Analysis Of ' The Tin Box And The Handsome Prince '

Fairy tales are magical stories about fantasized beings and happy endings. They are told orally and are also found in a literal form. Disney was one of the milestones in the American history of fairy tale stories. With out Walt Disney there would not be more than 70 years of “classy cartoons”. Not only Americans are influenced by these fairy tales, we can conclude that over 50% of the world has an idea of this “American dream” of life that is portrayed.

Given that his stance on the ownership of fairy tales is strikingly different from the prevalent, popular opinion that “establishes fairy tales as national property”(355) or is “thought to reach back like sacred works”(353), by positioning his own belief of “Individual Ownership of Fairy Tales”(362) towards his conclusion, Haase gains a terrific advantage in being able to persuade the reader, since the alternatives, “Revered Place of Folklore”(353), “The Nationalistic View of Folklore”(354), “Vessels of purportedly universal human truths”(358), have all been rendered sufficiently unsound. Had Haase not used this particular stratagem, he would have opened up his essay to a lot of speculation, skepticism, assumptions and even repudiation. If he were to present his case differently, say chronologically tracking the ideas of ownership throughout history, it would be interesting to see whether the inference that a reader drew from the essay or his ultimate acceptance of Haase’s view would be entirely so straightforward. He is also completely humorless while writing about fairytales, failing to inculcate wit, sarcasm, quips, lively phrases, or even scholarly badinage, in any shape or form, which is a rather curious departure from the amusing perception of the subject at hand. This, however,

In the piece “Yours, Mine, or Ours?, Donald Haase discusses on the ownership of fairytales. Fairy Tales originate from folklore, described as traditional art, literature, knowledge, and practices that are passed on in large part through oral communication. With fairytale's being passed down through generations its new ‘authors’ take ownership of them. Ownership impacts the reception of the fairytale and determines how the audience reads and interprets it. Haase discuss how fairytales are suppose to show and tell what is true and what is acceptable in the context it was written in. With fairytales being changed the reader is exposed to a different moral and purpose with its telling. Haase concludes by informing that fairy tales belong to everyone and that we must take

In this section I will shortly outline the origin of the literary fairy tale and its features as a genre. I will then discuss how, despite heavy feminist criticism, the genre gained popularity among late twentieth-century feminist writers.

In Tatar’s article, An Introduction to Fairy Tales, she draws us in by describing childhood books as “sacred objects.” She takes a quote from Arthur Schlesinger, Jr. describing how the stories give lessons about what a child subconsciously knows - “that human nature is not innately good, that conflict is real, that life is harsh before it is happy - and thereby reassure them about their own fears and their own sense of self,” (Tatar 306). She describes how many adults long for the simplicity of enjoying those stories in their childhoods, only to realize that they outgrew them, and instead have been introduced to reality. The original stories were more for adults rather than for children. Nowadays, stories have been adapted to be more suitable for children. Fairy tales may allow a kid to wonder due to their charm, but they also can

Fairy takes are the primary information of the culture. They delineate the roles, interactions, and values which are available to us. They are our childhood models, and their fearful, dreadful, content terrorizes us into submission- if we do not become good, evil will destroy us; if we do not achieve the happy ending, then we will frown in the chaos (34-35).

Tiek’s “fairy tale” of Eckbert the fair strays from the classical conception of style given to modern fairy tales. Fairy tales are often associated with several defining characteristics; extra-ordinary circumstances, “happy endings” and a moral to be learned. While Tieck’s tale does obey two of these three guidelines, he does so in a negative manor going the opposite way of twentieth century thought. Tiek’s protagonist Eckbert is first and foremost described as “…little more than medium height with short, light blond hair that hung in a plain fashion, closely framing his pale, drawn face.” (pg.35). Eckbert is, normal, plain and pale. Average in more

The extent to which the Lais of Marie de France can be categorized as fairy tales is dependent on the definition of “fairy tale.” Using various scholars’ definitions of “fairy tale” and conceptions of the fairy tale genre, criteria for “fairy tales” arises. Then, close-readings of three lais, “Guigemar”, “Lanval” and “Yonec”, are used as a mechanism for meeting or failing the criteria. This methodology is then evaluated and problematized. The criterion for fairy tales includes origin, form, content, style, and meaning. Etymologically, the word ‘fairy tale’ has disputed origins. Supposedly, it comes from the French “contes des fees” or “tales about fairies”, popular in French courts and salons in the seventeenth century. However, Jack Zipes argues that “conte féerique” actually translates to “fairy tales” and refers to narrative form, rather than content.

