Analysis Of Truman Capote 's ' Cold Blood '

Truman Capote's "In Cold Blood" is the story of Perry and Dick and the night of November 15, 1959. This investigative, fast-paced and straightforward documentary provides a commentary on the nature of American violence and examines the details of  the motiveless murders of four members of the Clutter family and the investigation that led to the capture, trial, and execution of the killers.

The book, “In Cold Blood”, is a nonfiction story by Truman Capote. This book presents one of the worst murders in history. It was a best seller worldwide, and turned into a successful movie. As usual the movie does not stand up to the book. If you want more knowledge of the townspeople, victims and more insight into the trial, more background details of the murders, you should read the book. If you are interested in history and a good murder mystery all in the confines of a book cover, read In Cold Blood by Truman Capote.

Truman Capote saw Perry as being superior to others in his uniqueness and, since he is “absent” from the novel, expressed this opinion in Willie-Jay’s character accounts of Perry. After asserting Willie-Jay’s legitimacy, Capote presents the farewell letter that Willie-Jay wrote to Perry. In it, Willie-Jay analyzes Perry in a psychologist-like manner; he writes:

What the readers know of Dick’s past is very little, as Capote works to characterize him through flashbacks the readers know it was his plan to kill the Clutters and he does have some family “there were those Dick claimed to love: three sons, a mother, a father, a brother—persons he hadn’t dare confide his plan to(Capote 106).” But Capote characterizes Dick more so through descriptions of his habits than through his memories. “Inez was a prostitute…she was eighteen and Dick had promised to marry her. But he had also promised to marry Maria, a women of fifty who was a widow of a very rich banker(Capote 118-119)” Dick is shown throughout the book as someone who uses people to get what he wants, he calls on Perry to help him with his plan, he uses women for sex and money while making promises he never intends to keep. “If he knew Dick, and he did—now he did—would spend the money right away on vodka and women(Capote 119). Capote does not draw any sympathy from the readers, Dick is perceived as an emotionless man who pretends to believe in people and want the same

He verbally demands to be removed from the conversation. He also subtly bullies Perry by calling him a baby for mentioning his worries. Dick finds Perry’s confusion and commentary rather irritating because it is a reminder of the murder.

Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.

The dynamic partnership between Dick and Perry stems from their egos, or lack thereof. Perry is especially self-conscious, and his behavior as presented in the book is due to his sense of lacking and

Aren’t we all a bit crazy at times? In Truman Capote’s rhetorical masterpiece, In Cold Blood, is about a murder that actually occurred in a small town in Kansas. Richard Hickock and Perry Smith, also known as Dick and Perry, are the criminal minds behind the murder. Capote’s work is regarded to as a masterpiece because he uses many rhetorical devices to convey his message. He uses rhetorical devices such as diction, imagery and pathos. Capote’s purpose for writing the book is to show the insights of what goes on in these two’s criminal minds and to humanize Perry.

The dynamic between Dick and Perry was always fragile and dominated by a need to determine who was more masculine, who was in charge. This is made easier by simply blaming the other one for any negative consequences. Dick and Perry weren't particularly fond of one another; they had differing hopes, long-term goals, and motives. A dynamic as fragile as this was easily shattered after their arrests, leading to quick confessions and a solution to the puzzling quadruple

The mistrusting and puzzled tones in In Cold Blood by Truman Capote reflects the confusing thoughts of Dick while Perry was telling about his mysterious adventurous with his friend King. While Perry and King were out for a drive, Perry purposely strike with a chain at King’s face not knowing if he had murder him or not, he just left him there like a dog.

create a novel out of an actual event. He had thousands of notes on the subject,

In the final months of 1959, the Clutter family was brutally murdered in their Holcomb, Kansas, home. Reports of their murders made national news. One of these headlines captured the attention of Truman Capote who chose to pursue the story further; eventually, after years of research and thousands of pages of notes, he penned In Cold Blood. It was first published in 1966, and it found immediate success. Capote’s original storytelling methods combined with the sensationalism of the crime was instrumental in creating, at the very least, popularizing a new genre: creative nonfiction. Utilizing unique narrative structure and author-tainted character development, Capote weaves a tale that questions the authenticity, the intent, and the meaning of justice.

One of the most interesting passages in In Cold Blood is when Perry describes to us a dream he had when he was younger. It starts off with Perry talking to Dick about his recurring dream he has, “Since I was a kid, I’ve had this same dream.” (Capote 92). Perry goes on to explain the dream, which involves him on Africa with a tree and a snake trying to swallow him “feet first” (Capote 92). However, Dick seems uninterested as he says, “So? The snake swallows you? Or what?” (Capote 92). This agitates Perry as he goes on to say, “Never mind. Its not important” (Capote 92). On the other hand, Dick’s response affects Perry as after he tells him it wasn’t important he says, “But it was! The finale was of great importance” This is just one example of why this scene is important because it shows us that Perry doesn’t feel he can really trust Dick with this side of him like he could trust his friend Wille- Jay.

Another theme throughout In Cold Blood is the attraction of opposite personalities between Hickock and Smith. The first scene of Perry Smith is with a guitar and a set of road maps. The guitar appears to function as a feminine image and symbol. Part of what attracts Hickock to Smith is that Hickock feels "totally masculine" by this. In one scene, the criminals' automobile is mentioned. One of Perry's possessions is the guitar, and the "instrument that characterizes his companion Dick... a twelve gauge pump-action shotgun." Another instance of Smith's feminism is Hickock's constant addressing of him as "sugar," "honey," and "baby," for example, Perry says "O.K., sugar—whatever you say" (Capote 46) to Dick when discussing the murder. Outside the novel, Truman Capote himself actually falls in love with Perry Smith; only he likes him because he sees a reflection of himself somewhat in Smith.

Perry looked for gratification in many sources, but never received it from the nuns who cared for him, who in turned used brute force to express emotions, or his father who he left after an explosive argument occurred between the two, so when he meets smooth-talker Dick in the Kansas State Penitentiary, Perry jumps at the chance to impress him, and does so by lying to him about a violent murder he says he committed. In many instances, Perry lies just to earn the approval of Dick, from the murder Perry didn’t commit that enticed Dick to become his friend to tattoo meanings, to try and level with Dick, and Dick knows this. Now while he does believe most of what Perry tells him, he also uses plans Perry has told him to advance his own agenda and further his own ambitions. He molds and shapes Perry into what he believes will benefit his own plans, and Perry eager to be accepted by Dick, follows in