Analysis Of Virginie Despentes ( 1969 )

The Beauty Myth’s central argument is the growing standards of physical beauty of women as they grow stronger. This standard has affected women in many ways, such as in the workplace, culture, and religion. The standard has taken over the work of social harassment. The beauty myth expands the belief an unbiased measurement of beauty exists and that women want to express it and men would want that women. The author, Naomi Wolf, states that the beauty myth is not about women themselves, it is about the power of men and their society. The myth supplies power to multibillion dollar cosmetics industries and it keeps women from rising too high in the workplace. Within this book, Wolf shows how the beauty myth functions and affects women in the workplace, media, sex, religion, culture, violence against women by men, and by women themselves in the configuration of cosmetic surgery and eating disorders.

Throughout their lives, women of all ages are constantly being bombarded with advertisements convincing them they must meet an ideal of the perfect body image. This is all thanks to companies that share a common goal to influence the mainstream population into believing they need to purchase certain products in order to compare to the impossible standards set by the beauty industry. In Dave Barry’s “Beauty and the Beast” he displays that it is planted in young girls minds that they need to look, dress, feel, and even act a certain way. However, men aren’t as affected by these capitalistic marketing schemes. In short, the media has affected the way women think of themselves.

The beauty standard is a culturally constructed notion of physical attractiveness that has become increasingly imperative for women and men. However, this standard has become extremely perilous to men and women’s self-image. Camille Paglia, a highly educated individual who earned her PhD at Yale University and became a highly acclaimed author, explicates this conception in her essay “The Pitfalls of Plastic Surgery”. Paglia suggests that the beauty standard idealizes women to look like “sex symbols with an unattainable grandeur” (776). She continues to claim that it forces her audience of higher class women to pay large sums of money in order to alter their features ultimately conforming to a very “parochial” definition of beauty (776). Although Paglia is a highly credible source, she illogically appeals to the reader’s fears in order to persuade them. Paglia fails to give any credible outside sources which affirms her preposterous beliefs. Contrary to her inconsistencies, Daniel Akst, a social journalist and graduate from New York University provides his audience with reputable sources in order to persuade his audience. Daniel Akst believes that there needs to be a “democratization of physical beauty” in which instead of attempting to alter the beauty standard, we must first change how we view ourselves. Akst provides credible sources to establish his credibility where he observes cases studies and cultural experiments from scientists and organizations including:

The Virgin of Jeanne d’Evreux was commissioned by Queen Jeanne d’Evreux, wife of King Charles IV, sometime between 1324 and 1339, and donated to the royal abbey church of Saint-Denis in 1339 according to the inscription on the pedestal (Barbier). French royals in the 13th and 14th centuries often had luxury works of metal and enamel commissioned for churches, palaces, or their private homes (Kleiner).

From the beginning Julia sought to press the boundaries of both accepted speech as well as the which was considered appropriate for women, and effort that led her to explore and incorporate in her texts previously ignored setting and experiences and to create precarious, conflicted identities.(The Unfolding of Self Poetry of Julia de Burgos) Julia from the start had a driving force that was not going to be stopped by the norms of society, she had a mission to show the world her true identity and the hardships that she experienced.

“The Beauty Myth” written by Naomi Wolf is an essay written to present how the advancements of women in social power lead to a societal backlash that lead to a woman’s value being equated to her appearance by both sexes. This devaluation of women has led to a harmful relationship with food and women subjecting themselves to mental and physical torture to be thin. Wolf describes in the 1920s was the first time that women became “preoccupied with dieting and thinness” after receiving the right to vote. In the 1950s, women’s curves were celebrated again because “their minds were occupied in domestic seclusion.” According to Wolf, when women were in male spheres, “that pleasure had to be overridden by an urgent social

Raina Kelley covers society's issues and cultural controversies for Newsweek and The Daily Beast.’s. In her article “Beauty Is Defined, and Not By You” aims to convince her readers that women success or not is not depends on beauty. “When I’m on m deathbed, I hope to be smiling in satisfaction about all I accomplished, not that I made it to 102 without any cellulite.” One of her goals is to remain all girls do not get influence by this society, just be brave and continue to reject that beauty is the only way to get ahead. Kelley used personal experiences, facts and examples, also counter argument to create a convincing argument.

