Analysis Of Where Are You Going Where Have You Been

In 1966, Joyce Carol Oates published her short story “Where Are You Going, Where Have You Been?”. Oates was inspired to write this story after reading about a serial killer that was referred to as “The Pied Piper of Tucson”. Oates was disturbed by the number of teenagers that this killer was able to persuade to help him and keep his secrets (Oates 1). Oates uses irony, imagery, and symbolism to support her theme of evil in this short story.

Oates emphases that Connie is in her adolescence, who is trying to transition into thinking like an adult. Connie, who is obsessed with her appearance, is constantly “craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right”(Oates 1). She is starting to

Theriot, Michele D. "The Eternal Present in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”." Journal of Short Story in English 48 (2007): 59-70. Print.

"Where are you going where have you been?" is a short story about a young 15 year old girl who is trying to fit in with the rest of the world, and is very preoccupied with her appearance and living in this pop cultural fantasy. Connie is always ignoring her mother 's criticism about wanting her to be more like her older sister, June, who is no longer living a life of fantasy and has her act together.. One night, a boy named Eddie invites Connie to eat dinner with him, and Connie leaves her friend at the restaurant’s counter to go with him. As Connie and Eddie leave the restaurant, she sees a man in a gold convertible in the parking lot. He smiles at her and says, “Gonna get you, baby.”. Connie confused, walks away quickly confused not really knowing what actually happened, and Eddie notices nothing. They spend three hours of their night at dinner, and end up going to a nearby alley living in that fantasy of being that mature woman who knows what a man wants. One day, Connie 's parents and June leave her at home to go to a family barbeque leaving her all by herself. While she was at home alone, she was listening to her radio when out of nowhere she hears a car pull up to the front of her house. Startled, she looks out of the window to see

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

In this essay, I argue that the main theme of “Where Are You Going, Where Have You Been?” is internal conflict. The main character, Connie, struggles with multiple internal conflicts throughout the short story. Some of these internal conflicts include a search for independence, internal judgment, and fantasy versus reality.

The characterizations of Connie’s family members have great effects on Connie. And Connie’s mother’s characterization is the main motivator for Connie’s rebellion. She always compares Connie with June, who is the “ideal daughter” in her eyes, and blames Connie for some little things, such as improper dressing and not having a tidy room. Oates suggests that the reason for Connie’s mother prohibiting Connie to dress up like an adult is that “ Her mother had been pretty once too” (Oates 1), but now “her looks were gone and that was why she always after Connie” (Oates 1). Therefore, she is jealous about Connie’s beauty and feels uncomfortable when seeing Connie wear beautiful outfits. Meanwhile, she likes June so much because June is obedient and plain, which makes her feel that she is dominant in the relationship. In the short story, Connie’s father is not given much description by the author, but

The characterizations of Connie’s family members have great effects on Connie. And onnie’s mother’s characterization is the main motivator for Connie’s rebellion. She always compares Connie with June, who is the “ideal daughter” in her eyes, and blames Connie for some little things, such as improper dressing and not having a tidy room. Oates suggests that the reason for Connie’s mother prohibiting Connie to dress up like an adult is that “ Her mother had been pretty once too” (Oates 1), but now “her looks were gone and that was why she always after Connie” (Oates 1). Therefore, she is jealous about Connie’s beauty and feels uncomfortable when seeing Connie wear beautiful outfits. Meanwhile, she likes June so much because June is obedient and plain, which makes her feel that she is dominant in the relationship. In the short story, Connie’s father is not given much description by the author, but his characterization has an effect on Connie as well. The irresponsible father spends little time with family and seldom has conversations to his daughters. When hearing his wife’s complain about Connie, he just bends his head with saying nothing, which makes Connie feels ignored and lonely. Urbanski states that “The father, who spent most of his time at work, is weak” (Urbanski 200) to reveals the father is not an active figure in his daughter’s life. Therefore, lacking of the company and communication of family members, Connie becomes upset. In addition, Connie’s sister June, who has the opposite characterization, is also one of the reasons for Connie’s rebellion. In Connie’s eyes, June is a

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end

The 1960s marked the beginning of some new ways of life: young women had sex, drank alcohol, and stopped caring about the Church. Joyce Carol Oates’ main character, Connie, in her story “Where Are You Going, Where Have You Been?” is the perfect example of the typical teenage girl of that period. Oates demonstrates in her short story, through the use of music as a motif, her characterization of Connie’s parents, and her choice of title, that this lack of religion and authority in Connie’s life is what resulted in her unfortunate encounter with Arnold Friend.

Where are you going, Where Have You Been, written by Joyce Carol Oates, was a about young girl named Connie who wanted freedom and independence. Connie did not understand the consequences of having freedom and how to protect yourself from malicious people. In the beginning of the tale, Connie was conceited and thought she superior to everyone else. “Stop gawking at yourself, who are you? You think you’re so pretty?

Both the movie and the story emphasize the dramatic separation of understanding between Connie and her mother. The apparent lack of depth in Connie and her father’s relationship dims in comparison to the almost-tangible hatred Connie seems to feel toward her mother, her mother “who had been pretty once too, but now her looks were gone, and that was why she was always after Connie” (Oates 148). Despite the anger she feels, however, it is her mother that Connie cries out to for help in both versions as she sees herself forced to give into Friend’s wishes in an attempt to spare her family the evil he hints will come

“Where Are You Going, Where Have You Been?” by Joyce Carol Oates is a story of nightmares and vanity and how a child becomes an adult in a harsh world. Connie is asleep. Arnold isn’t real. The situation is not real. After her parents left and after she washed her hair she is sitting on a lawn chair in the sun.

As the story progresses, it is Sunday morning and her family is getting ready to attend a family bar-b-queue. However, Connie insists on not attending and is left alone at home. As she is washing her hair, she hears an unfamiliar car driving up to her house and her heart begins to pound for she does not want the visitor to see her undone. When Arnold Friend, a man she has seen at the restaurant before, but has never spoken to, shows up on her doorstep, she is someone curious as to why he is visiting her. Throughout the scene, he is attempting to persuade Connie into taking a ride with him and his friend Ellie. The more he speaks to her, he reveals to her that he knows many things about her such as her friends, her name, and family and where they are currently at. As the scene develops, Connie no longer has interest in Arnold for she now is scared and is fearful of what his intentions are.