Analysis Of The Villa Paul Poiret In France

In 1790 George Washington had hired Pierre L’Enfant to plan the city and design the presidential home. The plan by L’Enfant’s plan was four times larger than the structure that is standing today. By 1792 L`Enfant had been dismissed due to his exceedingly dominant handling of the city plans. In the absence of the original architect a competition began to select the new architect of the presidential house. James Hoban and Irish American was chosen after winning over George Washington with his personality and designs.

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

Elizabeth Bay house that was built between 1835 and 1839 as the home of Alexander Macleay became one of the Australian historic houses and opened as a museum in 1977. This is a critical analysis of comparing and contrasting between the historic and contemporary design. The first object that has been chosen from Elizabeth Bay house was the ‘cabinet’ (picture 1) that was made for Alexander Macleay in the late 18th century and the second object is contemporary cabinet which is called “Delphine Cabinet” (picture 2) made by the company named Coco Republic design. In this critical analysis, firstly it will demonstrate the detail information of each item. Secondly, it will explain the significance between the two objects that related to the international design movement during their time.

The University of Tampa and The Renaissance architecture: How an obsolete hotel and sense of individualism shaped the campus’s future design Without any doubt the architecture of University of Tampa buildings is among the most spectacular designs within Tampa Bay. If you walk through the campus it is almost impossible not to notice the round arches, the pointed domes, and the Herringbone brickwork. The architecture methods are immensely similar to the classical revival period of Renaissance art. But what made the UT campus look what it does today? Why is there always an inevitable sense of renaissance architecture present?

Throughout this essay I will explore to what extent Inigo Jones’s design for the Queens House was inspired by the works of Palladio and Palladian architecture and 15-16th century European architectural precedents, while also exploring the role the building played on the development of Neoclassical architecture on a wider scale. The Queens House represents the stylistic point of origin for the great imposing buildings surrounding Greenwich but also for Neo-Classical architecture in Britain more generally. The formative years of the designer, Inigo Jones (1573-1652) is largely unknown although its believed he trained as a joiner and received no formal architectural education. Its documented that in the year 1597 he visited Italy several

Think about Detroit and what it is today, would you have thought that Detroit’s skyline was the greatest in the world for architectural style? Well, you may have to change your mind. The roaring twenties were a time of growth and great economic wealth for many places, especially the United States and Europe. With new technology anything could happen as some would say it. Automobiles were very important and started to grow in the eyes of manufacturers and consumers. Detroit was growing with industrial and commercial spirit, big in the automotive business, Detroit had many jobs and factories inside the city limits. The country was on the rise and nothing could knock it down, the Art Deco architecture style was at its peak during the 1920’s. People say not to judge a book by its cover, don’t judge Detroit by what it is now, open the book to see that the motor city has a great history and this building is a part of it.

By 1948, Chicago was well recognized as an architecturally rich city, in particular due to all the important skyscraper buildings that the city hosted. Mies’ first skyscraper design to be built came in 1949 when he designed The Promontory Apartments. Mies’ first approach at high-rise buildings was a clear foreshadow for the Lakeshore Drive Apartments. “Notably, it was the first tall building to exhibit its construction materials.” The Lakeshore Drive Apartments, “renowned for their structural clarity and composition,” used common materials

Neo-classical designs with a touch of Romanesque, hence the pillars and the A-line pitched roof, the dome on top of the roof and Modern design from the use of brick facade. The home also has bay style walls to show somewhat of a roundest to it, but not like the other structures as mentioned above. The columns used on this house seem to be more of Ionic order, slender fluted pillars.

The “Five Points of Modern Architecture” was a manifesto for architecture written in 1926 by Charles-Edouard Jeanerette – better known as Le Corbusier - emphasizing what he believed were five principles that any building meant to be modern should have. One building which exemplifies each of these points is Corbusier’s own Villa Savoye, built 1929-31 in Poissy, France. Corbusier’s first point of modern architecture is known as inclusion of ‘pilotis’. Pilotis refers to Corbusier’s innovative idea of a vertical support system used to hold the horizontal planes of a structure. In Villa Savoye, this can be clearly seen in both interior and exterior by the rounded pillars holding up the floors and roof, essentially elevating the home and

The second is the Yale's Art and Architecture Building, designed in 1958 by architect Paul Rudolph. This building was an exploration of scale and space, bringing the urban and site context to the forefront of the architect. Using light and dynamic texturing of the facades to deliver a building that may have been before its time.

One of the great architects in time was Andrea Palladio, who was made famous for his magnificent Villas built in Italy in the fifteen hundreds. To do so he drew from the Greek and Roman’s architecture, studying many of their finest works, to create his masterful villas. This process would develop into a style of architecture, which became known as Palladianism. This style has inspired buildings which have dominated the landscape for the last four hundred years. These buildings include: English castles, American public buildings, Swiss railroad stations, Spanish libraries, Tuscan villas and Canadian hotels. Many of these buildings are considered to be the great buildings of the world.

Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.

Harry and Mairea Gullichsen, the owners of this villa provided Aalto a chance to express his thoughts of transformation from traditional to modern architecture. This villa is actually a mixture of timber strips, brick wall and also rendered masonry. It is not only consist of the traditional Finnish vernacular and modern design, but also the influence of the English and Japanese architecture. This can be seen in the sauna of this villa, which is built with wooden walls and flat grass roof, just like a Japanese tea house. (Richard Weston, 2004)

The five principles of architecture that Le Corbusier proposed in 1923 can be noted in, not only Le Corbusier’s work, but also in other modern architecture, because each principle contributes to the overall aesthetic of the building, as well as providing a functional use. However, all five principles don’t have to be incorporated into one design, which is what this essay will explore. It will attempt to show that one principle can prevail over the other four, but all five are needed to create a full representation of Le Corbusier’s envision of architecture. This is shown through Le Corbusier’s villas, specifically the Villa Shodhan and this essay will analyse how the principles contrast against one another. Furthermore, a small scale design project will be created alongside the essay in an attempt to produce a unique villa through the embodiment of Le Corbusier’s five principles of architecture. Through further analysis of the Villa Shodhan I will also argue that not all principles are independent and that some principles can function efficiently without the rest. Nonetheless, Le Corbusier’s most renowned villa, Villa Savoye, utilizes all five principles; therefore, it is the most accurate image of Le Corbusier’s five principles of architecture. However, after this villa had been completed it became clear that the flat roof, which served a domestic purpose as a roof garden had failed

The crowning jewel of Mannerist Architecture is Saint Peter’s Basilica in Rome. This great structure is the out come of a series of classical revival styles that were established and developed during this course in history. This was a time where famous architects like Brunelleschi and Michelangelo were pushing boundaries and testing new waters. Architecture of the time was seeking to express the culture and religion through evermore ornamented and magnificent