meaning of this novel. Meursault is the main character in this book and the story follows a part of his life form his first person point of view. Meursault, like the author, does not believe in God, or any religion for that matter. Throughout this story it is revealed that meursault lives a highly indifferent life, and physical impulses such as sex and smoking make him happy. Meursault is tried for the murder of an Arab, but the court case is unusual in the fact that it is based on evidence and character witnesses. Because Meursault finds no value or meaning in life it brings questions of moral into his

In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

Albert Camus took readers into the mind of a sociopath with the novel The Stranger. In the first sentence of the novel, the reader found out that the protagonist’s mother had passed away. The son, Meursault, was first viewed as shocked of the tragic death, but as the novel progressed Meursault’s reactions were actually a result of his emotionless nature. Throughout the novel, the reader is captivated and horrified by Meursault's disconnected temperament. In the course of going through his Mother’s death, helping his friend attack a helpless woman, and feeling like he does not have anything to live for creates a tone for the entire novel that was felt right away in the first sentence on the first page of Camus’ text.

“I looked up at the mass of signs and stars in the night sky and laid myself open for the first time to the benign indifference of the world.” — Albert Camus, The Stranger

In the novel, The Stranger, by Albert Camus, Camus uses a variety of literary devices in order to create a moment of inward reflection from readers, in which we reflect on just how absurd our existence is. Camus expresses his critique through one major character, Meursault, and a few minor characters as well. Camus’s use of irony pushed readers to look beyond the surface, and come to the conclusion of where the irony was displayed. Camus also made use of ironic moments in order to contrast the expectations of society, to how Meursault differs from that, all to gradually expose the hypocrisy of mankind. Camus generally uses this literary device in order make us evaluate our own selves and more importantly to display the fact that we as people can be truly happy, only if we accept our fate, instead of fighting it. In a way, he’s suggesting we be more like Meursault. Examples of this would be the funeral caretaker insisting that Meursault view his mother's body, and Meursault continuously refusing. Camus does this to make people think: what exactly is wrong with Meursault not wanting to see his dead mother? Through this technique camus shows societal expectations of how people are supposed to mourn lost, and certain responses to lost are deemed abnormal. Thus Meursault’s lack of grief automatically made him an outsider. Other uses of irony can be shown through Meursault's interactions with the chaplain, and the authority involved in his criminal case played out later on in the

“Maman died today. Or yesterday maybe, I don 't know. I got a telegram from the home: ‘Mother deceased. Funeral tomorrow. Faithfully yours.’ That doesn 't mean anything. Maybe it was yesterday.” (1.1.1) In The Stranger, Albert Camus sets the stage for the character of Meursault. Meursault, being the main character, portrays an individual who struggles with himself in functioning and reacting to daily situations. Meursault views the world with lack of meaning and disregard to the meaning of human life. His lack of remorse for his mother’s death is just one example of Meursault 's absurd behavior. However, the absurdity is heightened when he is put on

This essay will focus on The Stranger by Albert Camus. The literary focus of this essay will be on Meursault’s indifference and lack of empathy. The context for this essay is Camus’ ability to convey Meursault’s emotions through his first person narrative and diction and how Camus can also, however, show Meursault’s suppressed emotions with symbolism. Camus is able to illustrate these ideas to the reader, as well as how it develops the plot for Meursault, and how his character’s indifference also changed as the plot progresses. Camus utilizes first person narrative and diction to articulate Meursault’s lack of empathy and concern, as well as employing symbolism where he wants to show other emotions that Meursault still feels and acknowledges within himself.

In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as amoral if he was judged on the basis of his actions alone. However, through Camus’s use of a first-person narrative, one can began to understand Meursault as not an amoral man, but simply an indifferent one that did not fit within societies expectations. It took a tragedy in order for Meursault to realize that he needed others.

Throughout the Stranger, a Nobel Prize piece of literature written by Albert Camus, we are situated as readers in the place of a first person narrative. The novel explicates Meursault’s role before and after the murder of his mother in very philosophical viewpoints. Camus depicts Meursault through sadness, isolation, passivity, and most importantly his religious disbeliefs.

Albert Camus introduces the novel The Stranger in an absurd way. He purposely lets the reader know that the main character Meursault has no care for life. To him the only thing that derives from life is death, so what does, or does not happen is of no concern to Meursault. Not only does he not care about the life of others, he especially does not care about his own. This state of mind ultimately leads him to his own demise and death, which is ironic but yet revealing of Albert Camus's message.

he novel The Stranger written by The French author Albert Camus was published in 1942. The author wrote about what he felt and his views on the world and society. He had very unconventional ideas about morality and believed that life has no rational meaning. These ideas and thoughts are what make this book absurd and very eccentric. Camus' philosophy led to what was later known as Absurdism. Absurdism is the need to look for a meaning to life and their inability to find one

In The Stranger, Albert Camus allows the main character to tell the story in order to give the reader an experience of his own. Obviously, with a novel also comes language, which Camus incorporates cleverly as a way to indirectly illustrate Meursault’s thoughts about certain situations. Although the novel represents a postmodern setting, the author shifts the overall meaning. In The Stranger, Camus applies a unique literary style as a power that deflects blame from Meursault, the antiheroic character. In order to disclaim the fault of Meursault, Camus incorporates several instances in which he leaves a greater sense of authority to nonliving objects, while further drawing attention away from the main character. Based on the implication of

The novel The Stranger, by Albert Camus, translated by Matthew Ward, follows the story of a man, Meursault, and how his emotionless way of living and his one grave mistake ends up killing him through a court of law. Throughout his journey, there is tension in him, and between him and other people and groups. This tension is represented throughout this novel with the motif is heat. And as tension can grow and is part of everyday life, it is part of Meursault’s as well. Furthermore, through tension and it growing, it can result in a conflict of multiple varieties. This motif comes up at scenes such as the trial in the courtroom, the conflict on the beach with the Arabs, and the magistrate and his heated argument. And due to Camus specific placement of the motif during these scenes, it also foreshadows conflict and trouble throughout the novel. Camus’ motif of heat shows a tension between opposing sides to foreshadow various types of conflict which demonstrate the theme that tension leads to conflict.

“Life has to be given a meaning because of the obvious fact that it has no meaning.” Henry Miller