“Cinderella Man” is a movie starring the characters James J. Braddock, the main boxer, Mae Braddock, James’ wife, Joe Gould, James’ boxing manager, and Max Baer, James’ hardest opponent. This story took place in New York and New Jersey during the 1930s, when the Depression struck America. This film is an action film for the intensity of the boxing and fighting, but also a drama film for the misery and problems that came with the Depression and the rivalry between James and his opponents. “Cinderella Man” has real-life events that took place about 80 years ago.

The film Cinderella Man was about a boxer name James Braddock and his struggles through the great depression. Through boxing Braddock gave hope to the people who faced the great depression just as he did. He gave them a type of hope that nurtured them to thinking that they would persevere through the hardship just as he did with his boxing career. From an audience perspective this film earned a 5 out of 5 stars rating because director Ron Howard served his purpose well by not only developing a boxing film that did not just only acknowledge the perseverance about the sport side of things. The director Howard showed adversity and many aspects in the film such as Braddock’s struggles with his wife, kids, career, and friends. In essence Howard was able to incorporate how the great depression played a magnificent role in everything that occurred.

From a surface level, Atwood parodies the unrealistic simplicity that fairytale-like stories present. As children, readers are accustomed to stories with happy endings; two people fall in love, any problems are solved, and all of the loose ends are tied up in the end. As these readers become adults, however, they realize that life is not

Cinderella Man is a famous, nonfiction film that was directed by Ron Howard and produced in 2005. The timing of the production of this film can strike as interesting, and maybe even odd; this is because the film begins in the times of the roaring 20’s, when the United States experienced a peak in economic successes. However, the 20’s is not the only developed time period, rather, it is the 30’s that most of the action in the film protagonists’ story will take place. Jim Braddock, a well known, wealthy, married man takes the lead position to show audiences the first-hand impact that the Great Depression had on families of all backgrounds. Braddock's riches-to-rags-to-riches story has inspired the value behind family and hard work and brought hope to his neighbors and fans who found themselves also struggling to find work and pay their bills during one of the greatest the economic downturns in history.

In Margaret Atwood’s poem “There Was Once”, Atwood uses irony to point out the societal problems within the genre of fairy tales. Charles Perrault, the author of the short story “The Sleeping Beauty in the Wood”, writes about fantastic creatures, magic, and love, following the generic conventions of fairy tales. When compared to Perrault’s short story “The Sleeping Beauty in the Wood”, Atwood’s poem both compliments and contrasts Perrault’s. These two texts, although similar, offer different views on the genre of fairy tales.

“ The Serial Garden” by Joan Aiken shatters our expectations of a fairy tale, but also meets some of them. “ Her dress was white satin, embroidered with pearls, and swept the ground; she had a gold scarf, and her hair, dressed high and powdered, was confined in a small gold - and - pearl tiara.” “I am princess Sophia Maria Louisa of Saxe- Hoffenpoffen- und- Hamster. ” As a result of

Fairy Folk Tales are the most popular types of literature. The tale is an orally transmitted tradition by generations through the time; some events are changed to fit reality and society. Folk fairy tales deal with the dualism of the good and the evil. They are basing on a conflict between the good and the evil forces. The conclusion comes from aspirations of the human desire to achieve the justices. There are no known authors and sources for ancient’s literature. We have many versions of the story; they are credited by many authors later. Each tale is very like some other culture’s tale. Each culture has own tales, but all the tales are similarities and differences in some points. This essay will compare between two fairy tales, “Cinderella” and “In the Land of Small Dragon”. The tale of Cinderella is a French tale. It is credited by Charles Perrault; it is published in 1697. The in the Land of Small Dragon is a Vietnamese folktale; it is told by Dang Manh Kha in 1979.