Analysis Of Walt Disney 's ' Sleeping Beauty For The Past Century '

From Disney’s feature film, Snow White and the Seven Dwarfs, through to many of its princess movies, the female protagonist is reliant on a male counterpart as either their goal or last hope. For example, Ariel in The Little Mermaid sacrifices her voice for a far off prince and Aurora in Sleeping Beauty can only be awoken by a kiss from one. However, as public opinions in society changed, Disney also shifted it focus when it came to dealing with female leads. To do this, they scripted strong and independent women, who could rely on themselves, rather than on some glorified man. Although transcendentalism does not solely focus on females when it comes to its ideals, the practice of self-reliance by these modern Disney princesses is in direct

Giambattista Basile’s dark rendition of “Sleeping Beauty,” entitled, “Sun, Moon and Talia,” is a story that brings the reader into a world that encompasses the idea of women being submissive creatures only valued for their beauty and at the mercy of men. The 2014 movie Maleficent, directed by Robert Stromberg, tries to subvert the notions of a male patriarchy by establishing Maleficent as an unlikely hero whose motivations go beyond the classic architype of a handsome prince claiming a one dimensional princess. Despite the movies attempts at establishing a more feminist friendly view of “Sleeping Beauty,” both Maleficent, and “Sun, Moon and Talia,” reduce the central characters of Aurora and Talia to simple props; completely devoid of

For my final paper where we had to pick a topic from current popular culture, I decided to write my paper with the focus on Disney movies. More particularly with the focus on the Disney princess movies. When it comes to the Disney movies they have always been and will always be such a huge part of our society. While growing up most children grow up watching these movies and get the idea that that is what they want to be when they grow up. When you ask a young girl what she wants to be when she is older there is a good chance that she will say that she wants to be a princess when she grows up. I have always been such a huge fan of Disney movies and I have a feeling I always will be. I found it very interesting this semester when we spend the short class period talking about the Disney female and male characters. It is rather interesting and something that I can say that I really never noticed before but the fact that the majority of all the female characters all had the same face shape. Whereas the males there were none two that were the same. However for this paper I will be looking into the relationship to cultural meanings about gender and other identity markers, such as race, sexuality, and cultural norms as seen in some of the more classic well known Disney movies.

In the past years, Disney/Pixar has revolutionized the premise of their movies by shifting away from princesses and portraying resilient male characters as the protagonists of their highly successful animated feature films. From 1995 to 2008, Disney/Pixar released eight films, all of which included a male lead, yet these characters are arguably unlike any other protagonist in early Disney animated films. In their essay, “Post-Princess Models of Gender: The New Man in Disney/Pixar,” Ken Gillam and Shannon R. Wooden call attention to the new manner Disney/Pixar use to depict their heroic male characters in their movies. Gillam and Wooden claim that Pixar is using their movies to promote the acceptance of a new standard of masculinity capable of embracing feminine traits, as conveyed by the male characters within the films. As a viewer, it is easy to recognize the emasculation of the male protagonists within Pixar movies, however, the authors’ claim is faulty; they fail to acknowledge that society now has room for a new sympathetic man because it is straying way from a patriarchal beliefs of the past.

Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.

Disney makes over $3 billion on their Disney Princess products every year and now have over 25,000 items in their princess collection (Orenstein 2). Disney has played a big role in shaping not only societal viewpoints on what young girls should like, but also what little girls believe they should enjoy as well. Gender stereotypes have been around for a long time, but now with technology advancements, such as media in western society is able to play a bigger than ever role in influencing people’s perspectives. Not only do we see gender roles and stereotypes in television shows, but also in advertisements and in children’s toys. Although many readers of Peggy Orenstein’s “What’s wrong with Cinderella” have argued that the princess culture is corrupting today’s young girls and making them more dependent on men, a closer examination shows that many girls grow out of the princess phase with no negative repercussions and choose whatever passions they want.

This article is divided into three different sections- Finucane’s Theory, the Hottie Mystique and the media onslaught. The Finucane Theory comes about because of a mother that was worried about her daughter and the influence they were having on her. Her theory states “Many Parents and commentators defend Happily Ever After against what some critics call a rising “feminist attack,” and credit the comely ladies with teaching values such as kindness, reading, love of animals, and perseverance. When questioned, Disney never really responded to the allegations but stated the same standard statement, “For 75 years, millions of little girls and their

“Beauty and The Beast” is a classic well known romantic Disney movie that depicts the gender role of men and women in society. The film is based upon a smart young female protagonist named Belle who is imprisoned by a self-centered young prince after he has been turned into a beast. They both learn to love each other in the end and throughout the film there are several examples shown portraying the roles of gender. In the film the main characters Gaston and the Beast portray themselves as rude, conceited and more important than the woman even though the main character Belle is a woman whom is considered odd, yet smart, and unrelated to most women in society.