The argument of The Beauty Myth is that as women have received more eminence, the standard of their personal appearance has also grown. Wolf’s position on the issue is that this type of social control is potentially just as restrictive as the traditional roles of women. The Beauty Myth discusses how society’s viewpoint of beauty is detrimental to women because it causes many emotional and psychological problems to women who strive to become “perfect”. This book is important due to the fact it raises awareness to the issues that many young women are currently facing.

“Never Just Pictures” by Susan Bordo, is about how today’s society is influenced by the mass medias unrealistic ideas of how they are supposed to look. In this essay, the author breaks down the images being showcased by today’s culture concerning the aesthetics of the female body. Bordo also talks about how what was considered ‘beautiful’ or ‘perfect’ before has changed. Lately, the world has been on a craze to look like the air brushed model in the picture. Bordo explains how a lot of people are becoming more obsessed with their physique, and depending on looking thin to make them happy, instead of focusing on being happy and healthy.

In the article “Never Just Pictures,” Susan Bordo acknowledges how the cultural perception of body image of both men and women has been increasing in viciousness exponentially. The societal views of the models in advertisements, on television or in magazines, have proven themselves to be “fabulously” horrific throughout the last few decades. However, an incredible amount of commercial funding, euphemistic language, dietary support groups and other lifestyle changes are merely thought up, created and shipped out door-to-door to virtually all people who cannot simply stand being a kind soul towards others who are apparently suffering, in the medias (blind) eyes. This terrifying phenomenon is especially shocking since there have been articles

Through the media society puts out high standards and expectation on women to adhere to what they say is beautiful. Making women judge mental and self consciousness about themselves and even judging other woman in a split second. In the book Mrs. Breedlove speaks on the affect the movies had on her,”She was never able, after her education in the movies, to look at a face and not assign it with some category in the scale of absolute beauty, and the scale was one she absorbed in full from the silver screen” (122). This explains how the media can cause society to be judgmental among their peer and categorize them as either beautiful or ugly. Giving society room to isolate and antagonize the ugly and adore and idolize the beautiful.

It’s difficult to envision a world where idealized female imagery is not plastered everywhere, but our present circumstance is a relatively new occurrence. Before the mass media existed, our ideas of beauty were restricted to our own communities. Until the introduction of photography in 1839, people were not exposed to real-life images of faces and bodies. Most people did not even own mirrors. Today, however, we are more obsessed with our appearance than ever before. But the concern about appearance is quite normal and understandable given society’s standards. According to Jane Kilborne, “Every period of history has had its own standards of what is and is not beautiful, and every contemporary society has its own distinctive concept of the

“How dare anybody tell me what I should look like…” is what Anna says to her mother in the film “Real Women Have Curves”, when Anna’s mother made a commit about her weight and how it does not fit with societies’ looks of a young Chicana woman. The cultural expectations of society are usually given to us by films and movies. The cultural expectation of one’s own family by the parents is to have their direction followed regardless of what the children want. The cultural expectation from society of women is to act like housewives with no occupation, who should only care for the family and do housework. Challenging these cultural gender expectations are some of the films we have watched in our class. The rebellion of societal gender norms starts with films and movies.

It 's not a mystery that society 's ideals of beauty have a drastic and frightening effect on women. Popular culture frequently tells society, what is supposed to recognize and accept as beauty, and even though beauty is a concept that differs on all cultures and modifies over time, society continues to set great importance on what beautiful means and the significance of achieving it; consequently, most women aspire to achieve beauty, occasionally without measuring the consequences on their emotional or physical being. Unrealistic beauty standards are causing tremendous damage to society, a growing crisis where popular culture conveys the message that external beauty is the most significant characteristic women can have. The approval of prototypes where women are presented as a beautiful object or the winner of a beauty contest by evaluating mostly their physical attractiveness creates a faulty society, causing numerous negative effects; however, some of the most apparent consequences young and adult women encounter by beauty standards, can manifest as body dissatisfaction, eating disorders that put women’s life in danger, professional disadvantage, and economic difficulty.

We are constantly surrounded by images of the “perfect” woman. She is tall, thin and beautiful. She rarely looks older than 25, has a flawless body, and her hair and clothes are always perfect. She is not human. She is often shown in pieces – a stomach, a pair of legs, a beautifully made up eye or mouth. Our culture judges women, and women judge themselves, against this standard. It is forgotten that “beauty pornography”, as Wolf says, focuses on underweight models that are usually 15 to 20 years old. Flaws, wrinkles and other problems are airbrushed out of the picture.