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Analysis Of Time Out Of Joint By Philip K. Dick

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Moral power held by literature or art has often crushed against some form of material power and censorship. For instance, books against the ideas of the Nazi regime such as Marx’s “The Communist Manifesto” were burnt in the Nazi’s book burning of 1933 and The Bible is currently banned from North Korea. Authors have therefore been pressured into finding a method to avoid the strict restrictions forced by material power. Philip K. Dick writes his novel “Time Out of Joint” at the end of the 1950s, years characterized by the peak of Cold War and, in America, by a collective hysteria that led to the “Communist witch hunt.” Notwithstanding these difficulties, Dick found a loophole in the censorship imposed by material power and he developed his …show more content…

In Time out of Joint, the author uses fiction to freely express his opinion on reality. In fact, I can interpret the war between the Lunatics and Earth people as a symbolic reference to the Cold War where the Lunatics represent the USSR and Earth people America. Dick’s criticism of the war in the book is evident thanks to the emphasis on Earth people’s lack of morals and the deleterious effects of the anti-communist hysteria. For example, when Dick writes: “In the concentration camps, the captured lunatics underwent a systematic brainwashing, but of course it was never called that. This was education along new lines, a freeing of the individual from prejudices, malformed convictions, from neurotic obsessions and fixed ideas,” he is using irony to make us understand his disapproval of the “brainwash” that results in an alignment of people’s ideas and a complete lack of critical thinking. However, as Dick is using the War in the novel as a symbolic remainder of the situation in America in the 1960s, I can infer that he is alluding to the “brainwashed” Americans believing what the government was claiming rather than crafting their own critical opinion on the War and on Communism.
Philip K. Dick also criticizes different facets of the American society in the 1950s. By

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