Hans Christian Andersen’s story, “The Little Mermaid” talks about a girl who saves a young man from drowning and falls in love with him, and she later learns that the young man she saved was a prince. In this world women believe that they are not capable of doing nothing or being nothing without a man in their lives. Disney’s film, “The Little Mermaid”, by Ron Clements and John Musker, present a version that makes an appearance for children, so it is harder to catch on where a woman needs a man in her life whether it is her father or a husband. In the Disney film the director makes the mermaid (Ariel) look so vulnerable and weak for a young woman. Women now these days say that they were made to believe that they have to depend on a man because they will not make it without them. In the story the author made it seem like all women cannot do want they want or that they are limited to do and say certain things because they are women. Women grow up to believe and to think that they need a man because that is how many men and society made women and young girls look like. So, part of this faulting it the men because they beliefs are that women cannot do what they do or that women and young girls belong at home to behave right and look pretty for the men. Andersen is a good example of Feminist and Gender criticism because women should believe that they can make it without having to rely on a man. Women should start believing that they are as equal as a man whether it’s at a job, relationship, at home, and in society because we are not meant to be looked at as a fragile and weak woman, we are supposed to show everyone that women should be equal to men on all types of levels. Andersen examines representation of gender, dependence, and cultural stability to explore notions of equality in gender.

For decades now, Disney Corporation has been providing us with countless films made to delight and amuse children and adults alike. But not all Disney films seem particularly appropriate for their target audience. Many of these films portray violence, gender inequality, and skewed views of leadership roles that seem altogether inappropriate for impressionable young children. Better and more contemporary heroines need to be added to Disney’s wall of princesses in order to counteract years of sexism.

The portrayal of women, gender roles and stereotypes in Disney films has long been a controversial topic. Disney’s 1959 animated film, ‘Sleeping Beauty’, and Robert Stromberg’s 2014 live action remake, ‘Maleficent’, each provide a different take of Charles Perrault’s 1697 fairy tale, ‘La Belle au bois Dormant’ (‘The Sleeping Beauty’). The comparison of Aurora, one of the main characters from both films, brings into light the stark contrast in portrayals of gender roles as well as physical ideals and stereotypes in women. Emphasis or lack thereof on physical characteristics and gender representation from both texts challenge and reflect ideals and stereotypes that are impactful to the audience.

All over the world Feminism is a current topic of concern and there are very few advocates who are currently fighting for gender equality. In the media men and women are attempting to use their voices to fight for equal rights and get the message across to all generations. In this paper, I will be analyzing the movie Beauty and the Beast (2017) by drawing upon the feminist theory, which will demonstrate how the main female character, Belle challenges the modern-day system of inequality and the socially constructed gender roles. I will do so by examining why Emma Watson was chosen as the leading actress, how Belle is different than the other women in her town, the modifications from the original movie, and how Belle ultimately gets to decide her destiny. I will also consider why some people may view the film as anti-feminist, which will allow for me to understand a different perspective. It is my thesis that socially constructed gender identities are negatively presented in popular culture, however actors and actresses are attempting to use their influence to make an impact and move towards equality.

My research paper focuses on how the 1989 Disney film, The Little Mermaid, objectifies the female characters' value and bodies within the film's music, rhetoric, and imagery. I analyze direct examples in which the male characters, King Triton and Prince Eric, impose misogynistic and sexist attitudes towards the female characters, Ariel and Ursula, which may ultimately idealize women as weak, submissive, and objects of sex. This is a problematic theme to perpetuate within classic films viewed by all ages simply because these ideas are vital in sustaining women’s social maltreatment and demonization within society. Because the audience of this paper includes my fellow colleagues and highly skilled and trained professor, I present it in an academic

In Sleeping Beauty, the Prince is portrayed a strong and courageous person, he can be seen as a great character because he overcomes many obstacles to be able to help the Princess survive. Although Sleeping Beauty is a fairy tale and is stereotypically more admired by girls, the masculine tale might be liked by the male population because they aspire to be the male hero. Maleficent shows the feminine tale and warns the girls that not men cannot be trusted in some cases, and that there is no need to have a man by your side. A woman can survive on their own using her own intelligence and courage to overcome any obstacle that she might face. For the female population, this change is very important because this “hero” story helps us relate to the character and our desire to do great and special acts (Seger 387). This film proved that a woman is capable of defeating evil, and brings a new perspective into Disney

Cramped in a small Los Angeles office, Walt Disney drew a few larger than life cartoons. After Disney’s big hit Alice Comedies and cartoons of Mickey and the gang, he moved his office to Burbank, California. There, Walt and his brother, Roy, came up with their most famous movies such as Cinderella, Snow White, and Alice in Wonderland. Now with two American amusement parks, three international parks, multiple cruise lines, multiple resorts, over five hundred films, and over thirty academy award, it’s hard to not heard of Disney. Every boy or girl has at least seen or heard of Disney movies. It’s such a big part of society today that it becomes influential in a kid’s childhood. This project will look at the underlying effect of the Disney princess phenomenon and how it shapes a young girls’ perspective of herself and how she’s “supposed” to be.