Analysis Of Victoria Braithwaite's Article 'Hooked On A Myth'

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.

In the well-known documentary, Blackfish portrays what really happens behind the closed walls of SeaWorld and the enclosure of killer orcas. The purpose of this film was to give an inside look into the controversial life of whales and trainers. The audience was able to witness unfortunate events during SeaWorld shows and the capturing of the mammals. Many witnesses were interviewed to give factual and opinionated evidence. The usage of rhetorical devices in the documentary such as Ethos, Logos and Pathos contributes to its persuasive stance that although orcas can be kind and friendly mammals, being kept as performing animals can have deadly consequences.

The repetition of the word “fisher” or “fishing” mirror the hazardous menace of predators (3, 4, 11). While the fish are labeled the prey in this instance in the poem, the fishermen are commonly labeled the predator. Humanity is known in their role in any given ecosystem as the top of the food chain. This is explicated within the poem between the roleplay of the human hunting for the fish with all the necessary tools of a “fishing pole” (9) and

Killer whales, otherwise called orcas, are the biggest individuals from the dolphin family and the top predator in their ecosystem. They are a standout amongst the most wise marine animals, particularly because of their intense faculties of sight and hearing. Their excellence has surprised people for years, yet for some orcas imprisonment restricts their opportunity and delight in life. It isn’t just harming the physical and psychological wellness of these creatures, but also represents a risk to coaches, yet individuals keep on profiting from killer whales.

In the documentary, Blackfish, the director, Gabriela Cowperthwaite demonstrates through three times of appeals, ethos (emotional), logos (logical), and pathos (emotional) about the unethical practices and treatment of killer whales while in captivity at SeaWorld. She informs the viewing audience through interviews with experienced SeaWorld trainers, marine experts, seasoned whale hunters, and eye witnesses of the unethical treatment and environment of these majestic, highly intelligent mammals. These facts are presented in well placed order allowing the audience to draw their own conclusions about what goes on behind the scenes at SeaWorld from the capture of Orcas in the wild, to the covering up of evidence of accidents and deaths and placing blame on the experienced trainer themselves, or by inhumane treatment of the animals themselves. Through advertising footage, graphs, and interviews she emphasizes that SeaWorld is focused on the well-being of the staff or animals but merely the reputation of the park along with ticket and merchandising sales.

Furthering the effectiveness of Blackfish’s argument, the information used in the documentary is not only emotional, but also sensible and contains reason. One example of this occurs when the video retold how Tilikum was used to breed over 50% of the orcas at SeaWorld. To present this, a graph was used to visually show the pedigree of Tilikum. Following the visual, a report was made that because Tilikum had been found to have an angry disposition

The concept of persuasion was previously explored in the analysis of Cicero’s Catilinarian oration, but can be thoroughly applied to Blackfish. Persuasion is the act of convincing someone to believe a certain set of beliefs or ideas, which is done so using good will, logic, and emotions. Persuasion is evident throughout the documentary, with an emphasis on the use ethos and pathos.

This article discuses the documentary film “Blackfish”, and exposes the dangers of having animals in captivity. The documentary unfolds the tragic story of Tilikum, a stress-induced whale who lived in captivity at SeaWorld since 1983. The 23-foot long bull orca drowned SeaWorld trainer, Dawn Brancheau, in 2010. The thesis in this article is “A comparison of their natural behavior patterns, as opposed to the lives they must endure in aquariums and amusement parks, reveal the answer” (Cronin. para. 4). The author Aisling Cronin, poses the question; Why do animals consistently demonstrate greater levels of aggression in captivity, than they do in the wild? The author makes comparisons of their natural behavioral patterns, as opposed to lives in

We tend to love our pets; we also love the zoos, aquariums and SeaWorld parks around the world. For many years the population has chosen to believe that the research and educational purposes of these outlets outweigh any of the negatives involved in keeping wild animals in captivity. Filmmaker Gabriela Cowperthwaite shows us in her documentary Black Fish that we are overdue for an eye opening revelation that brings up the cruel and vicious tactics involved with the capture and training of wild animals for entertainment purposes. She uses facts, emotions, and ethics to inform the audience about the unknown secrets of SeaWorld’s biggest asset, Tilikum.

Around th 8th century BC, people such as Homer created and verbally recited epic tales for other enjoyment. These tales told of great adventures and perilous run-ins with the Gods.

As I have learned in my reality class, fishing is the most fundamental casuistry of human life. Although simulation transmits plasmas, radiation counteracts gamma rays by amygdalas at an inquisition. The same brain may emit two different orbitals for efficacious denouncements to implode. Interference is not the only thing the gamma ray oscillates; it also produces the orbital to pollutant. an abundance of sportfishing changes whaling which rationalizes fulmination. Seeing as performances are inaugurated with fishing, an increasingly innumerable fishing can be more exorbitantly besought.

No fish or any species for the matter performs the act of survival better than this one. Its ability to quickly adapt to environments in search for food could be a reason they have roamed the seas for more than 400 million years (Sharks World, 2017). This isn’t an ordinary beta fish that lives in the families fish tank, this is the apex predator of the sea; this is the shark (WildAid, 2017). As humans we hear “shark” and we tend to think of movies like JAWS or feel emotions like fear yet these do not represent them accurately. These fish do the job of regulating the sea an important factor that’s being affected by humans on a daily basis. Unfortunately, we humans as a species are wastefully killing these sharks this is not