Analysis Of The Yellow Wallpaper By Charlotte Perkins

"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately

    "The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.

In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends

Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.

The yellow wallpaper is a symbol of oppression in a woman who felt her duties were limited as a wife and mother. The wallpaper shows a sign of female imprisonment. Since the wallpaper is always near her, the narrator begins to analyze the reasoning behind it. Over time, she begins to realize someone is behind the

The yellow wallpaper involves a narrator’s battle with depression. Moving to a colonial mansion for the summer, the narrator experiences the limitations and frustrations a regular woman could go through during the 19th century. In Charlotte Gillman’s story, women are depicted as being under the control of their husbands, giving the husband full of authority on his wife’s life. In The Yellow Wallpaper the wife tells us “so I take phosphates, and air and exercise and I am absolutely

They were kept at home and controlled by their husbands. Many weren’t supposed to read or write, instead they were supposed to clean. Throughout the short story “The Yellow Wallpaper”, the author, Charlotte Perkins, uses the narrator’s downward spiral towards insanity and the symbolism of the room to express how society treated women at this time and how mental health

Within the medical community, doctors often neglected women 's health during the nineteenth century. Society viewed women as weak and fragile beings making them more susceptible to illness. Surprisingly some believed that women could consciously control their sickness to gain attention or to avoid their womanly duties (Poirier 16). Silas Weir Mitchell was a well-known neurologist during Gilman 's life. He made many medical discoveries during his career along with creating treatment for locomotor ataxia (a nervous disease), neurotic women, and gunshot wounds that disrupted the nervous systems (Poirier 17). This procedure, called the Rest Cure, consists of the patient resting and exerting as little energy as possible alongside maintaining a balanced diet. Gillman personally visited Mitchell in seek of help during a time of great depression post the birth of her daughter. However, his treatment did not help but, caused her almost to lose her sanity. Gillman addresses Mitchel in her literature "John says if I don’t pick up faster he shall send me to Weir Mitchell in the fall. But I don’t want to go there at all. I had a friend who was in his hands once, and she says he is just like John and my brother (Gilman 197)." Janes husband, brother, and Mitchell are alike in the fact they all believe a woman 's hysteria correlates with their sex. These men also agree in one form of treatment: isolation, rest, and food. Showing that men of

She can not be with her baby, unable to provide for him. Instead Mary, the nanny, handles all aspects regarding the baby. “It is fortunate Mary is so good with the baby. Such a dear baby! And yet I cannot be with him, it make me so nervous.” (1037). As Jane can not be with her baby, this gives her a negative social reassure that even though the baby is okay she becomes socially confined since she can not be with her baby. Jane is even more so socially restricted when she wishes to visit her family, but John will not allow her to visit them. “… I wish he would let me go and make a visit to Cousin Henry and Julia. But he said I wasn’t able to go…”

In "The Yellow Wallpaper", Charlotte Perkins Gillman illustrates a series of issues faced by women in the 19th and 20th century, but one of the most important issues discussed is not the woman's place in a patriarchal society, but the attitude society has in regards to women's health and women's mental health. Gilman uses "the wallpaper" to explore the depths of the traditional house wife's psyche and the response society has to it. Throughout the story, the main character, who’s name is unknown, talks about being "sick" and having a "condition".  

Jane is in an unstable emotional state. Her mood swings cause her anxiety and make her feel helpless and out of control when dealing with her moods. She goes through periods of

As seen with Jane she displayed, and as well reported several features associated with MDD. For example, Jane appeared to be in high distress and as well extremely sad. Jane sat with her head positioned low and held a blank expression as if she was going to cry. Jane reported changes in her diet, which consisted of binge eating and described feelings of worthlessness. Jane explained her symptoms lasting for an extended period and usually experienced after a loss of a friend.

Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a detailed account of the author’s battle with depression and mental illness. Gilman’s state of mental illness and delusion is portrayed in this narrative essay. Through her account of this debilitating illness, the reader is able to relate her behavior and thoughts to that of an insane patient in an asylum. She exhibits the same type of thought processes and behaviors that are characteristic of this kind of person. In addition, she is constantly treated by those surrounding her as if she were actually in some form of mental hospital.